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Bebop Spoken There

Tony Fisher: In the heyday of that scene [the1960s] there were about 120 musicians in London who did everything and of course, if you made a mistake you were never called again." - (Jazz Journal online, 19 September 2019).

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Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

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COFID- 19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Sunday, April 21, 2013

CD Review: Chris Greco Quartet - Trane of Thought


Chris Greco (soprano/tenor sax, flute, clarinet); Brad Rabuchin (guitar); Dean Taba (contrabass); Kendall Kay (drums, congas)
(Review by Les)
Before getting into the detail there are a couple of things worth noting at the outset.  Firstly, whilst this CD is a new release (as of March 2013) the recordings were made in 1994.  Secondly, the use of the word Trane in the title is more a "doffing of the cap" to the Jazz Icon than any reference to the music on this release.  
Chris Greco hails from LA, and is well-schooled in both classical and jazz disciplines (a well-qualified, multi award-winning product of UCLA).  He appears to involve himself in many projects, often simultaneously, and his body of works are now finding the light of day on gwsfourwinds.
This latest release showcases eight compositions by Greco plus the final track Soul Eyes, many of the self-penned numbers having titles linked to the Pleiades star constellation (Sterope, Merope, Maia and Electra being four of the seven stars).
Greco's notoriety in the jazz world is borne largely from his improvisational skills, and if this album's anything to go by this revolves around blowing over a steady groove, as opposed to anything free-er.  It's certainly not wild nor groundbreaking, and whilst it's competent and well played it will suit a certain sort of improv fan who doesn't like matters to get too left field.
From a personal perspective, the first track, Sterope, is certainly my favourite, starting as it does with some atmospheric, free playing before settling into a groove for Greco and Rabuchin to play over.
There are some good moments throughout the album, although the overall impression for me is that it's just a bit safe, perhaps just too much of a laid-back, West Coast feel to it.  Also (and this is down to individual taste), I find Rabuchin's guitar tone to be just a little over-processed.  Decent player, but on this outing his sound's a little too homogenized-LA.
Respect is due to the rhythm section; Taba is solid throughout and Kay shows some real diversity to his playing on both drums and congas.
Nevertheless, this is an interesting album that I'd recommend you borrow rather than buy, and serves as a marker for someone to look out for.  It will be interesting to see (and hear) what Chris Greco's up to these days, and should he come to a place anywhere near you I'd say he's definitely worth a punt for the price of a ticket.
Those interested, please visit http://www.erjn.it/greco.
Trane of Thought released March 19th 2013.
Les.

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