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Bebop Spoken There

Ethan Iverson: "Mickey Roker played drums in church, and his beat on [Mary Lou] Williams' "Ode to St. Cecile" might make even a diehard atheist a believer" - (JazzTimes Sept. 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Sunday October 13

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon.

Musicians Unlimited - Park Inn, Park Road, Hartlepool TS26 9HU. Tel: 01429 233126. 1:00pm. Free.

Hildy Harland’s Temperance Tea Party - Prohibition Bar, Pink Lane, Newcastle NE1 5DW. 1:00pm. £TBC.

Am Jam - The Globe, Railway Street, Newcastle NE4 7AD. 3:00pm. Free.

Jazz Social - Charts, Quayside, Newcastle NE1 3DX. Tel: 0191 338 7989. 4:00pm. Free.

Blues/Funk/Soul

Davie T & The Razzberries - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 3:00pm. Free.

Evening

Jazz

Lickety Split - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £6.00. (£3.00. student).

Jazz Jam - Fabio's, Saddler St., Durham DH1 3NP. 7:30pm. Free. Durham University Jazz Society. All welcome - sitters-in & listeners.

Wollo’s World - Bridge Hotel, Castle Garth, Newcastle NE1 1RQ. Tel: 0191 232 6400. 8:00pm. £8.00. & £6.00. Wolter Wierbos, John Pope, Emile Karlsen.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, June 24, 2019

CD Review: Paul Bley, Gary Peacock, Paul Motian - When Will The Blues Leave


  Paul Bley (piano); Gary Peacock (double bass); Paul Motian (drums)    
(Review by Chris)

A gem from the ECM vaults, this time a live recording from 1999 in Switzerland of a trio of masters, led by the veteran Canadian poet of the piano, Paul Bley, who died in 2016.  It’s hard to imagine a more different approach to playing than the other Canadian maestro, Oscar Peterson: Bley eschews the obvious sentimental or romantic lines, famously stating “Anything you play twice is once too much”.    


I wasn’t sure I’d enjoy this album, as I have been gradually taking on board Jarrett’s and Mehldau’s well-chronicled trio oeuvres, and Bley’s rigorous drive for innovative and free forms (after all, he set Ornette Coleman’s career in train) requires rather more resolve and attention from the listener. 

However, I was blown away by some of the sheer poetry and elegance of not only Bley’s piano (solo on I Told You So and the luxurious I Loves You Porgy) but the sublime contributions from the remarkable Peacock and Motian, who are given plenty of space of their own - notably Motian on the lively Ornette Coleman title track, and Peacock on his own 1970 number, Moor.   

Bley’s eclectic playing may be centred between bop and free, but is too quixotic and quicksilver to categorise, with extreme contrasts throughout in dynamic, mood and colour.  As a Jarrett fan, I found tantalising glimpses here of Jarrett at his finest and least bombastic (and not a single groan to be heard....).  Clearly, Bley made a major impression on Jarrett over the years. 

The remaining numbers are Bley originals, starting with Mazatlan from 1965. Altogether a remarkably varied collection of apparently relaxed conversations between all combinations of the three players:  virtuoso technique worn lightly in service of real artistry. Highly recommended - an object lesson in the power of the piano trio.    
Chris Kilsby 

Release date: 31.05.2019 ECM 2642 

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance