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Bebop Spoken There

George "Big Nick" Nicholas: "This band [George Adams-Don Pullen Quartet] is a bitch on roller skates, baby. They'll run you over if you ain't ready" (JazzTimes April, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

14250 (and counting) posts since we started blogging 14 years ago. 469 of them this year alone and, so far, 69 this month (May 19).

From This Moment On ...

May.

Wed 25: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 25: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 25: Four @ The Exchange, North Shields. 7:00pm.
Wed 25: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 26: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 26: Deep Pope + Garner & Pope @ Cobalt Studios, Newcastle. 7:00pm. £7.00.
Thu 26: 58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 26: Knats @ Hoochie Coochie, Newcastle. 8:00pm.
Thu 26: Jeremy McMurray & the Pocket Orchestra @ Arc, Stockton. 8:00pm.
Thu 26: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 26: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm.

Fri 27: Alice Grace Quartet @ The Gala, Durham. 1:00pm.
Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 27: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 27: Fergus McCreadie Trio @ The Witham, Barnard Castle. 7:30pm.

Sat 28: Whitley Bay Carnival: Northern Monkey Brass Band (1:00-1:45pm & 4:00-4:45pm); Baghdaddies (2:00-2:45pm & 5:00-5:45pm) @ Spanish City Plaza Arena, Whitley Bay. Northern Monkey Brass Band (2:30-2:45pm) @ Rainbow Corner (Marine Ave.), Whitley Bay.
Sat 28: Jack Logan & the Swing Section @ Prohibition Bar, Newcastle. 8:00pm.

Sun 29 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 29: Musicians Unlimited @ Hartlepool United Supporters’ Club, Hartlepool. 1:00pm.
Sun 29: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 29: Groovetrain @ Tyne Bar, Newcastle. 4:00pm. Free.
Sun 29: Zoë Gilby Quartet @ Allendale Village Hall, Northumberland. 7:30pm.
Sun 29: Two of a Mind: Sue Ferris-Steve Summers Quartet @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.
Sun 29: Cedric Burnside @ Cluny, Newcastle. Superb Mississippi hill country blues!

Mon 30: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tue 31: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Stu Collingwood, Paul Grainger, Rob Walker.

Wednesday, June 19, 2019

CD Review: Bonsai – Bonsai Club


Rory Ingham (trombone); Dominic Ingham (violin, vocals); Tony Comeau (piano, Fender Rhodes, synths); John Lee (bass, vocals, piano, synths); Jonny Mansfield (drums, vibraphone, percussion, synths)
(Review by Hugh C)

Bonsai* (formerly Jam Experiment) are a London based band formed in 2014.   Comeau, Lee, Mansfield and the Ingham brothers operate in a collective manner, with no designated leader.  The music on the CD is composed by Dominic Ingham, Joe Lee and Jonny Mansfield.  Bonsai Club offers just over 37 minutes of high octane music – so I’m not sure if it counts as a compact CD or and extended EP.  According to Rory Ingham “Bonsai Club is about the joy of returning to a place where you feel content; no matter how much it transforms, it always feels like home”.

The title track Bonsai Club introduces would-be members to what is to come – hold on tight and enjoy the ride!  Mansfield’s fast, repetitive drumming sets the pace on the majority of tracks and (in the words of the press release) “a plethora of synths” are employed throughout.  Vocals are to the fore, both written lyrics and vocalese.  The Crescent, a jaunty number, features Ingham’s trombone against a driving backbeat rhythm, interspersed slower synth-rich passages before vibraphone takes us out.  Tin mines in a more contemplative vein with lyrics by Mansfield.  Ingham’s violin and Comeau’s piano start BMJC in almost Ceilidh style, before the rhythm section kick in and take over the party, Ingham asserts his presence with fine bowing over the driving pulse towards the finale.

Quay features a melodic violin solo to start, joined by resonant trombone all over a steady beat and background chords, this develops into an almost funk-style with fine bass playing by Lee and an atmospheric contribution by Comeau on Fender Rhodes.  This is probably my favourite track of the album, but is slightly spoiled by a fade at the end – why do they do that (it’s not as if they’ve run out of time!)?  Back to business with Hop – The Hip Replacement, more lyrical bass playing by Lee, with instrumental contributions by both Ingham brothers on trombone and violin respectively (in compensation this has a false ending before the real ending a few bars later).  Itchy Knee brings you back to reality before the final Bonsai Reprise.

Bonsai Club is one of those genre-defying albums that is difficult to categorise – there are any or all of jazz, fusion, prog rock, hot-club style violin (you name it, it’s there, basically).  A very interesting listen, well put together and a fine exposition of musical talent.  The CD is released on the highly respected Ubuntu label (UBU0031) and is available now at only £10.

Bonsai Club are on tour – dates here.  They can also be heard on BBC Radio 3’s Jazz Now (available for the next 21 days).
Hugh C

*From the Japanese bon (tree) and sai (planting)

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