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Bebop Spoken There

Jennifer Wharton: "People forget that the trombone is so glorious. It can be like going to church, or getting ready for battle. It can be a lot of things....For a longtime I was the only female trombonist in New York," - (DownBeat May 2021)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,218 (and counting) posts since we started blogging 13 years ago. 637 of them this year alone and, so far, 45 this month (May 11).

Coming soon ...



May 20: Vieux Carré Jazzmen at The Holystone (Indoors!)
May 20 Maine Street Jazzmen are back at Sunniside Social Club. 8:30pm start.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 21: Jazz in the Afternoon are back at Cullercoats Crescent Club. (Revised date).
June 23: Vieux Carré Jazzmen are back at Cullercoats Crescent Club. (Revised date).

Thursday, April 18, 2013

The Jazz Caff Refugees present - Lickety Split @ The Star

Eddie Bellis (tmb/ldr); Kevin Eland (tpt/flg)/ Alan Marshall (ten/alt); Bill Brittain (pno); Alan Rudd (bs); Roy Willis (gtr); Paul Wight (dms).
(Review by Lance.)
The tried and tested West Coast/hard bop library of the "Splits" sounded good even though they were now a mere seven piece. John Hudson having departed since last I heard them.
The audience were taken by surprise when the band hit the deck running on Bag's Groove at prompt 8:30pm. In fact because of this prompt start most of the audience hadn't yet arrived having become used to the elasticity of the starting times that are the norm here.
Blues Walk and Joyspring led us into Li'l Darlin' and Bolivia before rounding off the set with So What and Four. As always, Kevin Eland spent a lot of time in the stratosphere with some JATP style showboating. What an amazing range this guy has! Having said that he can also blow with tasteful sensitivity, particularly when he moves over to flugel horn. As the sole sax, Alan Marshall doubled on alto and tenor, bandleader Bellis blew 'bone and Brittain ruled the keys with Rudd, Willis and Wight strong in support.
A short break then it was Straight No Chaser, 88 Basie St., Filthy McNasty, St. Thomas, an up-tempo version of What's New? that inspired a couple of dancers to strut their stuff and finally Sister Sadie which brought the session to an early close. No jammers tonight.
Photos.
Lance.

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