Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tuesday, June 23, 2020

Album review: Dario Savino Doronzo - Reimagining Opera

Dario Savino Doronzo (flugelhorn); Pietro Gallo (piano); Michel Godard (serpent).

We don't get many serpents on BSH - an occasional snake perhaps - but I'm sure this is the first time we've had a real live serpent (well not actually live). Certainly it's the first time I've heard one played although, back in the day, when I'd make the occasional visit to the Boosey and Hawkes factory in Edgware I do recall seeing one in the company's museum.
As befits their size, they lurk in the bass end of the brass section, even though they are usually made of wood (I bet Carstairs Hallam has one tucked away in his attic!) So this a good excuse to listen to this album although I've never been a big fan of cross-genre projects or, in this case, as we used to call them, "jazzin' the classics".

However, apart from my curiosity re the serpent, my big attraction was the Intermezzo from Cav (Mascagni's Cavalleria Rusticana). This delightful piece has a lot of memories for me - don't ask! - and before I'd even heard the opening note I knew I was going to like it.

And I did! Those who remember Art Farmer's cool, frugal, flugel sound on Gerry Mulligan's 1963 album Night Lights will be pleased to know that Doronzo has that same wistful sound. It's a sound that gives you goosebumps. Lyrical, melodic, it's a long cool drink on a very warm night. 

On piano, Gallo is sympathetic and manages to merge his jazz head seamlessly with the material on offer. He's featured at length on Nessum Dorma from Puccini's opera Turandot.

As regards the serpent, it turns out to sound a bit like a French horn crossed with a euphonium  and the duet between serpent and flugel on Fruccia d'ali is quite magical. Look out for him in the Miscellaneous Instrument category of the next DownBeat Poll - he's guaranteed my vote!

My only small reservation in what is essentially a beautiful album is that I'd have liked to have heard a couple of more extrovert numbers such as The Toreador Song from Carmen or The Soldiers' Chorus from Faust. But, then again, that mellifluous sound would be lost unless they were transformed into ballads. Would it work? I don't know, try singing them ...
Lance

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