For the past eighteen years we've been updating the world about jazz in the north east of England and updating the north east of England about jazz in the world. WINNER of the Jazz Media Category in the 2018 All Party Parliamentary Jazz Awards. Contact lanceliddle@gmail.com
February
Thu 12: Indigo Jazz Voices @ The Globe, Newcastle. 7:45pm. £5.00. CANCELLED!
Fri 13: Noel Dennis Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00. Dennis (trumpet, flugelhorn); Rick Laughlin (piano); Mick Shoulder (double bass); Tim Johnston (drums).
Fri 13: Joe Steels @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Castillo Nuevo Trio @ Hotel Gotham, Newcastle. 5:30pm. Free.
Fri 13: Tom Remon & John Moriarty @ The Ship Isis, Silksworth Row, Sunderland SR1 3QJ. 7:00pm. £10.00 + £1.00 bf.
Fri 13: Lindsay Hannon: Tom Waits for No Man @ Arc, Stockton. 8:00pm.
Sat 14: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Sat 14: Big Joe Louis + Michael Littlefield @ The Globe, Newcastle. 8:00pm. £16.00. Jumpin’ Hot Club.
Sat 14: Brass Fiesta @ Revoluçion de Cuba, Newcastle. 10:30pm. Free.
Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Trio + Jason Holcomb. Free.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Wild Women of Wylam @ Ye Olde Cross, Ryton. 7:30pm. Free.
Sun 15: Yorkshire Gypsy Swing Collective @ The Globe, Newcastle. 8:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Jasper Lo + Daniel Chandler Trio @ Little Buildings, Ouseburn, Newcastle. 7:00pm. £7.00. + bf.
Mon 16: Joe Steels Group @ The Black Bull, Blaydon. 8:00pm. £10.00. A Blue Patch album tour.
Tue 17: Vieux Carré Hot 4 @ Victoria & Albert Inn, Seaton Delaval. 12:30pm. £9.50. Tickets: 0191 237 3697. ‘Jazz ‘n’ Pancakes’.
Tue 17: John Pope & John Garner @ The Great Hall, Sutherland Building, Northumbria University. 1:15pm. Free. Double bass & violin.
Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Stu Collingwood (piano); Paul Grainger (double bass); John Hirst (drums).
Wed 18: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
5 comments :
Perhaps it's not so much bias as politic not to say what you really think. Some who would be on the receiving end of a less than complimentary review may not speak to you again, that's assuming they deign to speak to you in the first place!
This is something that has given me sleepless nights ever since BSH started over 12 years ago. By and large, if I don't like an album, I simply don't review it. But is that fair? When it's someone you know personally it becomes even more difficult - particularly if it's a live gig and your presence is noted.
If I hear, say a sax player, who's a much better player than me but I don't like what he's doing, how do I point out the error of his ways when I couldn't do it better myself?
Then again, if you praise a bad player you are equally doing him/her a disservice whereas you should be offering advice, in a friendly way.
The answer of course is objectivity which, unfortunately, usually means boring writing. The public en masse prefer the lurid headlines of a tabloid to the more strait-laced headings of the "the quality papers" even though they may be saying the same thing.
However, it's not just BSH who may (very occasionally) promote the bad to mediocre, the mediocre to good and the good to fantastic. The jazz mags rarely give anything less than 3 stars and the Blindfold Tests where, once upon a time, the testers would never mince their words now find that everything's fine and maybe it is.
Someone once said to me he can get something out of any music he hears whether it be good or bad - even if it's learning what not to do!
At the end of the day, the top and bottom of it is, if you've got the guts to get up and play or record you should be encouraged.
Having said that, would Charlie Parker have become the giant he was if Jo Jones hadn't thrown his cymbal at him?
Lance has made very fair comment, I usually review women singers and don't generally like scat at all, but I have to consider it impartially as it has a valid place in jazz singing. Just 1 small example. I've found that playing an instrument (awkwardly In my case) helps a critic to understand just a bit more about jazz, including knowing the differences between playing a single line instrument and one that can produce chords.
Interesting Ann. The big question is, should a critic be a musician or not? The musician invariably is impressed by the technique of the performer often to the detriment of the content.
For the non-musician he judges by what he hears irrespective of whether or not he knows that the performer is playing in six sharps on a crap reed with a pianist who doesn't play the "right chords".
What do other folk think?
I've said before, Music is not just for musicians, any more than houses are just for builders. As a listener and occasional commentator, I want to be educated and/or entertained and would try to point out why either or neither of these things have been fulfilled.
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