Bebop Spoken There

Donovan Haffner ('Best Newcomer' 2025 Parliamentary Jazz Awards): ''I got into jazz the first time I picked up a saxophone!" - Jazzwise Dec 25/Jan 26

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18146 (and counting) posts since we started blogging 17 years ago. 24 of them this year alone and, so far this month (Jan. 7), 24

From This Moment On ...

JANUARY 2026

Fri 09: The House Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00.
Fri 09: Nauta @ Jesmond Library, Newcastle. 1:00pm. £5.00. Trio: Jacob Egglestone, Jamie Watkins, Bailey Rudd.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Warren James & the Lonesome Travellers @ Saltburn Community Hall. 7:30pm. £15.00.
Fri 09: The Blue Kings @ The Globe, Newcastle. 8:00pm. £10.00. (£8.00. adv.). All-star band.

Sat 10: Mark Toomey Quintet @ St Peter’s Church, Stockton-on-Tees. 7:30pm. £12.00. (inc. pie & peas). Tickets from: 07749 255038.

Sun 11: New ’58 Jazz Collective @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Eva Fox & the Sound Hounds @ The Globe, Newcastle. 8:00pm.

Mon 12: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 12: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free.

Tue 13: Milne Glendinning Band @ Newcastle House Hotel, Rothbury. 7:30pm. £11.00. Coquetdale Jazz.
Tue 13: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 14: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 14: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 14: Jam Session @ The Tannery, Hexham. 7:00pm. Free.
Wed 14: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 15: Mark Toomey Quartet @ Dorman’s Club, Middlesbrough. 8:30pm. Free. Quartet + guest Paul Donnelly (guitar).

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, June 07, 2019

CD Review: Coniece Washington - Shades Of Shirley Horn


Coniece Washington (vocals); Vince Evans (piano, musical direction, engineer); Wes Biles (bass); JC Jefferson Jr. (drums); Kevin Kojo Prince (percussion); Thad Wilson (trumpet); Carl Carrington (flute); David P Cole (guitar); Seth Washington (poet).
(Review by Ann Alex)

A fine singer from Trenton NJ, whose vocal life began singing in her grandmother's church. She then joined the US army but continued performing in venues in the States and Europe. She is a trained vocalist who now performs all over Washington DC, Writes songs and produces. In 2018 Ms Washington was awarded the Montgomery County Employee's Black History Show contract.
 Her second CD comprises mainly Gasbook material, some of it unfamiliar, at least to me. The music is a tribute to the singing of Shirley Horn (1934-2005). But, dare I say it? after listening to some Shirley Horn, I decided in my wisdom that Ms Washington's voice lost nothing by comparision, though Ms Horn's was skilled too. I found our singer's tone appealing, slightly and pleasantly nasal, with what I can only describe as a 'cute' tone. (Think pop singer Cindy Lauper). I also decided to mention more about the instrumentalists in this review, as I believe that they deserve more attention than I usually give them by merely saying that they are 'competent'. To that end, track by track.

1/ Here's to Life:  This begins surprisingly with a poem explaining the CD, recited to flowing piano, and voice over keys, bass, brushes and cymbals 'I had my share, I drank my fill', a song with optimistic words sung slowly.

2/ Get Out Of Town: A skilled keys solo enlivens this amusing Cole Porter song, with the immortal lyrics 'Why wish me harm, why not retire to a farm?’

3/ The Island: A Latin number with a rippling piano, concerning a desert island love fantasy, with tapping drums, (or percussion?)

4/ How Am I To Know? Another Latin, with wooden sounding percussion, probably clave blocks, and the voice intimate. I think the technical term for this is voice 'well forward in the mix'.

5/ Don't Let The Sun Catch You Crying:  A much better version than the pop song. A blues with a muted trumpet making the 'crying' sounds.
6/ Our Love Is Here To Stay: With a keys solo, as on most of the tracks.

7/ Fever: A favourite track of mine, with a low tune on the keys, and sung seductively.

8/ If You Go: A slow heartfelt ballad, using the intimate voice again.

9/ Dindi: This has to be a Latin of course, with the intimate voice and lots of good percussion on clave, congas and bongos.

10/ Once I Loved: A Latin beat with flute remarks between the vocal lines and the pleasant change of a guitar solo.

11/ A Time For Love: Our singer gives us lots of imaginative flower images, and the band does well, especially the drummer with his rhythmic brushes.

12/ I Just Found Out About Love  A great way to end the album, a fast swing with clever lyrics 'Hey look, give me a clue, What's love doin' to you?

The CD is available from www.coniecewashington.com.
Ann Alex

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