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Bebop Spoken There

Kurt Elling: ''There's something to learn from every musician you play with''. (DownBeat, December 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

17630 (and counting) posts since we started blogging 16 years ago. 904 of them this year alone and, so far, 49 this month (Dec. 20).

From This Moment On ...

December

Mon 23: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 23: Vieux Carré Jazzmen @ The Wheatsheaf, Benton Sq., Whitley Road, Palmersville NE12 9SU. Tel: 0191 266 8137. 1:00pm. Free. CANCELLED!
Mon 23: Edison Herbert Trio @ The Vault, Darlington. 4:00pm. Free.
Mon 23: Jason Isaacs @ St. James’ STACK, Newcastle. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.
Mon 23: Milne-Glendinning Band @ The Vault, Darlington. 7:00pm. Free.

Tue 24: Lindsay Hannon & Mark Williams @ Ernest, Ouseburn, Newcastle. 11:00am-1:00pm. Free.
Tue 24: Paul Skerritt @ Mambo Wine & Dine, South Shields. 1:00pm. Free. Vocalist Skerritt working with backing tapes.

Wed 25: Wot? No jazz!

Thu 26: The Boneshakers @ Tyne Bar, Ouseburn, Newcastle. 4:00pm. Free. The 17th annual Boneshakers’ Shindig.

Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free. Business as usual!.
Fri 27: Jason Isaacs @ Seaburn STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Fri 27: Michael Woods @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar & vocals.

Sat 28: Jason Isaacs @ St. James’ STACK, Newcastle. 11:30am. Free. Vocalist Isaacs working with backing tapes.
Sat 28: Fri 20: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Sat 28: Jude Murphy, Rich Herdman & Giles Strong @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 28: Ray Stubbs R & B All-Stars @ Billy Bootlegger’s, Stepney Bank, Newcastle. 9:00pm. Free.

Sun 29: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 29: Alexia Gardner Quintet @ The Globe, Newcastle. 8:00pm.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, April 08, 2013

GIJF: Day 3: On The Concourse: The Blue Jazz Quintet


Chris Finch (keys); Karen Rann (sop sax); Jeff Smith (tenor sax); Dave Parker (bass); Michael Howard (drums)
(Review by Ann Alex)
So Chris said to me, just before they went on, ‘ I’ve never played in front of this many people before’.  He needn’t have worried, the band were great, although I must confess to bias, as this is the band that we Blue Jazz Voices do our end of term gigs with, so we have a close relationship with them all.  But reviewers try to be unbiased, so, as I said, they were great!
They kicked off with composer, pianist, arranger, Tadd Dameron’s Ladybird, straight ahead jazz, lots of solos and swapping 4’s between bass and drums.  Horace Silver’s Song For My Father played as a bossa nova showed the band at their typical best, a solo from tenor sax, drums enjoying the rhythm, long, long notes from the saxes, then rhythm from everyone to end with.  The singers did this with the band a couple of years ago, Latin items are always fun but tricky to get right.  Other numbers included Coltrane’s Blue Train, with soprano sax and keys playing call and response; A Foggy Day In London Town, Wayne Shorter’s Footprints, which was introduced as being in 6/4 time, sounds difficult, but I don’t suppose it’s against the law;  and Sonny Rollins Tenor Madness, featuring tenor sax, bass and a long drum solo.  Why are drums solos always towards the end?  Perhaps it makes the whole band more memorable.
Chris deserves special mention for melodic, interesting keys, as he’s been out of the band for a while, and has returned even better than before.  Dave is a godsend to reviewers because of his very professional manner of announcing each number clearly, with the name of the composer.
Well done lads and Karen.  See you at our next gig!
Ann Alex.
PS: I'm told that all tracks played were on a CD the band have recorded and it is on their website.

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