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Bebop Spoken There

Poncho Sanchez: "When I perform it's my life story." - (DownBeat October 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Thursday September 19

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Jazz

Alexito & Loco Machine - Revoluçion de Cuba, Cloth Market, Newcastle NE1 1EE. Tel: 0191 917 7076. 6:00pm. Free.

Jeremy McMurray & the Pocket Jazz Orchestra - Arc, Dovecot St., Stockton on Tees TS18 1LL. Tel: 01642 525199. 7:00pm. £12.00. + £0.10. bf. ‘Jazz & Tapas’ (booking essential). Guest: Alice Grace.

Bradley Johnston Quartet - St James' & St Basil's Church, Fenham Hall Drive, Fenham, Newcastle NE4 9EJ. 7:30pm. £8.00. (£4.00. student).

Sudden Jazz Quintet - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. Free (donations).

Eclectic - Tees Hot Club, Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 9:00pm. Free. Rick Laughlin (keys); Alan Thompson, Dan Johnson, Sue Ferris, Josh Bentham (saxes); Ian Halford (drums).

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NA. Tel: 0191 488 7347. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm. £2.50.

Blues/Soul/Funk

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, June 13, 2019

RICK TAYLOR. (January 31, 1957 - June 7, 2019)

(Remembered by Ros Rigby. Photo of Rick Taylor with Phil Bancroft and Kevin MacKenzie © Rik Walton. Colour photo © The Scotsman.)

The tributes to Rick that have flooded in since his death less than a week ago reveal how positively he touched so many peoples’ lives - particularly musicians he worked with - in the North East, in London, and in Scotland. This is how he touched mine -  and my family’s life.

I first met Rick in the early 1980’s when I became Arts Development Officer for Gateshead Council and was looking at including jazz in the programme at Caedmon Hall. I had brought in my friend John Cumming to work with me and he suggested checking out the band Full Circle - the band led by Rick with pianist Paul Flush, drummer Adrian Tilbrook and bass player Keith Peberdy.  I saw them play at the Corner House and later in collaborations at the Newcastle Jazz Festival with Paul Clarvis and the Van den Driessche brothers- Johan and Peter - and I was impressed.
Rick visited me at our house in Pelton Fell near Chester le Street, and met my husband the writer Graeme Rigby. Rick and Paul Flush were both interested in working with poetry and spoken word and from this chance meeting came the birth of a project called Dreaming North, involving Graeme and the poet Keith Armstrong as writers and Rick and Paul Flush as musicians. The Borough Librarian for Gateshead Council, Patrick Conway, supported the production of an album of the group in 1986 to coincide with publishing a book of the poems - an imaginative move for a library and arts service - but Gateshead has always been bold in supporting culture! Rick was away a lot on tour with Elton John around this time, but always gave this project his full support when he was back home.

The Dreaming North ensemble went on to create several other shows including Traffics and Discoveries - performed at Live Theatre and Caedmon Hall, and Suite for the River Wear, which was later recorded for BBC Radio Newcastle. The group then expanded to create a show with Northumberland Theatre Company – O’er the Hills –telling the story of the 18th century Northumbrian Piper Jamie Allan – also featuring the composer/musician Keith Morris, the piper Kathryn Tickell, and singer Joan McKay, which toured nationally - perhaps Rick’s first experience of working with folk music, but something which led to much more.

Rick and Graeme decided then to work as a duo - Big Boys Don’t Rhyme, which led to other ‘Big’ projects - the one-act opera Big People from Outer Space at the then Gulbenkian Studio Theatre - now part of Northern Stage, and Sunday Lunchtimes with the Big People at Live Theatre, a monthly event with a house band led by Rick - Keith Morris (sax/bass), Graham Stafford (keyboards), Bruce Arthur (percussion), Neil Harland (bass), Katherine Zeserson (vocals), Richard Scott (vocals/sax), Steve Jinski (guitar/vocals) and invited guests from folk music and jazz working on special projects for each one.

The culmination was BigFest - again at Live Theatre - which ran for several years- whereby 21 musicians came together for a week to create a festival of gigs over the final weekend. As well as the great jazz musicians who took part - Nikki Iles, Stan Sulzmann, Gerry Hunt, Claude Deppa, Tom and Phil Bancroft, Chris Biscoe, John Telfer, Josefina Cupido, Annie Whitehead, Kevin Mackenzie - many folk musicians were also involved. The line-ups drew extensively on Rick's work with Grand Union in London and the Bancrofts in Scotland, as well as the contacts I had made through Folkworks, the organisation I set up with Alistair Anderson in 1988. These included Alistair himself, Karen Tweed, Brian Finnegan, Ian Lowthian, Chris Wood, Sandra and Nancy Kerr, Corrina Hewat, Mary McMaster, Catriona Macdonald and more. In many ways it set the scene for the work Rick did on the folk scene when he moved to Scotland two decades ago. 

Alongside these projects, Rick was always keen to work with young players and a band of teenage musicians, Giving it Large, worked under the BigFest umbrella, including my own children. I also worked with him on a project for Houghton Feast bringing together young brass players and singers from Houghton Kepier School, where his daughter Laura was then a student, with guests such as Julian Siegel, Phil Bancroft and a 16-year-old Tim Giles on drums.

More recently, Rick was Music Director for a major project at Sage Gateshead as part of the 2011 Gateshead International Jazz Festival, called Subway Moon, with American musician/composer/writer Roy Nathanson and the Jazz Passengers - working with the youth jazz ensemble Jambone, a youth choir, rappers and DJ’s and more. Through this Rick met guitarist Bradley Johnston who went on to work with Rick up on Skye on his weekend courses; who has this week written movingly about how much his time with Rick meant to him.

Rick was often working away as a very much in demand session musician and MD - George Michael, Wet Wet Wet and many more - but, when he was with you, you always got 100% of the musical talent, awareness and imagination that flowed out of him, regardless of how much the gig was paying.

When, in the early 2000s, he moved up to Skye with Pam Allan - who he met when they were both working at Live Theatre - I was delighted to see how the Scottish music scene - jazz and folk - took him to their collective heart and valued so highly the contribution he could make as a performer but also as an arranger and MD. We still saw Rick fairly often and visited him up in Skye - never thinking that this would stop so suddenly. The news was devastating to our whole family but it has been wonderful to see how many people valued him as a musician and as a person. He will be very much missed.

Ros Rigby
June 2019.

3 comments :

keith armstrong said...

RIP Rick. Your beautiful spirit lives on.

Your poet friend Keith.

Alan Twelftree (on F/b) said...

his music still remembered.

Gerry Richardson said...

A sad loss. I worked with Rick in the early 90s in Blunt End with Nigel Stanger, Frank Gibbon, Paul Smith and later Rob Walker. Rick was a fantastic trombone player and improviser but also a great composer/arranger. He had a photographic memory and perfect pitch. Also brilliant second keys/backing vocals and Latin percussion. He taught me a lot.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance