Paul Edis (piano, Fender Rhodes); Andy Champion (double bass); Russ Morgan (drums)
Much of the material was honed on gigs in pre-pandemic times. The opening track - Whiskers - sets the highest of standards, the trio heard in full flight, a match for any piano trio either side of the Atlantic. It Ain't Broke encompasses so many wonderful contrasting and complimentary elements it simply has to be heard: languorous swing, Monk, Dr Billy Taylor, stride, Oscar P, the elegance of Nat Cole.
The title track takes us into ballad territory with Russ Morgan's exquisite brush work to the fore alongside Andy Champion's beautifully resonant bass playing. From the quietude of Snakes and Ladders to the gospel-to-funk Fender Rhodes of Of Mice and Men and on to The Long Way Round. The title of the latter references Tyne and Wear's Metro rapid transit system. There's a Latin lilt to the number and the reader familiar with the rail network's many stations could well imagine Edis the passenger daydreaming of somewhere like Belo Horizonte as he travelled through Benton or Byker!
Lucky Eleven (this could be one about counting and time signatures) features Morgan's impeccable brush-on-snare work, Champion's sublime bass solo and, this really does need to be said, the final ringing note on the piano is testament not only to Edis the pianist playing a fine studio piano, but also to Adam Sinclair's peerless abilities engineering, mixing and mastering the album.
Madeira is a bright, uplifting composition and, at 4 mins 16 seconds, the shortest track. A Moog-like intro comes as a surprise, as does a fade out, the latter a most unusual occurrence! The bit in between features more sparkling, uptempo playing by the trio. To close the album, Lies opens with a lazy, swingtime feel ahead of the trio effortlessly negotiating a series of boppish twist and turns, another exemplary solo from Champion and Morgan's concise fours before returning to the swing feel to take it out.
Snakes and Ladders is a masterful work: three A-list musicians, familiar, varied, yet original compositions. The Paul Edis Trio performing the music from this album late night at Ronnie Scott's or the Village Vanguard, NYC would go down a storm. For further details and to download the album (cover art by Lynsey Gray) visit: www.pauledis.co.uk and check out Bandcamp.
The Paul Edis Trio will be playing an album launch gig at Gosforth Civic Theatre in Newcastle on Saturday October 17. The concert is a sell out, however, there is the option to watch a live stream of the performance, see: www.gosforthcivictheatre.co.uk
Russell
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