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Bebop Spoken There

Michael Dease: "Slide [Hampton] is also one of the people to expand the range of the horn, so he's popping out high Fs like they're breakfast cereals." - (JazzTimes Oct. 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Saturday October 19

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see centre column).

Dave O'Higgins Masterclass - Hurworth Grange, Hurworth Road, Hurworth, Darlington DL2 2BN. 12 noon - 2:00pm. £20.00. A Jazz Blowers' event, places limited. Details: www.jazzblowers.co.uk

Tees Valley Jazzmen - Central Methodist Church, 21 Cockton Hill Rd., Bishop Auckland DL14 6EN. 2:00pm. £4.00. A memorial concert in memory of Gavin Belton.

Miles Davis: Birth of the Cool - Tyneside Cinema, Pilgrim Street, Newcastle NE1 6QG. Tel: 0191 227 5500. 5:45pm. Screening of Stanley Nelson's documentary film (2019, cert. 15, 1hr 55mins).

Evening

?????

Blues/Funk/Soul

Teresa Watson Band - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, April 22, 2013

CD Review: Eyes of a Blue Dog - Rise.

Terje Evenson (Drums/Electronics); Rory Simmons (Trumpet/Guitar/Electronic) 
Elizabeth Nygard-Pearson (Vocals).
(Review by Steve Horowitz)
Eyes of a Blue Dog is a short story written by legendary magical mystical writer Gabriel Garcia Marquez  most famous for ‘100 Years of Solitude’ (one of the greatest novels I have ever read). The band are a Nordic British Techno/Jazz combo the Scandinavian cultural influence just keeps on giving
The album begins with Mai an ambient electronic  background is interrupted by piercing trumpet setting the scene for the rest of this dream inspired album. The title track  Rise is short  and sweet and this where we are first introduced to the fascinating  vocals of Nygard This is followed by  Marble Faces another instrumental featuring trumpet  and electronics  with  great rhythmic  percussion . Track 4 - Reject the Rhapsody - is the second vocal offering on the album set against a thumping industrial rhythm.  Another vocal, Nothing Dies With You, follows and is as haunting as the title suggests. 
Little Piece of Everything features Rory Simmons on trumpet accompanied by a repetitive droning  backbeat. The Deliverance again features the stark vocals of Nygard which begins slowly but livens up with wave like crashing electronics. The penultimate track, Knee, is another vehicle for the trumpet of  Simmons complemented by more electronic wizardry evoking the search for a station on a shortwave radio. Falling concludes the album and is  almost a summary of  what has gone before - driving techno beats supplemented with harrowing Nordic vocals.
Rise is a genuine fusion of Jazz and Electronics but if techno is something you abhor I’ll doubt you will enjoy it However, anyone open to modern improvised music will be  rewarded by giving  the new  tricks of the Blue Dog a run for it’s money.
Eyes of a Blue Dog was released on the Babel label in February this year.
Steve H

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance