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Bebop Spoken There

JD Allen: "...art in itself is now a luxury that you need a lot of finances to do." - (DownBeat October 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13,806 (and counting) posts since we started blogging 13 years ago. 1223 of them this year alone and, so far, 50 this month (Oct. 13).

From This Moment On ...

October

Fri 15: Rendezvous Jazz @ Monkseaton Arms, Monkseaton. 1:00pm..
Fri 15: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm..
Fri 15: Sue Ferris Quintet @ Traveller's Rest, Cockerton, Darlington. 8:00pm. Opus 4 Jazz Club.
Fri 15: House of the Black Gardenia @ Cobalt Studios, Newcastle. 8:00pm.

Sat 16: Women Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor Julija Jacenaite: Improvarium..
Sat 16: Emma Fisk & James Birkett @ St Mary's Church, Monkseaton. 7:30pm..
Sat 16: Triptych @ Sage Gateshead. 7:45pm. Trio with live visuals by Lisa Delarny. .
Sat 16: Rendezvous Jazz @ Memorial Hall, Ponteland. 8:00pm. Guest Ian Wynne (piano)..

Sun 17: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 17: Musicians Unlimited @ South Durham Social Club. 1:00pm.
Sun 17: Shunyata Improvisation Group @ Unitarian Church, Newcastle. 1:30pm.
Sun 17: Vula Viel @ The Globe, Newcastle. 8:00pm.

Mon 18: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Wed 20: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 20: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 20: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 20: Jeremy McMurray & the Jazz Pocket Orchestra @ Middlesbrough Town Hall. 8:00pm.

Thu 21: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 21: Alter Ego @ St James' & St Basil's Church, Newcastle 7:30pm.
Thu 21: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 21: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 22: Mick Shoulder Quartet @ Lit & Phil, Newcastle. 1:00pm. Quartet featuring Alex Clarke (BBC Young Jazz Musician of the Year finalist).
Fri 22: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 22: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 22: Sue Ferris Quintet @ Traveller's Rest, Darlington. 8:00pm. Opus 4 Jazz Club.
Fri 22: Michael Feinstein @ Sage Gateshead. 8:00pm.
Fri 22: Peter Morgan Trio @ Prohibition Bar, Newcastle. 8:00pm.

Monday, June 24, 2019

CD Review: Paul Bley, Gary Peacock, Paul Motian - When Will The Blues Leave


  Paul Bley (piano); Gary Peacock (double bass); Paul Motian (drums)    
(Review by Chris)

A gem from the ECM vaults, this time a live recording from 1999 in Switzerland of a trio of masters, led by the veteran Canadian poet of the piano, Paul Bley, who died in 2016.  It’s hard to imagine a more different approach to playing than the other Canadian maestro, Oscar Peterson: Bley eschews the obvious sentimental or romantic lines, famously stating “Anything you play twice is once too much”.    


I wasn’t sure I’d enjoy this album, as I have been gradually taking on board Jarrett’s and Mehldau’s well-chronicled trio oeuvres, and Bley’s rigorous drive for innovative and free forms (after all, he set Ornette Coleman’s career in train) requires rather more resolve and attention from the listener. 

However, I was blown away by some of the sheer poetry and elegance of not only Bley’s piano (solo on I Told You So and the luxurious I Loves You Porgy) but the sublime contributions from the remarkable Peacock and Motian, who are given plenty of space of their own - notably Motian on the lively Ornette Coleman title track, and Peacock on his own 1970 number, Moor.   

Bley’s eclectic playing may be centred between bop and free, but is too quixotic and quicksilver to categorise, with extreme contrasts throughout in dynamic, mood and colour.  As a Jarrett fan, I found tantalising glimpses here of Jarrett at his finest and least bombastic (and not a single groan to be heard....).  Clearly, Bley made a major impression on Jarrett over the years. 

The remaining numbers are Bley originals, starting with Mazatlan from 1965. Altogether a remarkably varied collection of apparently relaxed conversations between all combinations of the three players:  virtuoso technique worn lightly in service of real artistry. Highly recommended - an object lesson in the power of the piano trio.    
Chris Kilsby 

Release date: 31.05.2019 ECM 2642 

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