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Bebop Spoken There

Lakecia Benjamin: "From my early days with Clark Terry, he told me 'they see you before they hear you'... I'm just not from that school of thought where I'm gonna wear my jeans and T-shirt on stage and that's going to be respectable." - (Jazzwise, February 2023)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

15056 (and counting) posts since we started blogging 15 years ago. 75 of them this year alone and, so far, 75 this month (Jan. 25).

From This Moment On ...

January

Fri 27: Zoë Gilby Quartet @ Gala Theatre, Durham. 1:00pm. SOLDOUT!
Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 27: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 27: Hip Hop Hooray @ Bar 52, Newcastle. 7:00pm.
Fri 27: John Dikeman, Pat Thomas, John Edwards, Steve Noble @ Lit & Phil. 7:30pm. £10.00.
Fri 27: Rob Heron & the Tea Pad Orchestra @ Hoochie Coochie, Newcastle. 7:30pm. £10.00. on the door. A Swung Eight event.
Fri 27: Merlin Roxby @ Prohibition Bar, Newcastle. Ragtime & stride piano. 8:00pm.

Sat 28: Tyneside Improvisers Workshop @ Ye Olde Cross, Ryton. 2:00-4:00pm. All welcome.
Sat 28: Secular Sounds in a Sacred Place @ Holy Cross Church, Ryton. 4:30-7:00pm. £10.00. Continuous performance featuring: Christian Alderson, Faye MacCalman, Sally Pilkington, John Pope. Event preceded by a Tyneside Improvisers Workshop (2:00pm, see above).
Sat 28: Entartete Musik @ The Globe, Newcastle. 7:30pm. A Brundibár Arts Festival event.

Sun 29: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 29: Musicians Unlimited @ Park Inn, Hartlepool. 1:00pm.
Sun 29: 4B @ The Exchange, North Shields. 3:00pm.
Sun 29: Hypnotic Brass Band @ Cluny, Newcastle. 7:00pm (doors). £20.00.
Sun 29: Jam No.12 @ Fabio's, Saddler St., Durham. 8:00pm. Free. Durham University Jazz Society jam session. All welcome (students & non-students).
Sun 29: Origin @ The Globe, Newcastle. 8:00pm.

Mon 30: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.

Tue 31: ???

February

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 01: 4B @ The Exchange, North Shields. 7:00pm.
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 01: Moonlight Serenade Orchestra UK: Glenn Miller & Big Band Spectacular @ Darlington Hippodrome. 7:30pm.

Thu 02: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 02: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 2:30-4:30pm. £1.00. All welcome.
Thu 02: Paul Skerritt Duo @ Tomahawk Steakhouse, High St., Yarm. 8:00pm.
Thu 02: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Tuesday, April 09, 2013

GIJF Day 3: Jazz Words Part 2 - Christine Tobin’s Sailing To Byzantium.


Christine Tobin (vocals and Composer); Phil Robson (guitar); Kate Short (cello); Liam Noble (piano); Dave Whitford (double bass).
(Review by Ann Alex.)
(Christine Tobin: Photo credit, Mark Savage.)
The talented Christine Tobin won a British Composer Award in 2012 for this work, which I found mostly enjoyable and true to the spirit of WB Yeats poems, which I know quite well. I’d be interested to know what people, who didn't know much of Yeats’ work, made of this.

This was very evocative material, starting with a reading of the poem The Lake Isle of Innisfree, from a CD, a poem many people may remember from their school-days   The other poems were sung with great feeling by Ms Tobin, with very skilled and appropriate accompaniment.  For instance, When You Are Old And Grey was a slow melodic tune, as suitable for a love poem, written about Yeats’ life-long unrequited love for Maude Gonne, who was married to one of the men involved in the ill-fated Easter Rising at Dublin in 1916.  The next poem concerned Celtic mythology, which interested Yeats, and began with a haunting cello introduction.  The Wild Swans At Coole concerned memories from Yeats’ younger days, with gliding swan-like music from guitar and cello.  The mood changed completely for The Second Coming, about a possible catastrophic future for the world, ‘ And what rough beast, its hour come round at last’, she sang, to shrieks and wild guitar and cello sounds, and dramatic beastly breathing into the microphone.  I thought this worked well, but not everyone liked this, as two of the audience left at this point.
I’m not sure if the final 2 poems were really successful.  The Long Legged Fly was read through a megaphone, and I couldn't understand why this was, as this difficult poem appears to be about various historical events. It would have been good to hear the poem mentioned in the title of the session, Sailing To Byzantium, in which Yeats meditates about old age, but Ms Tobin explained that its inclusion had not proved feasible. 
The short discussion which followed allowed the originators of both the Yeats and Larkin projects to outline how they had tackled their work, with comments from local award-winning poet Sean O’Brien. The discussion then developed into talk about the nature of art and music in general.
Both these jazz and poetry sessions were enjoyable and thought provoking.  
Ann Alex.

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