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Bebop Spoken There

Michael Dease: "Slide [Hampton] is also one of the people to expand the range of the horn, so he's popping out high Fs like they're breakfast cereals." - (JazzTimes Oct. 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Friday October 18

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Classic Swing - Jesmond Royal British Legion Club, West Jesmond Avenue, Jesmond, Newcastle NE2 3EX. Tel: 0191 281 0736. 1:00pm. Free.

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Evening.

Ella Fitzgerald: Just One of Those Things - Forum Cinema, Market Place, Hexham NE46 1XF. Tel: 01434 601144. 7:00pm. £8.30. - £5.80. Film (2019, 89 mins) directed by Leslie Woodhead. Swing Bridge Trio in Café Bar following screening.

Dave O’Higgins & Colin Oxley - Great Broughton Village Hall, Ingleby Road, Great Broughton TS9 7ER. 7:30pm. £20.00. ‘O’Higgins & Oxley Play Monk & ‘Trane’. Oxley replaces Rob Luft.

Paul Taylor - Ushaw College, Durham DH7 7DW. Tel: 0191 334 5119. 7:30pm. Free (donations). An Ushaw Piano Festival event.

Jazz Lads - Saltburn Cricket Club, Marske Mill Lane, Saltburn TS12 1HJ. Tel: 01287 622761. 8:00pm. £5.00.

Guisborough Big Band - Saltburn Golf Club, Guisborough Road, Saltburn TS12 1NJ. Tel: 01287 622812. Time TBC.

Miles Davis: Birth of the Cool - Tyneside Cinema, Pilgrim Street, Newcastle NE1 6QG. Tel: 0191 227 5500. Time 8:30pm. Screening of Stanley Nelson's documentary film (2019, cert. 15, 1hr 55mins).

Blues/Soul etc.

Ray Stubbs R & B All Stars - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, April 09, 2013

GIJF Day 3: Jazz Words Part 2 - Christine Tobin’s Sailing To Byzantium.


Christine Tobin (vocals and Composer); Phil Robson (guitar); Kate Short (cello); Liam Noble (piano); Dave Whitford (double bass).
(Review by Ann Alex.)
(Christine Tobin: Photo credit, Mark Savage.)
The talented Christine Tobin won a British Composer Award in 2012 for this work, which I found mostly enjoyable and true to the spirit of WB Yeats poems, which I know quite well. I’d be interested to know what people, who didn't know much of Yeats’ work, made of this.

This was very evocative material, starting with a reading of the poem The Lake Isle of Innisfree, from a CD, a poem many people may remember from their school-days   The other poems were sung with great feeling by Ms Tobin, with very skilled and appropriate accompaniment.  For instance, When You Are Old And Grey was a slow melodic tune, as suitable for a love poem, written about Yeats’ life-long unrequited love for Maude Gonne, who was married to one of the men involved in the ill-fated Easter Rising at Dublin in 1916.  The next poem concerned Celtic mythology, which interested Yeats, and began with a haunting cello introduction.  The Wild Swans At Coole concerned memories from Yeats’ younger days, with gliding swan-like music from guitar and cello.  The mood changed completely for The Second Coming, about a possible catastrophic future for the world, ‘ And what rough beast, its hour come round at last’, she sang, to shrieks and wild guitar and cello sounds, and dramatic beastly breathing into the microphone.  I thought this worked well, but not everyone liked this, as two of the audience left at this point.
I’m not sure if the final 2 poems were really successful.  The Long Legged Fly was read through a megaphone, and I couldn't understand why this was, as this difficult poem appears to be about various historical events. It would have been good to hear the poem mentioned in the title of the session, Sailing To Byzantium, in which Yeats meditates about old age, but Ms Tobin explained that its inclusion had not proved feasible. 
The short discussion which followed allowed the originators of both the Yeats and Larkin projects to outline how they had tackled their work, with comments from local award-winning poet Sean O’Brien. The discussion then developed into talk about the nature of art and music in general.
Both these jazz and poetry sessions were enjoyable and thought provoking.  
Ann Alex.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance