Total Pageviews

Bebop Spoken There

More from Jazz Monthly:

John Postgate: "Oscar Peterson played a good solo in 1954..." - (Jazz Monthly August 1960)

Bill Evans: "A composer writes something, and an orchestra interprets it--he spends maybe six months writing 10 minutes of music, but a jazz musician spends 10 minutes of playing 10 minutes of music, and he performs it himself". - (Jazz Monthly July1960).

Archives

Today Friday October 20

Afternoon
Rendezvous Jazz - The Monkseaton Arms, Front St., Monkseaton, Whitley Bay NE25 8DP. 1pm. Free.

Hand to Mouth: Lindsay Hannon & Bradley Johnston - Bishop Auckland Town Hall. 1:00pm. £5.00.

Vasilis Xenopoulos & Paul Edis - Lit & Phil, 23 Westgate Rd., Newcastle NE1 1SE. 1:00pm. £5.00.

Evening
Julija Jacenaite & Alan Law - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 9pm. Free.

King Bees - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free.

Vasilis Xenopoulos & Nigel Price w Paul Edis Trio - Traveller’s Rest, West Auckland Road, Cockerton, Darlington. DL3 9ER. 8:30pm. £10.00. Opus 4.

Hot 8 Brass Band - Northumbria Students’ Union, Sandyford Road, Newcastle NE1 8SB. Tel: 0191 227 4757 (SU enquiries). 7:30pm. £20.35.

Twin Beam - Hidden Heights Creative Studio, Brandling Street, Gateshead NE8 2BA. 6:30pm. Tickets: £5.00. in advance from Arch 16 Café (next to High Level Bridge). An Oxjam Gateshead Bridges Quarter event. Multi bill, multi venue.

Beth Macari - Prohibition Bar, Brandling Street, Gateshead NE8 2BA. 6:30pm. Tickets: £5.00. in advance from Arch 16 Café (next to High Level Bridge). An Oxjam Gateshead Bridges Quarter event. Multi bill, multi venue.

Sting - Bamburgh Castle. 7:15pm. Tickets: £250.00. & £150.00. Acoustic. Charity gig.

Steve Bone - Al Forno, 81 Skinnergate, Darlington DL3 7LX. 7pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, September 01, 2016

Alan Barnes & Bruce Adams with Paul Edis Trio @ Ushaw Durham Jazz Festival. August 27

 Alan Barnes (alto & baritone saxophones, clarinet), Bruce Adams (trumpet & flugelhorn), Paul Edis (piano), Andy Champion (double bass) & Russ Morgan (drums)
(Review by Russell/photo left and below, courtesy of Eric Robertson/photo right courtesy of John Marlor)
Festivals book big attractions. The inaugural Ushaw Durham Jazz Festival booked two of the biggest names on the circuit. Wisely, three of the very best musicians around were on the gig, ostensibly supporting the headliners, in truth deserving of star billing themselves. Alan Barnes and Bruce Adams have won international acclaim and, in time, there is little doubt the supporting trio will win similar acclaim.

The Exhibition Hall filled up with many familiar and not so familiar faces. Jazz at Ushaw is well and truly on the map! Cannonball Adderley, Jimmy McGriff and Horace Silver. A set list to set the pulse racing: ‘blistering’, ‘swift’, ‘up-tempo’, whatever the tag this was a swingarooney of a gig. Alan Barnes’ Mr TC featured the composer on baritone and side kick Bruce Adams projecting his plungered horn to the back of the hall. The trio ‘cooked’ – for the non-jazzer there’s no higher praise! Cannonball – dedicated to you-know-who – threatened to set off the fire alarm with Barnes’ simple instruction: Four bars alto. What followed was killer playing from the quintet. Yes, a ‘quintet’... ‘two stars plus’ doesn’t do justice to a band of equals playing brilliantly from first to last.          
The Harmon Blues (comp. Barnes) took it down, allowing Bruce Adams’ slow blues horn to tell us all about it. Blue Mitchell’s Fungii Mama, given a Latin treatment, produced the now familiar Barnes’ bucket full of quotes on baritone; fleeting, fun, and masterful. Russ Morgan’s superlative drum solo (part hand drumming) confirmed his ‘first call’ status. A bass intro to Spontaneous Combustion similarly opened the eyes – more importantly ears – of those hearing Andy Champion for the first time. ‘First call’ Champion, as simple as that. As for the tune…woah!!! Post-bop fireworks! Jazz Lives!

First there was the blistering, then the becalmed. Walls of Jericho trumpet playing from a firing Adams on Quicksilver, a ‘no flies on me’ round of fours and Barnes’ killing alto. In marked contrast, Adams’ flugelhorn and Barnes’ baritone on Skylark prompted one sage judge to suggest this to be a best ever rendition of Hoagy’s masterpiece. Pianist Paul Edis covered every move by the front line stars; the right chord, phrase and occasional solo. A typically brilliant performance by the pianist, arranger, workshop leader, festival director, sound engineer and on-hand dep. Alan Barnes said we (north east jazz fans) were lucky to have him. Quite.

To close a wonderful concert Alan Barnes praised Edis, Champion and Morgan for being great buskers and great readers. He wondered how good they were at reading minds. The mischievous Barnes indicated there would be an unusual ending to Jimmy McGriff’s tune Motoring Along. Would the trio nail it? You bet they did! And, for good measure, Andy Champion played a solo that went off the scale! Barnes and Adams said good night with the brass master indulging in his two horn (trumpet/flugelhorn) party piece on Hollywood Stampede. It doesn’t get any better than this.    

Russell

2 comments :

  1. The highlight of a festival full of highlights. Saturday night and I'm fetching bottles of stella two at a time, the theatre beginning to look like something from a fairy-tale and the best example I've seen in years of one of the greatest inventions of the C20th - the Standard Jazz. Quintet.

    ReplyDelete
  2. This was the outstanding concert of a wonderful first Ushaw Jazz Festival. Congratulations and thanks to all the people involved in making this a success.

    ReplyDelete

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Subscribe!