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Bebop Spoken There

Abdullah Ibrahim: "For me jazz is the highest form of music." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Saturday August 24

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Mellow Baku - St Augustine's Parish Centre, Larchfield Street, Darlington DL3 7TG. 12:30pm. £10.00. (under 16s free). Line-up: Mello Baku (vocals), John Hallam (reeds), Andy Dickens (trumpet), Ian Bateman (trombone), Tom Kincaid (piano), Rachel Hayward (guitar, banjo), John Day (double bass), Nick Millward (drums).

Jo Harrop w Paul Edis Trio - Ushaw College, Ushaw DH7 9RH. 1:00pm. £10.00. Ushaw Jazz Festival.

Boys of Brass - Bill Quay Beer & Music Festival, Brack Terrace, Bill Quay, Gateshead NE10 0TT. 3:00-4:30pm. (Festival 1:00-11pm). Tickets: £10.

Xhosa Cole-Francis Tulip Quintet - Ushaw College, Ushaw DH7 9RH. 4:00pm. £8.00. Ushaw Jazz Festival.

Evening

Matt Anderson & Paul Edis - Ushaw College, Ushaw DH7 9RH. 6:00pm. £6.00. Ushaw Jazz Festival.

Tony Kofi & the Organisation - Ushaw College, Ushaw DH7 9RH. 8:00pm. £14.00. & £12.00. Ushaw Jazz Festival.

Picturehouse Deluxe + Kay Greyson - Bobik’s, Punch Bowl Hotel, Jesmond Road, Jesmond, Newcastle NE2 3JY. 8:00pm. £5.00. Line-up: Georgia Turnbull (vocals & keys), Thomas Dixon (reeds), Jamie Mackay (guitar), Adam Cornell (bass), Ben Fitzgerald (drums).

Jam session - Ushaw College, Ushaw DH7 9RH. 10:00pm. Free. Ushaw Jazz Festival.

Blues/Funk/Soul

Teresa Watson Band - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, April 07, 2013

GIJF Day 2: Workshop: An Introduction To Vocal Improvisation: At GOTH

Lindsay Hannon (tutor)
(Review by Ann Alex).
About 18 of us, mostly women, gathered at Gateshead Old Town Hall, to find out about exploring our voices in order to use them adventurously and hopefully musically.  We started with relaxation exercises and some rather raw sounds, and by the end of the session we’d produced 2 viable pieces of a capella music, working in 2 separate groups, so this was a very successful, well taught session.
These workshops always begin with yawning, stretching and various odd vocal sounds, which must sound very strange to those outside the room. We practised such things as keeping to the beat over 4 beat bars, by doing this in turn without missing a beat, much harder than it sounds.  Many singers can do this when singing something from the gasbook, but I find that actually doing it as an exercise is something else.  Yet this is an essential skill for working with musicians, as the music will continue regardless, the singer just has to keep to the time.  We then sang variations on 1 note over 4 beats, and as the group by now felt comfortable with each other, we had musical conversations, in pairs.  This is great fun, and you can’t help but interact and work with each other’s sounds.  Try it at home sometime!
We sang repeated riffs in groups, which I find quite moving, it reminds me of African village music.  We had built up to the final task, which involved us in planning a short piece of improvised music.  Our group based the piece on the idea of beginning, middle and end, in 3 sections with a rich-sounding bass voice introduction, and a lovely, lyrical solo from one of the women, Joanne.  The other group did lively skilled vocal variations with many solos, smashing to listen to. Many thanks to Lindsay, who was hampered by having a nasty cold, so she produced some interesting vocal sounds of her own!
So next time you listen to a jazz singer, remember that we don’t just open our mouths hoping something good will float out, there’s thought behind it, about bars etc, and not just bars where you can get drinks!
Ann Alex

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance