For the past eighteen years we've been updating the world about jazz in the north east of England and updating the north east of England about jazz in the world. WINNER of the Jazz Media Category in the 2018 All Party Parliamentary Jazz Awards. Contact lanceliddle@gmail.com
June
Tue 02: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law, Paul Grainger, John Hirst.
Tue 02: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Wed 03: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 03: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 03: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Thu 04: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 04: Postmodern Jukebox @ Glasshouse, Gateshead. 7:30pm.
Thu 04: Webster’s Ragtime Trio @ The Witham, Barnard Castle. 7:30pm. £17.00. Trio from Texas, USA.
Thu 04: King Bees @ The Harbour View, Roker, Sunderland. 8:00pm. Free. Chicago blues excellence!
Thu 04: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 04: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.
Fri 05: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 05: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 05: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 05-Thu 11: FILM: Köln 75 @ Tyneside Cinema, Newcastle. Dir. Ido Fluk. Drama based on the true story of Keith Jarrett’s 1975 concert in Cologne. Screenings TBC.
Fri 05: Pete Tanton & Alan Law @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 05: House of the Black Gardenia: Summer Tyne Swing Festival @ Northumbria University Students’ Union, Newcastle. 7:00pm. £130.00; £95.00; £70.00; £50.00. Note: all day dance event (classes & socials). House of the Black Gardenia evening performance. Day 1/3.
Fri 05: Strictly Smokin’ Big Band + IKS Big Band @ Gosforth Civic Theatre, Newcastle. 7:30pm (doors). £24.00. Big band double bill. IKS Big Band (Germany).
Fri 05: Jeremy McMurray’s Pocket Jazz Orchestra @ Saltburn Community Hall. 7:30pm. £15.00
Sat 06: Struggle Buggy @ Billy Bootleggers, Ouseburn, Newcastle. 3:00pm. Free. Blues.
Sat 06: Teresa Watson Band @ Billy Bootleggers, Ouseburn, Newcastle. 6:00pm. Free. Blues.
Sat 06: Lindsay Hannon: Tom Waits for No Man @ Dry Water Arts, Amble. 7:00pm (6:30pm doors). £15.00.
Sat 06: IKS Big Band: Summer Tyne Swing Festival @ Northumbria University Students’ Union, Newcastle. 7:00pm. £130.00; £95.00; £70.00; £50.00. Note: all day dance event (classes & socials). IKS Big Band evening performance. Day 2/3.
Sat 06: Tyne Valley Big Band @ Northumbrian Revival, West Benridge Farm, nr. Morpeth NE61 3RZ. 7:30-9:30pm. £21.47 (£2.77. child). 82nd D-Day anniversary event.
Sat 06: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.
Sat 06: FILM: The Magic City: Birmingham According to Sun Ra @ The Star & Shadow Cinema, Newcastle. 9:30pm. £7.00., £5.00. Dir. Guillaume Maupin & Pablo Guarise.
Sun 07: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 07: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Feat. guest Steve Walker (trumpet).
Sun 07: Joe Steels: Celebrating Wes @ Central Bar, Gateshead. 2:00pm. £10.00. Trio: Joe Steels, Mick Shoulder, Abbie Finn.
Sun 07: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 07: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 07: Eddie Gripper Trio @ Queen’s Hall, Hexham. 3:00pm. Gripper (piano); Clem Saynor (double bass); Patrick Barrett-Donlon (drums). Americana album tour.
Sun 07: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 07: Magpies of Swing: Summer Tyne Swing Festival @ Northumbria University Students’ Union, Newcastle. 4:00pm. £130.00; £95.00; £70.00; £50.00. Note: all day dance event (classes & socials). Magpies of Swing afternoon performance. Day 3/3.
Sun 07: Webster’s Ragtime Trio @ The Ship Inn, Low Newton. 7:00pm. £12.50. Trio from Texas, USA.
Sun 07: Salty Dog @ Alnwick Playhouse. 7:00pm. £5.00. Performance in the Studio venue.
Sun 07: Ian Millar & Dominic Spencer @ Riding Mill Village Hall. 7:30pm. £12.00.
Sun 07: Swing Manouche @ The Globe, Newcastle. 8:00pm. Feat. Steve McGarvie (clarinet).
Mon 08: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 08: Dave Bristow Quintet @ Cluny 2, Newcastle. 7:30pm (doors). £22.00., £11.00., £5.50. Bristow (piano); Christian Altehülshorst (trumpet); Félix Hardouin (alto sax); Gabriel Pierre (double bass); Guillaume Prévost (drums).
5 comments :
Perhaps it's not so much bias as politic not to say what you really think. Some who would be on the receiving end of a less than complimentary review may not speak to you again, that's assuming they deign to speak to you in the first place!
This is something that has given me sleepless nights ever since BSH started over 12 years ago. By and large, if I don't like an album, I simply don't review it. But is that fair? When it's someone you know personally it becomes even more difficult - particularly if it's a live gig and your presence is noted.
If I hear, say a sax player, who's a much better player than me but I don't like what he's doing, how do I point out the error of his ways when I couldn't do it better myself?
Then again, if you praise a bad player you are equally doing him/her a disservice whereas you should be offering advice, in a friendly way.
The answer of course is objectivity which, unfortunately, usually means boring writing. The public en masse prefer the lurid headlines of a tabloid to the more strait-laced headings of the "the quality papers" even though they may be saying the same thing.
However, it's not just BSH who may (very occasionally) promote the bad to mediocre, the mediocre to good and the good to fantastic. The jazz mags rarely give anything less than 3 stars and the Blindfold Tests where, once upon a time, the testers would never mince their words now find that everything's fine and maybe it is.
Someone once said to me he can get something out of any music he hears whether it be good or bad - even if it's learning what not to do!
At the end of the day, the top and bottom of it is, if you've got the guts to get up and play or record you should be encouraged.
Having said that, would Charlie Parker have become the giant he was if Jo Jones hadn't thrown his cymbal at him?
Lance has made very fair comment, I usually review women singers and don't generally like scat at all, but I have to consider it impartially as it has a valid place in jazz singing. Just 1 small example. I've found that playing an instrument (awkwardly In my case) helps a critic to understand just a bit more about jazz, including knowing the differences between playing a single line instrument and one that can produce chords.
Interesting Ann. The big question is, should a critic be a musician or not? The musician invariably is impressed by the technique of the performer often to the detriment of the content.
For the non-musician he judges by what he hears irrespective of whether or not he knows that the performer is playing in six sharps on a crap reed with a pianist who doesn't play the "right chords".
What do other folk think?
I've said before, Music is not just for musicians, any more than houses are just for builders. As a listener and occasional commentator, I want to be educated and/or entertained and would try to point out why either or neither of these things have been fulfilled.
Post a Comment