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Bebop Spoken There

Erin Davis: "I knew he [Miles Davis] was a famous musician, but didn't quite understand how famous." - (The Observer Magazine 29 March 2020)

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The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

COFID- 19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Saturday, April 20, 2013

CD Review: Hot Fingers - By a Waterfall.

Thomas 'Spats' Langham (gtr/bjo/uke/vcl); Danny Blyth (gtr/mand/clt/bs clt); Malcolm Sked (bass/tuba) + Emily Campbell (vcl); Mike Piggott (vln).
(Review by Lance).
Last night Hot Fingers wowed the Customs House (review to follow) and no doubt they will do the same tonight at Trinity Church and Centre, Gosforth.
By a Waterfall recorded in 2009 and released a couple of years later features the trio augmented by vocalist Emily Campbell and violinist Mike Piggott.
The addition of the Grappelli-like fiddle of Piggott gives a Djangolic aura to much of the CD which isn't dispelled by Langham's dexterous solos - he does Django to perfection executing those dazzling fingerlickin' runs so beloved of Hot Club exponents. And of course there are the Langham vocals - always exceptional. Blyth's support on rhythm guitar and mandolin adds to the evocative atmosphere of a club in1930s Montparnasse as does his all too rare bursts on clarinet. Sked is the backbone on either double bass or tuba keeping it all together.
Emily Campbell has a pleasant voice - not really a jazz voice - I get the impression of someone coming into the idiom from say the folk or traditional music world. Perhaps even a classical or theatre background. Nevertheless, she does it well and adds an extra dimension to a very listenable CD.
Lance.

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