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Bebop Spoken There

Ethan Iverson: "Mickey Roker played drums in church, and his beat on [Mary Lou] Williams' "Ode to St. Cecile" might make even a diehard atheist a believer" - (JazzTimes Sept. 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Sunday October 13

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon.

Musicians Unlimited - Park Inn, Park Road, Hartlepool TS26 9HU. Tel: 01429 233126. 1:00pm. Free.

Hildy Harland’s Temperance Tea Party - Prohibition Bar, Pink Lane, Newcastle NE1 5DW. 1:00pm. £TBC.

Am Jam - The Globe, Railway Street, Newcastle NE4 7AD. 3:00pm. Free.

Jazz Social - Charts, Quayside, Newcastle NE1 3DX. Tel: 0191 338 7989. 4:00pm. Free.

Blues/Funk/Soul

Davie T & The Razzberries - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 3:00pm. Free.

Evening

Jazz

Lickety Split - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £6.00. (£3.00. student).

Jazz Jam - Fabio's, Saddler St., Durham DH1 3NP. 7:30pm. Free. Durham University Jazz Society. All welcome - sitters-in & listeners.

Wollo’s World - Bridge Hotel, Castle Garth, Newcastle NE1 1RQ. Tel: 0191 232 6400. 8:00pm. £8.00. & £6.00. Wolter Wierbos, John Pope, Emile Karlsen.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, June 02, 2019

Rendezvous Jazz @ The Red Lion, Earsdon - June 1

(Review by Russell)

North Tyneside boasts at least one daytime residency every day, Monday to Friday. All are popular, free admission sessions with a mid-afternoon finish enabling gig-goers to hop on a bus or Metro and head for home before school kids and commuters do the very same thing. A Saturday evening residency with a door charge is an altogether different proposition. No one would ever contemplate such a crazy idea...   

Thanks to the tireless efforts of band leader Maureen Hall there has been a first Saturday in the month Dixieland session 'down the coast' for more years than the vocalist would care to remember. From Cullercoats to Preston Grange to Earsdon, Hall's Rendezvous Jazz outfit has resolutely defied the odds and here, at the Red Lion on Front Street, the band's followers turned out once more despite the attraction of tv coverage of the Champions' League Final. 
On this first day of June, Hall thought it a good idea to begin with June Night from 1924. Hall took the first vocal of the evening - I'm the Lonesomest Gal in Town - from 1912 (Ella, Kay Starr and others recorded the number). From 1921 Jazz Me Blues caught the ear of Gavin Lee. Opting to play soprano, the New Centurion knocked out the first of several great solos (others would follow, on soprano, alto or clarinet). In the absence of the band's other vocalist, regular drummer George Davidson, Hall invited John Broddle to sing a few numbers. Roses of Picardy the first of them, Broddle impressed, as did Lee playing Bechet-esque soprano. 

Two deps acquitted themselves well - Ian Hetherington in for Davidson, and, adding lustre to the frontline, trombone maestro Gordon Solomon. The one-time River City Jazzman, deserving of the tag 'special guest', recently returned to the scene. The younger members of the regional branch of the Union of Trombonists should check him out - Solomon's glissandos on Savoy Blues would blow 'em away at a jam session! 

Raffle done, another pint of Red Lion (what else?!), Maureen rounded-up the boys and let them loosen-up on an instrumental China Boy before assuming command on Faraway Blues. Not one to take centre stage, Hall called John B back to the stand to sing Avalon. One assumes JB sang with some decent bands down the years, his phrasing suggests he knows his stuff. Hall's Melancholy Blues led to JB's Margie before all hell broke loose on a 'six nowt' version of Tiger Rag. The audience reaction was such that pianist Malcolm Armstrong called for order: Calm doon, calm doon! The great Doris Fenn, banjo, sitting alongside the pianist, was highly amused. 

It had been a canny session. Maureen Hall's Rendezvous Jazz will be back at the Red Lion on Saturday, July 6 (8:30pm). £3 on the door, on this occasion, admission will include a buffet.    
Russell.

Maureen Hall (vocals); Gavin Lee (clarinet, alto sax, soprano sax); Gordon Solomon (trombone); Malcolm Armstrong (piano); John Robinson (double bass); Ian Hetherington (drums) + John Broddle (vocals); Doris Fenn  (banjo).

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance