Bebop Spoken There

Emma Rawicz: "In a couple of years I've gone from being a normal university student to suddenly being on international stages." DownBeat January 2026.

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18219 (and counting) posts since we started blogging 17 years ago. 73 of them this year alone and, so far this month (Jan. 24), 73

From This Moment On ...

JANUARY 2026

Fri 30: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 30: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 30: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 30: Castillo Nuevo Trio @ Hotel Gotham, Newcastle. 5:30pm. Free.
Fri 30: Pete Roth Trio @ Gosforth Civic Theatre, Newcastle. 7:30pm (doors). Feat. Bill Bruford.
Fri 30: Jive Aces @ Alnwick Playhouse. 7:30pm.
Fri 30: Tweed River Jazz Band @ Northern Edge Coffee, Silver St., Berwick. 7:00pm.
Fri 30: Dan Coulthurst Quintet @ Central Bar, Gateshead. 7:30pm (7:00pm doors). £10.00 + £1.00. bf (www.wegottickets.com). Coulthurst (trumpet); Joel Steadman (bass clarinet, flute); Nico Widdowson (piano); Fergus Quill (double bass); Theo Goss (drums).

Sat 31: Darling Dollies @ St George’s Church, Jesmond, Newcastle. 3:00pm. £10.00. Vocal trio.
Sat 31: Brass Fiesta @ Revoluçion de Cuba, Newcastle. 10:30pm. Free.

FEBRUARY 2026

Sun 01: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 01: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Quintet + guest Bill Watson (trumpet, flugelhorn).
Sun 01: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 01: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 01: Annie & the Caldwells @ The Cluny, Newcastle. 7:30pm (doors). £25.00. adv. Gospel/soul.
Sun 01: Jive Aces @ Alnwick Playhouse. 7:30pm.
Sun 01: Olly Styles Experience + Jenny Baker @ the Globe, Newcastle. 8:00pm.

Mon 02: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 02: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free.

Tue 03: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 03: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Joe Steels, Paul Grainger, Abbie Finn.

Wed 04: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 04: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 04: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 05: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject:Times of the Day & Trios.
Thu 05: Jeremy McMurray’s Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. Special guest Emma Wilson.
Thu 05: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Thursday, June 25, 2020

Album Review: The Dave Ingham Group – A Sea of Green

Dave Ingham (saxes, bells, flute); Stephen Mynott (guitar); Vilem Hais (double bass); Azzy King (drums, percussion)

Dave Ingham, a musician/bandleader based in East Anglia, formed The Dave Ingham Group in 2010 and this studio album, recorded in Beccles, celebrates their tenth anniversary.  All compositions are by Dave Ingham.

With a playing time of just over 30 minutes the album is relatively compact, but as we know at Bebop Spoken Here, small is beautiful!  Upstream commences with drum, bass then guitar setting the rhythm and finally Ingham’s flowing soprano weaving a fluid melodic line over the top.  The rhythm section are let out to play for a short interlude in the middle.  Straw Dogs commences with a slow menacing rhythm from drums, bass and guitar.  Ingham, again on soprano, soars over the top with extended arpeggiation.  There is a fine solo from Hais on bass at the centre.

Bass and guitar lead into the title track, A Sea of Green, with resonant cymbal work from King.  The rhythm puts one in mind of the slow ebb and flow of waves on a pebbled beach.  Ingham plays both tenor and soprano, with some double tracking.  An extended guitar solo from Mynott allows him to demonstrate his technique to the full.  At over nine minutes this is the longest track on the album and pivotal.

Hometown Blues features Mynott’s guitar from the beginning.  Ingham joins on tenor well into the piece.  A guitar feature follows, with an air of call and response with the horn.  The final track, Race to the Sun ups the tempo again, Ingham’s tenor over a driving rhythm.  Here drummer, Azzy King gets to show off on his own – well for a short period, at least! We also get to hear Ingham on flute (with electronic effects) and added experimentation from Mynott on guitar.  The track fades to a close.  You think it’s all over, it is now!

All in all, this is a neat little package, with something for everyone.  The press release suggests there are elements of “classic cool 50s and 60s jazz melded with world and African jazz”.  Very subtle hints of the latter two possibly, with a decent dose of cool I’d say.

A Sea of Green is released as a CD on July 3.  Demonstration tracks may be sampled and the CD can be ordered from Dave Ingham’s website.  There is also a link on the site to a download of the album from CD Baby, but the link leads to an information page with the following message:  “CD Baby retired our music store in March of 2020 in order to place our focus entirely on the tools and services that are most meaningful to musicians today and tomorrow”.by 

Hugh C

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