For the past seventeen years we've been updating the world about jazz in the north east of England and updating the north east of England about jazz in the world. WINNER of the Jazz Media Category in the 2018 All Party Parliamentary Jazz Awards. Contact lanceliddle@gmail.com
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JUNE 2025
Mon 23: MSK Trio @ Yamaha Music School, Blyth. 1:00pm. £9.00. at the door; £8.20. (inc £0.20 bf) online, in advance.
Mon 23: Harmony Brass @ Cullercoats Crescent Club (1:00pm). Free.
Tues 24: ???
Wed 25: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 25: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 25: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 25: The Magpies of Swing @ The Roxy, Leadgate, Co. Durham. 7:30pm. A Ginger Jitterbugs swing dance event, all welcome.
Thu 26: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Brass Instruments & the use of mutes.
Fri 27: Lewis Watson Quartet @ The Gala, Durham. 1:00pm.
Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 27: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 27: Strictly Smokin’ Big Band @ Gosforth Civic Theatre, Newcastle. 8:00pm. ‘Time After Time’.
Sat 28: Vieux Carré Jazzmen @ The Linskill Centre, North Shields. 4:00-10:30pm. Free, but ticketed (over 18s only). A multi-bill, multi-genre ‘Canny Shiels - North Shields 800’ event. Three Kings Brewery on site.
Sat 28: Joseph Carville Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 28: Jude Murphy & Dan Stanley @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 29: Jude Murphy & Dan Stanley @ Wallington, Northumberland. 12 noon-1:00pm & 2:00-3:00pm. Tel: 01670 773606. National Trust admission prices apply. ‘Tunes in the Blooms’.
Sun 29: Glenn Miller Orchestra UK @ The Fire Station, Sunderland. 3:00pm. Ray McVay & co.
Sun 29: Ruth Lambert Trio @ Juke Shed, North Shields. 3:00pm. Free.
Sun 29: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 29: Zoë Gilby w. Ryton Choral Society @ Corbridge Middle School NE45 5HX. 5:30pm. £15.00. Gilby w jazz trio & choir. ‘An evening of jazz song for choir’.
Sun 29: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 29: John Wilson & the Sinfonia of London @ The Glasshouse, Gateshead. 7:30pm. ‘Rodgers & Hammerstein’s Greatest Hits’.
Sun 29: Out Front @ The Globe, Newcastle. 8:00pm. JNE.
Reviewers wanted
Sunday, April 28, 2013
Quercus: The Sage: Saturday April 27
Blog Archive
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2013
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April
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- Northern Line Showcase @ Live Theatre, Newcastle. ...
- Album Review: Ian Chalk/Dan Clarkson - The Nearnes...
- Montreal Jazz Festival
- The J Word – Hall 1, The Sage, Gateshead, April 28...
- International Jazz Day
- Jimmie Willets?
- Jazz in the Afternoon - Crescent Club, Cullercoats
- I'll Never Forget
- May/June Splinter Listingss
- Mark Williams Plays Pat Metheny and Wins! Bridge H...
- Quercus: The Sage: Saturday April 27
- A piece of local jazz history.
- Video clip of Anthony Strong.
- CD Review: Mike Arroyo Jazz Organ Trio - Full Circle.
- SNJO "The Incredible Stan Kenton". Queen's Hall, E...
- CD Review: Human – Being Human
- Katherine Stone Quartet/Jam Session - Star, Newcastle
- Darlington Jazz Festival @ The Forum. Day 2 April ...
- Dave Kane Quartet make debut at Seven Jazz
- Lindsay Hannon Plus in Ernest Tuesday April 23.
- CD Review: VOLE – The Hillside Mechanism
- Darlington Jazz Festival @ The Forum. April 20, 20...
- Mark Toomey w. Jeremy McMurray Trio @ The Cherry ...
- CD Review: Eyes of a Blue Dog - Rise.
- Cherry Tree Celebrates 5th Anniversary with Discou...
- Melody Maker Magic.
- Sue Ferris/James Birkett Quartet, Roly Veitch. Bla...
- Red Stripe @ Boston Spa. April 20
- CD Review: Chris Greco Quartet - Trane of Thought
- Hot Fingers: Customs House, South Shields: Friday ...
- CD Review: Klökkeblömst
- Scottish National Jazz Orchestra (SNJO) directed b...
- You want piano? - You got it!
- CD Review: Hot Fingers - By a Waterfall.
- CD Review: Busk ACV
- Final Recitals
- National Record Store Day.
- Mo Scott @ Hoochie Coochie
- Mike Papapavlou & Chris Finch @ Newcastle Universi...
- CD Review: Dorothy Doring and Phil Mattson - Compo...
- Jazz in Ernest plus Star Update.
- The Jazz Caff Refugees present - Lickety Split @ T...
- A new jazz blog!
- Preview Quercus - The Sage, April 27.
- Hoochie Coochie Highlights.
- ACV - Busk. Not really a review!
- Daryl Sherman:Warm greetings from Manhattan!
- Listening to Louis on Radio 2
- Northern Line Showcase - Live Theatre, Monday Apri...
