Bebop Spoken There

Dominick "Domo" Branch: ''Most people say drummers can't write, they're just time-keepers only beating on things. But I have a very musical brain.'' (DownBeat February, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18288 (and counting) posts since we started blogging 18 years ago. 142 of them this year alone and, so far this month (Feb. 14), 42

From This Moment On ...

February

Thu 19: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: George Shearing Jazz Moments.

Fri 20: Alex Clarke w. Dean Stockdale Trio @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT! Clarke w. Dean Stockdale, Mick Shoulder, Abbie Finn.
Fri 20: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 20: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 20: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 20: Squabble @ Warkworth Memorial Hall. 7:00pm. Steve Chambers (organ); Jude Murphy (double bass, vocals); Sid White (drums).
Fri 20: Jive Aces @ Queen’s Hall, Hexham. 7:00pm (6:30pm doors).
Fri 20: Alex Clarke w. Dean Stockdale Trio @ Sunderland Minster. 7:30pm. Clarke w. Dean Stockdale, Mick Shoulder, Abbie Finn.

Sat 21: ???

Sun 22: Musicians Unlimited: Big Band Blast @ West Hartlepool RFC. 1:00-3:00pm . Free.
Sun 22: Joe Steels Group @ Queen’s Hall, Hexham. 3:00pm. A Blue Patch album tour.
Sun 22: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 22: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 22: Harben Kay Quartet @ The Globe, Newcastle. 8:00pm.

Mon 23: Joe Steels Group @ Yamaha Music School, Blyth. 1:00pm. A Blue Patch album tour.
Mon 23: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 24: Finn-Keeble Group @ Newcastle House Hotel, Rothbury. 7:30pm. £11.00.
Tue 24: Liam Oliver & Shayo Oshodi @ The Black Swan, Newcastle. 7:30pm. Free.

Thu 26: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. 7:30pm (doors). £6.50.
Thu 26: Shalala @ The Globe, Newcastle. 8:00pm. £7.00 adv.
Thu 26: Mick Cantwell Band @ The Harbour View, Roker, Sunderland. 8:00pm. Blues.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, June 14, 2019

CD Review: David Stryker - Eight Track III


David Stryker (guitar); Stefon Harris (vibraphone); Jared Gold (organ); McLenty Hunter (drums); Mayra Casales (congas and percussion).
(Review by Hugh C).

David Stryker is an in-demand guitarist and educator based in NYC.  His two previous “Eight Track” releases were in 2013 and 2016.  Stefon Harris reminded Stryker that they needed to complete the Trilogy, an idea he could only say yes to.  The concept of all three albums was to take “classic melodies from the 70s” and “put my own stamp on them through the arrangements and playing”. 

Move on Up (Curtis Mayfield) – Papa Was a Rollin’ Stone (Norman Whitfield & Barrett Strong) -   Pretzel Logic (Walter Becker & Donald Fagen) – Too High (Stevie Wonder) are lively and poppy, led by Stryker on guitar with thoughtful assistance from Gold on Hammond-style organ and Harris on vibes.  We’ve Only Just Begun (Roger Nichols & Paul H. Williams) is the classic ballad with soulful contributions from guitar, and vibes.

This Guy’s In Love With You (Burt Bacharach & Hal David) – Everybody Loves the Sunshine (Roy Ayers) – After the Dance (Marvin Gaye & Leon Ware) continue the set with a return to the tempo and feel of the first four tracks.   Joy Inside My Tears (Stevie Wonder) provides the slow dance at the end of the prom.

The playing is crisp with a driving groove set by the powerhouse of Hunter’s drums and Casales’ percussion.  The overall sound is pleasant enough and well delivered – harmless, but not groundbreaking.  The Eight Track concept partly derives from Stryker’s experience as a high school kid driving around with an eight-track in his van.  Perhaps I have trouble with the concept as, despite being born the same year as Stryker, I never felt the need for an eight-track – cassettes, yes; vinyl (in its day), yes.  CDs, yes – although (poetic justice perhaps) my usual player refused to play the review disc and I had to listen to it on my laptop CD/DVD drive.

The accompanying press release suggests the CD should be filed under JAZZ, given that this is effectively a ‘70s tribute, perhaps EASY LISTENING would be more appropriate!
Hugh C
Eight Track III has been released by Strikezone Records (Catalogue No. 8818).

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