Total Pageviews

Bebop Spoken There

Ethan Iverson: "Oscar Peterson famously said that Bud [Powell] played just too many wrong notes. He was really critical of Bud as a player, which I think is not right." - (DownBeat March 2021)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

Postage

12,557 (and counting) posts since we started blogging 12 years ago. 276 of them this year alone and, so far, 127 this month (Feb. 28).

Tuesday March 2

HAPPY BIRTHDAY JOHN FORSTER & CAROLINE STEPHEN

Monday, June 03, 2019

CD Review: Mikkel Nordsø Quintet. - Out There


Mikkel  Nordsø (guitar); Thomas French (tenor sax); Ben Besiakov (keyboards); Anders Christensen (bass); Alvin Queen (drums).
(Review by Steve T)

Album opener   Take Off   begins with acoustic guitar in almost country blues mode before it settles into straightforward fusion, all Fender Rhodes, sax and semi-acoustic guitar. The title track follows like a close relative to Jimi Hendrix's   Star Spangled Banner   leading to a free jazz blow-out on sax with drums - or at least cymbals - underneath.

Nordsø cites Hendrix and John Coltrane as the major influences on the album and, while there is much of the intense fire and brimstone those two conjured, on first listen I heard an intersection between electric Miles and Frank Zappa's jazzier excursions.
I believe Miles and Zappa will become the Mozart and Beethoven of the late C20th (or perhaps Amadeus and Ludvig Van will become the Miles and Frank of the late C18th/early C19th). If I'm right, and albums like this further convince me I am, artists like Hendrix and Trane should do very well from this, as well as acts including Weather Report, Santana and John McLaughlin.

Hendrix and Trane were the convergent touch-papers that ignited McLaughlin, and his influence in particular seems all over these recordings, both the Mahavishnu Orchestra and Tony Williams Lifetime, particularly when an eerie organ sound, reminiscent of Larry Young in that band, emerges on track four  Rock Train.

Much of the sax playing is more later Miles, circa Kenny Garrett, and the juxtaposition between sax and guitar reinforces the connection with Zappa and McLaughlin rather than Hendrix.

If any of these artists are your thing, there should be plenty here to appeal though, as always nowadays, I don't know if people would seek this album out ahead of a thousand others, without them touring. That's not a negative statement about the music, which is great, but is just the way it seems to be right now, and it's hard to imagine what will happen to change it.  It's currently available.
Steve T

No comments :

Blog archive