Bebop Spoken There

Joe Alterman: ''All I wanted to do growing up was to sound like Erroll Garner playing "Poor Butterfly." I thought that was the coolest sound I'd ever heard.'' (DownBeat November, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

19,086 (and counting) posts since we started blogging 18 years ago. 950 of them this year alone and, so far this month (Nov. 7) 20.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

November

Tue 10: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Becky Tuck (vocals).
Tue 10: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 11: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 11: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 11: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 11: Plague Doctors Cure All + Noonward @ Central Bar, Gateshead. 8:00pm. JNE.

Thu 12: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 12: JANE @ Brunswick Methodist Church, Newcastle. 2:00pm. £5.00.
Thu 12: MoonMot + Jack Banjo’s Snackwall @ Cobalt Studios, Newcastle. 7:00pm.
Thu 12: Ratio: Swingin’ Through the Decades @ The Forum, Darlington. 8:00pm (7:30pm doors). £10.00. A charity fundraiser.
Thu 12: Look Left @ Pilgrim, Newcastle. 7:30pm (doors). £8.00.
Thu 12: Michael Woods @ The Black Swan, Newcastle. 7:30pm. Free (donations). Acoustic blues.

Fri 13: Giles Strong Quartet @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Giles Strong (guitar); Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 13: Lapwing Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00. Richard Herdman, Nick Bagnell, Paula Whitty.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Northern Monkey Brass Band @ Hexham Lantern Parade, Bandstand, Sele, Hexham. 6:00pm. Free.
Fri 13: Sharp Collective @ Dry Water Arts, Amble. 7:00pm.
Fri 13: East Coast Swing Band @ The Exchange, North Shields. 7:30pm.
Fri 13: Guisborough Big Band @ Saltburn Golf Club. 7:30pm. Tickets: £15.00 (inc. pie & peas

Sat 14: Lianne Carroll: Jazz Vocal Weekend Workshop @ The Globe, Newcastle. 9:30am-5:00pm. £95.00. Day 1/2. SOLD OUT!
Sat 14: Tees Bay Swing Band @ The Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal.
Sat 14: Pete Tanton’s Chet Set @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20 (inc. bf); £11.00 concs (inc. bf).
Sat 14: Red Kites Jazz @ Staiths Café, Gateshead. 7:00pm.
Sat 14: Tweed River Jazz Band @ Tweed Gallery, Berwick. 7:30pm. Free.

Sun 15: Lianne Carroll: Jazz Vocal Weekend Workshop @ The Globe, Newcastle. 9:30am-5:00pm. Day 2/2. SOLD OUT!
Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: James Birkett & Emma Fisk @ The Waiting Room, Eaglescliffe. 7:00pm. £48.18 (to include dinner); £17.43 (concert only).
Sun 15: Sarah Gillespie & Chris Montague @ Cluny 2, Newcastle. 7:30pm (doors). £18.00.
Sun 15: Liane Carroll @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Solo performance. SOLD OUT!

Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Friday, June 07, 2019

CD Review: Coniece Washington - Shades Of Shirley Horn


Coniece Washington (vocals); Vince Evans (piano, musical direction, engineer); Wes Biles (bass); JC Jefferson Jr. (drums); Kevin Kojo Prince (percussion); Thad Wilson (trumpet); Carl Carrington (flute); David P Cole (guitar); Seth Washington (poet).
(Review by Ann Alex)

A fine singer from Trenton NJ, whose vocal life began singing in her grandmother's church. She then joined the US army but continued performing in venues in the States and Europe. She is a trained vocalist who now performs all over Washington DC, Writes songs and produces. In 2018 Ms Washington was awarded the Montgomery County Employee's Black History Show contract.
 Her second CD comprises mainly Gasbook material, some of it unfamiliar, at least to me. The music is a tribute to the singing of Shirley Horn (1934-2005). But, dare I say it? after listening to some Shirley Horn, I decided in my wisdom that Ms Washington's voice lost nothing by comparision, though Ms Horn's was skilled too. I found our singer's tone appealing, slightly and pleasantly nasal, with what I can only describe as a 'cute' tone. (Think pop singer Cindy Lauper). I also decided to mention more about the instrumentalists in this review, as I believe that they deserve more attention than I usually give them by merely saying that they are 'competent'. To that end, track by track.

1/ Here's to Life:  This begins surprisingly with a poem explaining the CD, recited to flowing piano, and voice over keys, bass, brushes and cymbals 'I had my share, I drank my fill', a song with optimistic words sung slowly.

2/ Get Out Of Town: A skilled keys solo enlivens this amusing Cole Porter song, with the immortal lyrics 'Why wish me harm, why not retire to a farm?’

3/ The Island: A Latin number with a rippling piano, concerning a desert island love fantasy, with tapping drums, (or percussion?)

4/ How Am I To Know? Another Latin, with wooden sounding percussion, probably clave blocks, and the voice intimate. I think the technical term for this is voice 'well forward in the mix'.

5/ Don't Let The Sun Catch You Crying:  A much better version than the pop song. A blues with a muted trumpet making the 'crying' sounds.
6/ Our Love Is Here To Stay: With a keys solo, as on most of the tracks.

7/ Fever: A favourite track of mine, with a low tune on the keys, and sung seductively.

8/ If You Go: A slow heartfelt ballad, using the intimate voice again.

9/ Dindi: This has to be a Latin of course, with the intimate voice and lots of good percussion on clave, congas and bongos.

10/ Once I Loved: A Latin beat with flute remarks between the vocal lines and the pleasant change of a guitar solo.

11/ A Time For Love: Our singer gives us lots of imaginative flower images, and the band does well, especially the drummer with his rhythmic brushes.

12/ I Just Found Out About Love  A great way to end the album, a fast swing with clever lyrics 'Hey look, give me a clue, What's love doin' to you?

The CD is available from www.coniecewashington.com.
Ann Alex

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