Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18383 (and counting) posts since we started blogging 18 years ago. 247 of them this year alone and, so far this month (Mar. 17 ), 57

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, April 22, 2013

CD Review: Eyes of a Blue Dog - Rise.

Terje Evenson (Drums/Electronics); Rory Simmons (Trumpet/Guitar/Electronic) 
Elizabeth Nygard-Pearson (Vocals).
(Review by Steve Horowitz)
Eyes of a Blue Dog is a short story written by legendary magical mystical writer Gabriel Garcia Marquez  most famous for ‘100 Years of Solitude’ (one of the greatest novels I have ever read). The band are a Nordic British Techno/Jazz combo the Scandinavian cultural influence just keeps on giving
The album begins with Mai an ambient electronic  background is interrupted by piercing trumpet setting the scene for the rest of this dream inspired album. The title track  Rise is short  and sweet and this where we are first introduced to the fascinating  vocals of Nygard This is followed by  Marble Faces another instrumental featuring trumpet  and electronics  with  great rhythmic  percussion . Track 4 - Reject the Rhapsody - is the second vocal offering on the album set against a thumping industrial rhythm.  Another vocal, Nothing Dies With You, follows and is as haunting as the title suggests. 
Little Piece of Everything features Rory Simmons on trumpet accompanied by a repetitive droning  backbeat. The Deliverance again features the stark vocals of Nygard which begins slowly but livens up with wave like crashing electronics. The penultimate track, Knee, is another vehicle for the trumpet of  Simmons complemented by more electronic wizardry evoking the search for a station on a shortwave radio. Falling concludes the album and is  almost a summary of  what has gone before - driving techno beats supplemented with harrowing Nordic vocals.
Rise is a genuine fusion of Jazz and Electronics but if techno is something you abhor I’ll doubt you will enjoy it However, anyone open to modern improvised music will be  rewarded by giving  the new  tricks of the Blue Dog a run for it’s money.
Eyes of a Blue Dog was released on the Babel label in February this year.
Steve H

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