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Bebop Spoken There

Willie Jones lll: "I often wondered what it would be like to play with Clifford Brown or Lee Morgan. For me, Roy Hargrove was the closest thing to that." - (JazzTimes, November 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13683 (and counting) posts since we started blogging 13 years ago. 1402 of them this year alone and, so far, 18 this month (Dec.5).

From This Moment On ...

December

Wed 08: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 08: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 8:00pm. Concert performance. Free admission.
Wed 08: Four @ The Exchange, North Shields. 7:00-9:30pm. In the bar.
Wed 08: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 08: Durham Uni Big Band + Durham Uni Jazz Soc Big Band @ Durham University Students' Union. 8:00pm.

Thu 09: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. £22.00. Xmas lunch. Tel: 0191 691 7090.
Thu 09: Hot Club du Nord, Lubetkin Theatre, East Durham College, Peterlee. 7:00pm (doors). £10.00. + bf.
Thu 09: TBC + Knats @ Cobalt Studios, Newcastle. 7:00pm. £7.00. (£10.00. inc food).
Thu 09: Indigo Jazz Voices @ The Globe, Newcastle. 7:30pm.
Thu 09: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 09: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 10: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. £22.00. Xmas lunch. Tel: 0191 691 7090.
Fri 10: Zoë Gilby Trio @ Bishop Auckland Town Hall. 1:00pm.
Fri 10: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 10: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 10: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 10: Secret Night Gang @ Hoochie Coochie, Newcastle. 8:00pm.
Fri 10: Jack Logan (replacement for Alter Ego) @ Prohibition Bar, Newcastle. 8:00pm.

Sat 11: Paul Skerritt @ Newcastle Central Station. 11:00am. On the concourse.
Sat 11: Life Drawing & Live Jazz @ Cobalt Studios, Newcastle. 2:00-4:00pm. Lindsay Hannon & Martin Douglas. Book via: www.cobaltstudios.co.uk.
Sat 11: Boys of Brass @ Branding Villa, South Gosforth, Newcastle. 8:00pm.

Sun 12 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 12: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 12: Hot Club du Nord @ Hurworth Grange. 2:30pm. Festive Special! SOLD OUT!
Sun 12: Glenn Miller Orchestra UK @ Stockton Globe. 3:00pm. Ray McVay & co.
Sun 12: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 12: Am Jam @ The Globe, Newcastle. 3:00pm.
Sun 12: Sue Ferris Quintet (Musicians Unlimited’s Xmas Party) @ South Durham Social Club, Hartlepool. 4:00pm. Tickets: £6.00.
Sun 12: Jason Isaacs Big Band @ Hoochie Coochie, Newcastle. 5:00pm.
Sun 12: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 7:00pm.
Sun 12: Larry’s Brass Band @ The Vigilant Inn, South Shields. 7:00pm. Free. Brass band playing Xmas tunes!
Sun 12: corto.alto @ The Cluny, Newcastle. 8:00pm.
Sun 12: Under the Surface @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.

Mon 13: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.
Mon 13: 6th Street Swing w Calvert & the Old Fools @ St Thomas Aquinas’ Church, Darlington. 7:00pm. £5.00. Swing dance (‘social dancing’) night.
Mon 13: Stuart Fowler Quintet plays Art Blakey’s album Moanin’ + jam session @ Central Bar, Gateshead. 7:30pm. £5.00.

Tue 14: Harry Keeble & Friends @ Forum Music Centre, Darlington. 7:30pm. Keeble (tenor sax); Dean Stockdale (keyboards); Paul Grainger (bass); John Bradford (drums).

Sunday, June 09, 2019

The Alexander Bone Trio @ Swaledale Festival of Music, Arts and Walking – June 8


Alexander Bone (reeds); Tom Cawley (keys); Seth Tackaberry (bass)
(Review by Hugh C).

The final event of the festival took place in the sumptuous surroundings of the Garden Rooms venue associated with Tennants Auctioneers in Leyburn – apparently the largest auction saleroom in Europe.  The Cloister Suite (so named because it forms two sides of an enclosed, glass-roofed courtyard) provided a curious L-shaped space for this concert, with a small stage (just big enough for three) in the outer corner of the L.  The gig followed hard on the heels of Kathryn Tickell’s The Darkening, in a much larger hall, filled to capacity.  Local lad, Alexander Bone, was fresh up from the Big Smoke that day, having just completed his final examination at the Royal Academy of Music. He was pleased to be home, and his parents were in the well-sized audience.
 Tony Bennett’s Nobody Else But Me kicked off proceedings.  Alexander Bone, on alto, set the pace followed by a solo from Tom Cawley on his Nord Electro 4 with an electric piano/Fender-Rhodes type sound, which he used throughout the evening.  After another ensemble section, Seth Tackaberry soloed on electric bass with sensitive interjections from both Cawley and Bone.  This pattern was replicated in subsequent items.  Bone then introduced “the fourth member of the band” – a computer programmed to play repetitive claps and shaker, Aldgate (a Bone composition) saw the reedsman switch to soprano – introduced with the question “do you know what this is?”  The curve-ball of the curved bell, however, did not confuse the savvy audience, who immediately responded “soprano”. 

Bone returned to alto for the next three items.  Hold Out for the Sun, a beautifully crafted (by Gwilym Simcock and Mike Walker) piece with subtle melodic and harmonic interplay, exquisitely executed by the trio.  A return to reality next – Tom Cawley composed Come Back Home You Little Bastard! after his cat (which he had for only two months) disappeared – it has apparently not returned to this day! The first set ended with a ballad I’ll Be Seeing You (Billie Holiday). 

After a 20-minute interval the second set commenced with another Bone composition, I’m Still Here.  Alexander Bone, delivered enchanting alto solos, his eyes closed in intense concentration – or was he in danger of going cross-eyed trying to engage two distinct sections of the audience in each arm of the room, who could both see the stage, but not each other?  Another quiz question:  “What’s this?” asked Bone, holding up a black, cylindrical rod-like object with shiny metal keys.  Silence – then a disembodied voice in the other part of the audience piped-up.  The object concerned was an EWI (pronounced eewee) – an acronym for “electronic wind instrument”.  The tone produced in this demonstration seemed (to this reviewer at least) a cross between a keyboard and a guitar with a bit of sax thrown in.  In any event, Alexander Bone used the instrument to good effect in a storming rendition of Keith Jarrett’s Seven Smiles. Seth Tackaberry’s Space Cadet found Alexander Bone returning to alto and also featured another inspiring exploratory bass solo by the man himself.  A quick check of the time by Alexander on his phone (as you do – wristwatches are so last century) indicated the gig was over – or was it?  We were forewarned that there would be no time for an encore (one wag in the other wing shouted “Encore!), the trio then launched into Dizzy Gillespie’s Groovin’ High sending the audience out buzzing.

This was a fitting end to a splendid fortnight of musical and artistic events (not to mention the walks).  The Festival’s Musical Director, esteemed jazz bassist and musical polymath, Malcolm Creese had informed us before the gig that this year’s festival was the biggest so far in terms of tickets sold and artists engaged.  The Festival is highly recommended with venues in the idyllic surroundings of both Swaledale and Wensleydale.  Next year’s festival is scheduled to take place from 23 May to 6 June 2020 and information will be available on their website (swalefest.org).
Hugh C.

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