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Bebop Spoken There

Steve Coleman: ''If you don't keep learning, your mind slows down. Use it or lose it''. (DownBeat, January 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17733 (and counting) posts since we started blogging 17 years ago. 53 of them this year alone and, so far, 53 this month (Jan. 20).

From This Moment On ...

January 2025

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Pasadena Roof Orchestra @ Fire Station, Sunderland. 7:30pm.

Thu 23: Vieux Carré Jazzmen @ The Holystone, Whitley Road, Holystone. 1:00pm. Free. Fortnightly.
Thu 23: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Obituaries 2024.
Thu 23: Jason Isaacs @ St James’ STACK, Newcastle. 4:30-6:30pm. Free. Vocalist Isaacs working with backing tapes.
Thu 23: Pedal Point Trio @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Fri 24: Zoë Gilby Quartet @ The Gala, Durham. 1:00pm. SOLD OUT!
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Creakin’ Bones & the Sunday Dinners @ Lindisfarne Social Club, Wallsend. 9:00pm. Admission: TBC. Jazz, blues , jump jive, rock ‘n’ roll.

Sat 25: Boys of Brass @ St James’ STACK, Newcastle. 3:30-5:30pm. Free.
Sat 25: New '58 Jazz Collective @ Jackson's Wharf, Hartlepool. 6:30pm (doors). Free. A Burns' Night event. Jazz, swing, funk, soul, blues etc.
Sat 25: Edison Herbert Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 25: Red Kites Jazz @ Parish Hall, St Barnabas’ Church, Rowlands Gill. 7:30pm. £10.00. BYOB (tea & coffee available), raffle. Proceeds to St Barnabas’ Church. Performance feat. Shayo (vocals).
Sat 25: Jack & Jay’s Songbook @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 26: Graham Hardy Eclectic Quartet @ Queen’s Hall, Hexham. 3:00pm.
Sun 26: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 26: Tweed River Jazz Band @ Barrels Ale House, Berwick-upon-Tweed. 7:30pm. Free.
Sun 26: Gratkowski, Tramontana, Beresford, Affifi @ The Globe, Newcastle. 8:00pm. £12.00. JNE.
Sun 26: Jazz Jam @ Fabio’s, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society promotion. All welcome.

Mon 27: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 28: ???

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).

Thu 30: Matters Unknown (aka Jonathan Enser, Nubiyan Twist) + support TBA @ Cobalt Studios, Newcastle. 8:00pm (7:00pm doors). £12.22 (gig & food); £9:04 (gig only).
Thu 30: Soznak @ The Mill Tavern, Hebburn. 8:00pm. Free.
Thu 30: Struggle Buggy @ Harbour View, Roker, Sunderland. 8:00pm. Free. Rhythm & blues.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, June 07, 2019

CD Review: Coniece Washington - Shades Of Shirley Horn


Coniece Washington (vocals); Vince Evans (piano, musical direction, engineer); Wes Biles (bass); JC Jefferson Jr. (drums); Kevin Kojo Prince (percussion); Thad Wilson (trumpet); Carl Carrington (flute); David P Cole (guitar); Seth Washington (poet).
(Review by Ann Alex)

A fine singer from Trenton NJ, whose vocal life began singing in her grandmother's church. She then joined the US army but continued performing in venues in the States and Europe. She is a trained vocalist who now performs all over Washington DC, Writes songs and produces. In 2018 Ms Washington was awarded the Montgomery County Employee's Black History Show contract.
 Her second CD comprises mainly Gasbook material, some of it unfamiliar, at least to me. The music is a tribute to the singing of Shirley Horn (1934-2005). But, dare I say it? after listening to some Shirley Horn, I decided in my wisdom that Ms Washington's voice lost nothing by comparision, though Ms Horn's was skilled too. I found our singer's tone appealing, slightly and pleasantly nasal, with what I can only describe as a 'cute' tone. (Think pop singer Cindy Lauper). I also decided to mention more about the instrumentalists in this review, as I believe that they deserve more attention than I usually give them by merely saying that they are 'competent'. To that end, track by track.

1/ Here's to Life:  This begins surprisingly with a poem explaining the CD, recited to flowing piano, and voice over keys, bass, brushes and cymbals 'I had my share, I drank my fill', a song with optimistic words sung slowly.

2/ Get Out Of Town: A skilled keys solo enlivens this amusing Cole Porter song, with the immortal lyrics 'Why wish me harm, why not retire to a farm?’

3/ The Island: A Latin number with a rippling piano, concerning a desert island love fantasy, with tapping drums, (or percussion?)

4/ How Am I To Know? Another Latin, with wooden sounding percussion, probably clave blocks, and the voice intimate. I think the technical term for this is voice 'well forward in the mix'.

5/ Don't Let The Sun Catch You Crying:  A much better version than the pop song. A blues with a muted trumpet making the 'crying' sounds.
6/ Our Love Is Here To Stay: With a keys solo, as on most of the tracks.

7/ Fever: A favourite track of mine, with a low tune on the keys, and sung seductively.

8/ If You Go: A slow heartfelt ballad, using the intimate voice again.

9/ Dindi: This has to be a Latin of course, with the intimate voice and lots of good percussion on clave, congas and bongos.

10/ Once I Loved: A Latin beat with flute remarks between the vocal lines and the pleasant change of a guitar solo.

11/ A Time For Love: Our singer gives us lots of imaginative flower images, and the band does well, especially the drummer with his rhythmic brushes.

12/ I Just Found Out About Love  A great way to end the album, a fast swing with clever lyrics 'Hey look, give me a clue, What's love doin' to you?

The CD is available from www.coniecewashington.com.
Ann Alex

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