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Bebop Spoken There

James Carter: "We played around with 'Nuages' and FUNKED it up, basically." - (DownBeat, September 2019).

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Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday August 19

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see centre column).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, October 23, 2012

Jazz Summit 2012

The good thing about this meeting was the number of people who showed up. The bad thing was those who didn't show. Apart from Mike Durham, Keith Crombie, Brian Bennett and the guys from Saltburn, I didn't see any of the more mainstream orientated promoters. Their input would have been valuable.
As it was, it was a constructive evening which, inevitably for an opener, ended up as a work in progress.
Paul Bream spoke well describing the achievements of the now no more Jazz Action, of Jazz North East, Schmazz and the future prospects for Jazz in the region.
Nigel Slee of the newly formed  Jazz North waxed eloquent on the future and how the North East, The North West, and Yorkshire would become one. Not everyone was convinced of this and the criteria that would be applied to select - say ten bands - to be funded and promoted and how they would be pigeon-holed style-wise. .In the chair, Chris Hodgkins, assured those present that all bands would be adjudged on merit irrespective of genre. (We shall see!)
Steve Crocker, of Seven Jazz, Leeds, reported on their success story and so the story ended - on a cliffhanger!
Afterwards the various factions intermingled, making full use of the bar, totally oblivious to what Zoe Gilby and Andy Champion were laying down. Let's be honest, the Basie Band wouldn't have been heard above the conversation!
However, once the chit-chat had settled at an acceptable level, Zoe came across beautifully - Our Love is Here To Stay brought the audience down to pin-drop acoustics and it was much appreciated by those with ears.
As I said earlier - a work in progress. Not so Zoe, she's a work progressing so fast Diana Krall is looking over shoulders! In fact Diana said to me the other day in The Jazz Café - "I'm sure glad Zoe doesn't play piano!"
Mind you this was a different Diana.
Lance.

2 comments :

Hil said...

I was surprised there were not more local young musicians interested enough to attend. Did they all have gigs on a Monday evening? Surely they wish to keep jazz alive in this area?
Then again you only have to look at Splinter on a Sunday evening. Some musicians and vocalists only ever show up for their own gigs.

Lance said...

You're touching on one of my sore points. There are so many fine young musicians coming out of the music schools and colleges yet, as you say, they never show up for other peoples gigs (an exception last night was Michael Lamb of the Strictly Smokin' Big Band.)
One wonders if they think that because they've been to college they know it all and can't learn anything from listening to jazzers who actually earn a crust from playing in clubs and bars?
Which brings me to another related area. How do we attract, not just the younger element, but the younger element from a working class, state school, background?

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance