For the past sixteen years we've been updating the world about jazz in the north east of England and updating the north east of England about jazz in the world. WINNER of the Jazz Media Category in the 2018 All Party Parliamentary Jazz Awards. Contact lanceliddle@gmail.com
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!
Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"
Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.
October
Wed 23: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 23: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 23: Daniel John Martin w. Swing Manouche @ The Old Library, Auckland Castle, Bishop Auckland. 6:30pm. £12.00. (at the door, no advance sales).
Wed 23: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Thu 24: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 24: John Garner & Tobias Sarra @ King’s Hall, Newcastle University. 1:15pm. Free.
Thu 24: Gateshead Jazz Appreciation Society @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. ‘Desert Island Discs’.
Thu 24: Daniel John Martin w. Swing Manouche @ Holy GrAle, Durham. 7:00pm. Free (donations).
Thu 24: Jeremy McMurray & the Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm.
Thu 24: Faye MacCalman + John Pope Quintet + Moonfish @ The Glasshouse, Gateshead. 8:00pm. Donations.
Thu 24: Eva Fox & the Jazz Guys @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Thu 24: Tees Hot Club @ Dorman’s Club, Middlesborough. Guests: Kevin Eland (trumpet), Neil Brodie (trumpet), Dave Archbold (keys), Adrian Beadnell (bass), Mark Hawkins (drums). 8:30pm. Free.
Fri 25: Daniel John Martin w. Swing Manouche @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 25: Russ Morgan Quartet @ Gala Theatre, Durham. 1:00pm. £8.00.
Fri 25: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 25: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 25: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 25: The Clare Teal Five @ Gala Theatre, Durham. 7:30pm. £25.00. All-star line-up.
Fri 25: Redwell @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 26: Jason Isaacs @ St James’ STACK, Newcastle. 2:30-4:15pm. Free.
Sat 26: Donny McCaslin @ The Engine Room, Tanners’ Bank, North Shields. 3:30pm. £15.00. + bf. McCaslin ‘In Conversation’, focusing on his association with David Bowie. Kevin Armstrong (David Bowie) will read from his biography.
Sat 26: Donny McCaslin Quartet @ The 1856 Exchange, North Shields. 7:00pm. £25.00. + bf. Standing gig with limited seating at the bar. McCaslin with his American quartet in North Shields!
Sat 26: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 7:00pm. £3.00. +bf.
Sat 26: Jude Murphy & Dan Stanley @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sun 27: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 27: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 27: Daniel John Martin w. Swing Manouche @ Queen’s Hall (Library), Hexham. 3:00pm.
Sun 27: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free. Rescheduled to Sunday 3rd November.
Sun 27: Paul Skerritt @ The Black Candle, Dean Road, Westoe, South Shields. From 5:30pm. To reserve a table call 07724 234449. ‘Jazz by Candlelight’.
Sun 27: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 27: Saltburn Big Band @ Saltburn Community Theatre. 7:30pm. £12.00., £10.00.
Sun 27: Daniel John Martin w. Swing Manouche @ The Globe, Newcastle. 8:00pm.
Mon 28: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 28: Sue Ferris Quintet @ Yamaha Music School, Blyth. 1:00pm. £9.00.
Tue 29: ???
Wed 30: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 30: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 30: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
5 comments :
Perhaps it's not so much bias as politic not to say what you really think. Some who would be on the receiving end of a less than complimentary review may not speak to you again, that's assuming they deign to speak to you in the first place!
This is something that has given me sleepless nights ever since BSH started over 12 years ago. By and large, if I don't like an album, I simply don't review it. But is that fair? When it's someone you know personally it becomes even more difficult - particularly if it's a live gig and your presence is noted.
If I hear, say a sax player, who's a much better player than me but I don't like what he's doing, how do I point out the error of his ways when I couldn't do it better myself?
Then again, if you praise a bad player you are equally doing him/her a disservice whereas you should be offering advice, in a friendly way.
The answer of course is objectivity which, unfortunately, usually means boring writing. The public en masse prefer the lurid headlines of a tabloid to the more strait-laced headings of the "the quality papers" even though they may be saying the same thing.
However, it's not just BSH who may (very occasionally) promote the bad to mediocre, the mediocre to good and the good to fantastic. The jazz mags rarely give anything less than 3 stars and the Blindfold Tests where, once upon a time, the testers would never mince their words now find that everything's fine and maybe it is.
Someone once said to me he can get something out of any music he hears whether it be good or bad - even if it's learning what not to do!
At the end of the day, the top and bottom of it is, if you've got the guts to get up and play or record you should be encouraged.
Having said that, would Charlie Parker have become the giant he was if Jo Jones hadn't thrown his cymbal at him?
Lance has made very fair comment, I usually review women singers and don't generally like scat at all, but I have to consider it impartially as it has a valid place in jazz singing. Just 1 small example. I've found that playing an instrument (awkwardly In my case) helps a critic to understand just a bit more about jazz, including knowing the differences between playing a single line instrument and one that can produce chords.
Interesting Ann. The big question is, should a critic be a musician or not? The musician invariably is impressed by the technique of the performer often to the detriment of the content.
For the non-musician he judges by what he hears irrespective of whether or not he knows that the performer is playing in six sharps on a crap reed with a pianist who doesn't play the "right chords".
What do other folk think?
I've said before, Music is not just for musicians, any more than houses are just for builders. As a listener and occasional commentator, I want to be educated and/or entertained and would try to point out why either or neither of these things have been fulfilled.
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