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Bebop Spoken There

Veronica Swift: "I don't want to call myself a jazz singer anymore. I'm a singer and a storyteller.'" - (JazzTimes, December 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13837 (and counting) posts since we started blogging 13 years ago. 56 of them this year alone and, so far, 56 this month (Jan. 16).

From This Moment On ...

January 2022

Wed 19: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 19: Classic Swing @ Venue, Cramlington NE23 6UT. 1:00pm.
Wed 19: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 19: Four @ The Exchange, North Shields. 7:00pm.
Wed 19: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 20: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 20: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 21: Emma Fisk & James Birkett @ The Lit & Phil, Newcastle. 1:00pm. POSTPONED!
Fri 21: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 21: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 21: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 21: John Law @ Durham Cathedral. 7:30pm. £20.00. POSTPONED!
Fri 21: Dean Stockdale Quartet @ Traveller’s Rest, Darlington. 8:00pm. £8.00. Opus 4 Jazz Club.
Fri 21: Jude Murphy & Dan Stanley @ Prohibition Bar, Newcastle. 8:00pm.

Sat 22: East Coast Swing Band @ East Bedlington Community Centre. 7:30pm. £5.00.
Sat 22: MGB @ Prohibition Bar, Newcastle. 8:00pm. The Milne-Glendinning Band.

Sun 23 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 23: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 23: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 23: More Jam @ The Globe, Newcastle. 3:00pm.
Sun 23: Anth Purdy: Swing Jazz Guitar @ Blues & Bourbon, Newcastle. 3:00pm.
Sun 23: Svarc Hanley Longhawn @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.

Mon 24: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.
Mon 24: Vels Trio + Knats @ The Cluny, Newcastle. 8:00pm. POSTPONED!.

Tue 25: East Coast Swing Band @ East Bedlington Community Centre. 10:00am - 12 noon. Rehearsal session (open to the public). .
Tue 25: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Murray Wankling, Paul Grainger, King David Ike-Elechi.

Monday, June 03, 2019

CD Review: Mikkel Nordsø Quintet. - Out There


Mikkel  Nordsø (guitar); Thomas French (tenor sax); Ben Besiakov (keyboards); Anders Christensen (bass); Alvin Queen (drums).
(Review by Steve T)

Album opener   Take Off   begins with acoustic guitar in almost country blues mode before it settles into straightforward fusion, all Fender Rhodes, sax and semi-acoustic guitar. The title track follows like a close relative to Jimi Hendrix's   Star Spangled Banner   leading to a free jazz blow-out on sax with drums - or at least cymbals - underneath.

Nordsø cites Hendrix and John Coltrane as the major influences on the album and, while there is much of the intense fire and brimstone those two conjured, on first listen I heard an intersection between electric Miles and Frank Zappa's jazzier excursions.
I believe Miles and Zappa will become the Mozart and Beethoven of the late C20th (or perhaps Amadeus and Ludvig Van will become the Miles and Frank of the late C18th/early C19th). If I'm right, and albums like this further convince me I am, artists like Hendrix and Trane should do very well from this, as well as acts including Weather Report, Santana and John McLaughlin.

Hendrix and Trane were the convergent touch-papers that ignited McLaughlin, and his influence in particular seems all over these recordings, both the Mahavishnu Orchestra and Tony Williams Lifetime, particularly when an eerie organ sound, reminiscent of Larry Young in that band, emerges on track four  Rock Train.

Much of the sax playing is more later Miles, circa Kenny Garrett, and the juxtaposition between sax and guitar reinforces the connection with Zappa and McLaughlin rather than Hendrix.

If any of these artists are your thing, there should be plenty here to appeal though, as always nowadays, I don't know if people would seek this album out ahead of a thousand others, without them touring. That's not a negative statement about the music, which is great, but is just the way it seems to be right now, and it's hard to imagine what will happen to change it.  It's currently available.
Steve T

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