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Bebop Spoken There

Binker Golding: "The purest jazz was often the most danceable. Somewhere along the way, we exchanged danceability for complexity, and I see a lot of what I do as a way of giving that back to people." - (Jazziz, Winter 2020).
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Archive

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

Today Saturday February 22

Afternoon

Jazz

Electric Guitar Masterclass – The Music of Robben Ford - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. 10:00am. £15.00. Jamie Mackay conducts a masterclass looking at the work of former Miles Davis’ sideman Robben Ford.

Evening

Daniel John Martin w Swing Manouche - Core Music, 14a/b Gilesgate, Hexham NE46 3NJ. Tel: 01434 601993. 8:00pm. Donations (suggested donation £10.00.). DJM w Mick Shoulder (guitar); Giles Strong (guitar); Ian Paterson (double bass).

Blues/Funk/Soul

Half Hand Hoodoo Band - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

Boys of Brass - Brandling Villa, Haddricks Mill Road, South Gosforth, Newcastle NE3 1QL. Tel: 0191 284 0490. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, April 20, 2013

CD Review: Hot Fingers - By a Waterfall.

Thomas 'Spats' Langham (gtr/bjo/uke/vcl); Danny Blyth (gtr/mand/clt/bs clt); Malcolm Sked (bass/tuba) + Emily Campbell (vcl); Mike Piggott (vln).
(Review by Lance).
Last night Hot Fingers wowed the Customs House (review to follow) and no doubt they will do the same tonight at Trinity Church and Centre, Gosforth.
By a Waterfall recorded in 2009 and released a couple of years later features the trio augmented by vocalist Emily Campbell and violinist Mike Piggott.
The addition of the Grappelli-like fiddle of Piggott gives a Djangolic aura to much of the CD which isn't dispelled by Langham's dexterous solos - he does Django to perfection executing those dazzling fingerlickin' runs so beloved of Hot Club exponents. And of course there are the Langham vocals - always exceptional. Blyth's support on rhythm guitar and mandolin adds to the evocative atmosphere of a club in1930s Montparnasse as does his all too rare bursts on clarinet. Sked is the backbone on either double bass or tuba keeping it all together.
Emily Campbell has a pleasant voice - not really a jazz voice - I get the impression of someone coming into the idiom from say the folk or traditional music world. Perhaps even a classical or theatre background. Nevertheless, she does it well and adds an extra dimension to a very listenable CD.
Lance.

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