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| (© Ken Drew) |
Lindsay Hannon (vocals); Alan Law (piano); Paul Grainger (double bass); Brendan Murphy (percussion, old boot & spanner)
Sunderland has never been known as a jazz stronghold. However, Seventeen Nineteen's Old Black Cat Jazz Club is going from strength to strength. Located in the historic Hendon area of Sunderland on the south bank of the Wear, the recently renovated '1719' Georgian church is a cultural gem offering a wide range of community activities and jazz is very much part of the 'offer'.
This evening's concert presented Lindsay Hannon's loving take on Tom Waits. Joined by pianist Alan Law, bassist Paul Grainger and percussionist Brendan Murphy, Lindsay walked out onto the stage to a full house.
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| (© Ken Drew) |
Christmas Card from a Hooker in Minneapolis sung in a church on the banks of the Wear. To coin a phrase: You couldn't make it up! The 'congregation', that's Lindsay's fan base, roared its approval. Chocolate Jesus - yep, Lindsay did it again. Naughty Lindsay! Cold Cold Ground, Alan Law in gospel mode on Picture in a Frame, Law the ideal pianist on a set like this.
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| (© Ken Drew) |
Heartattack and Vine (Lindsay's flawless reading of the lyric), Warm Beer and Cold Women, a brief departure from the Waitsian evening heard Lindsay singing Robert Johnson's Stop Breakin' Down Blues (a blues singer is Wor Lindsay), then returning to her main subject - Mr Tom Waits. Lindsay/Tom Waits called the operator, asking to speak to Martha. Lindsay, Alan and Paul will be doing it all again on Sunday afternoon at Holy GrAle in Durham.
Next month (May 17) the Old Black Cat Jazz Club presents Emma Fisk's superb Hot Club du Nord. Russell
1 comment :
And don't forget Paul Grainger's masterful recitation of of Frank's Wild Years and his Final Meltdown - he never could stand that dog, poor mixed up Frank!
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