- Jazz on Radio York
- The Big Bash at the Black Swan.
- Jazz in York.
- Composition and Jazz Ltd. Summer Update
- The Great American Songbook - Summer Course
- Jazz at the Lit and Phil - Saxophonics.
- Jazz Caff Refugees At The Star: April 10: The Budt...
- Mighty acorns and all that jazz...
- CD Review: Thought Fox – My Guess
- CD Review: Bruno Heinen Sextet - Tierkreis.
- Paul Edis Trio with Mark Williams @ The Cherrytree...
- Search For a New Jazz Star.
- GIJF: Day 1 - Stonephace Stabbins featuring Zoe Ra...
- How did you get into Improvised Music?
- Mentioned in Despatches
- CD Review: Joshua Redman - Walking Shadows
- GIJF Day 3: Jazz Words Part 2 - Christine Tobin’s ...
- CD Review: Troy Roberts – Nu-Jive 5 (XenDen Music)
- CD Review: Claudio Scolari – Synthesis (CSMD05)
- GIJF - Day 2: Northern Spirits. Ian Carr's Northum...
- GIJF Day 3: Alexander Hawkins & Louis Moholo-Mohol...
- GIJF Day 3: Way in to the Way Out
- GIJF Day 3: Jazz Words - Larkin's Jazz.
- GIJF: Day 3: On The Concourse: The Blue Jazz Quintet
- GIJF Day 3: Jazz from the North
- GIJF Day 3: Afternoon Jazz
- GIJF Day 2: Jens Thomas and Verneri Pohjola
- GIJF Day 2: Jazz from the North.
- GIJF Day 2. The Paul Edis Sextet: Concourse, Satur...
- GIJF: Day 2: The Concourse. April 6.
- GIJF Day 3: Saxophone Massive.
- GIJF: Some Highlights A personal view from Ann Alex
- GIJF Day 3: Ruby Turner; The Brand New Heavies. Ap...
- GIJF Day 2: Jazz Record Requests
- GIJF Day 1: Zara McFarlane. April 5 Hall 2
- GIJF Day 2: Workshop: An Introduction To Vocal Imp...
- GIJF Day 2: Bireli Lagréne Quartet/ Kevin Mackenzi...
- GIJF Day 1: Jambone Friday April 5: Hall 1
- GIJF Day 1 - Soweto Kinch & The Legend of Mike Smi...
- GIJF Day 1 NYJO with Mark Nightingale, Jacqui Dank...
- The One That Almost Got Away!
- The Collective @ Hoochie Coochie Thursday April 4,...
- Alan Glen Trio/Take it to the Bridge @ The Chillin...
- Early Bird Specials @ The Millstone 1pm. Today
- Peter Gilligan Trio @ The Star
- ACV on Tour.
- A Lyric from Gordon Phillips
- Jazz - Sounds of the 20th Century by James Birkett...
- CD Review: Lianne Carroll - Ballads.
- Preview Gateshead International Jazz Festival 2013...
- Preview Gateshead International Jazz Festival 2013...
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2 comments :
This was a concert full of colour - and that colour was black. From the black stage set, to the group members clothes to the darkness in Hall 2, to the songs of death, despair, disappointment and doom, all was black, Only the white keys on the piano stood out against the darkness.
But as a musical experience it was wonderful - such emotional death, passionate despair, epic disappointment and glorious doom.
June Tabor's unaccompanied opening song seared the darkness and had a timeless quality. It could have been an ageless woman singing to a few friends in the kitchen of a candle-lit cottage somewhere. Tabor was channelling tradition and the effect was stunning. Then the unfolding improvisations of the piano and saxophone adding a rich textural depth.
The selection of songs was diverse and challenging. Jobim's How Insensitive re-configured as a Bergman-like feeling of regret, Don't Think Twice It's Alright as a hopeless bitterness for mistakes made (and many others -see below).
If Beckett plays were ever turned into a musical this is probably what it would be like. No moment wasted or taken too seriously. Perfectly executed tunes, exquisitely chosen chords, notes and syllables, and spaces and silences eloquently located. Every repetition saying something different.
June Tabor told a story of a teenager going into a record shop and picking up a copy of her first album and asking the shop assistant what it was like. 'A bit dark and miserable' was the reply and the boy said with glee 'I'll have it'. The music is still dark but illuminated by flashes of humour, love and acceptance. I'll have it!
JC
PS - Thanks to the BSH reviewer for going through the songs from this gig as, for the first time I can remember at the Sage, the sound wasn't perfect. While I could mostly hear the singing quite well, it was difficult to hear June Tabor's introduction and explanation of the songs (and when you don't know them that's an important part of the whole experience). I kept having to whisper to my accompanist for clarification - 'Cheese-makers? Did she say she was going to sing a song about cheese-makers? 'Shussh, will you!'
I did wonder if the full black regalia were a contractual obligation with ECM!
The CD is worth a spin (many of the items from the Sage gig are on it). There is an interesting article on Quercus in the April issue of Jazzwise Magazine (http://jazzwisemagazine.com/feature-table-mainmenu-134/12675-quercus-floating-point)
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