Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Thursday, June 18, 2020

Album Review: Kathleen Grace with Larry Goldings – Tie Me To You

The latest recording from this Los Angeles based singer/songwriter, whilst firmly rooted in the jazz tradition, also takes in elements of blues, folk, and pop. Ms Grace, originally from Tuscon, Arizona, has performed internationally as well as in America.
The music on Tie Me to You arose out of changes to her life when she ended her marriage, began another relationship and re-assessed her identity.

The album was recorded as simply as possible without elaborate arrangements and some songs were done in single takes. Larry Goldings has been Grammy-nominated and has worked with James Taylor and Norah Jones. The other musicians are also well experienced: Piltch has worked with KD Lang, and jazz bassist Oleszkiewicz has played with Pat Metheny.

The CD covers a wide range of music: three originals, four standards, a blues, a Beatles’ song and a cabaret type number. Ms Grace uses her voice appropriately for the material: the title track is a slow sweet-voiced song, quite a folky tune, simple and direct, with the violin adding to the mix. Where or When is sung in contrasting style, in a conversational voice, to flowing accompaniment from Goldings on, I think, the tuneful glockenspiel. Everywhere, an original, has a country feel.

My favourite track was John The Revelator, a blues sung to a light drum beat from somewhere, although no drums are listed in the information. Berceuse is cabaret, The Thrill Is Gone,  a sensitive ballad and Embarcardero,  a tango, a love song which compares a love affair to the sea. Love for Sale is low key, sad and quiet; What'll I Do? is a ballad with a skilled piano solo. The album is rounded off with a happy Beatles song, Follow the Sun, just sweet voice and piano.   

Most of the songs were done at a slow pace and I would have welcomed a bit more liveliness on some numbers. For example it would have been good to end a bit more jubilantly on the Beatles song. Enjoyable on the whole.
Ann Alex

The CD is currently available in stores and online (Monsoon Records).

Kathleen Grace (voice, guitar); Larry Goldings (piano, keyboards, organ, pocket piano, glockenspiel); David Piltch (bass, tracks 1,3,4,5,8,10); Gabe Witcher (violin, tracks 1,3,7,8); Darek Oleszkiewicz (bass track 7).

Tie Me To You; Where or When; Everywhere; John The Revelator; Berceuse (Valsa Para Uma Menininha); The Thrill Is Gone;Embarcardero; Love for Sale; What'll I Do? I'll Follow The Sun

2 comments :

Patti said...

I might even check this one out - I'm intrigued by the thought of this take on John the Revelator - the sound of this singer's voice, with a 'light drum beat' ......... when you consider the mind blowing impact of the original recordings, by Son House and Blind Willie Johnston.

Ann Alexander said...

Yes Patti, I've heard 'stronger' recordings of this song which I love. Local group the Hokum Hotshots do this rather well with Pete Mason singing.

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