Total Pageviews

Bebop Spoken There

Spasmo Brown: “Jazz is an ice cream sandwich! It's the Fourth of July! It's a girl with a waterbed!”. (Syncopated Times, July, 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

17421 (and counting) posts since we started blogging 16 years ago. 695 of them this year alone and, so far, 100 this month (Sept. 30).

From This Moment On ...

October

Wed 09: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free. Wed 09: Jason Isaacs @ St James’ STACK, Newcastle. 5:00-7:00pm. Free.
Wed 09: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 09: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 09: The Tannery Jam Session @ The Tannery, Gilesgate, Hexham. 7:00-9:00pm. Free. A ‘second Wednesday in the month’ jam session.
Wed 09: Shunya, Dudù Kouate & Seb Rochford @ The Cluny, Newcastle. 8:30pm (7:30pm doors). £21.00.

Thu 10: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 10: Gateshead Jazz Appreciation Society @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. ‘Collaborations - it happened all the time’.
Thu 10: Indigo Jazz Voices w. the Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.
Thu 10: Side Cafe Orkestar @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
The 10: Classic Swing @ Carlisle Rugby Club, Warwick Rd., Carlisle. 8:30pm. £9.
Thu 10: Tees Hot Club @ Dorman’s Club, Middlesborough. 8:30pm. With guests Donna Hewitt (sax); Bill Watson (trumpet); Graham Thompson (keys); Ron Smith (bass). Free.

Fri 11: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 11: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 11: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 11: Dulcie May Moreno @ The Old Library, Auckland Castle, Bishop Auckland. 1:00pm. £8.00.
Fri 11: The Jazz Quartet + Stratosphonic @ Tynedale Rugby Club, Corbridge. 7:00pm. £15.00. A Rotary Club of Hexham event. The Jazz Quartet (Jude Murphy & co), Stratosphonic (blues/rock). CANCELLED!
Fri 11: Joe Steels Trio @ The Pele, Market Place, Corbridge NE45 5AW. 7:30pm. Free.
Fri 11: Crooners @ Tyne Theatre, Newcastle. 7:30pm.
Fri 11: Mo Scott Band @ Blues Underground, Nelson St., Newcastle. 9:00pm. Free.

Sat 12: Milne-Glendinning Band @ The Vault, Darlington. 7:00pm. Free.
Sat 12: Michael Woods @ Victoria Tunnel, Ouseburn, Newcastle. 7:00pm. £12.00. (£10.00. adv.). Country blues guitar & vocals.
Sat 12: Nauta @ Cobalt Studios, Newcastle. 7:00pm. £13.28, £11.16, £9.04. A two-track recording launch gig.
Sat 12: Stuart Turner @ Prohibition Bar, Newcastle. 8:00pm. Rockabilly, rhythm & blues etc. A ‘Jar on the Bar’ gig.
Sat 12: Lapwing Jazz Trio @ The Ship Inn, Low Newton. 8:00pm. Free. New trio: Paula Whitty, Richard Herdman, Jude Murphy.

Sun 13: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 13: Emma Wilson @ Tyne Bar, Newcastle. 4:00pm. Free. Blues.
Sun 13: Catfish Keith @ The Cluny. 7:00pm. Country blues.
Sun 13: Cath Stephens & Paul Grainger @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig. Stephens & Grainger, one third of a triple bill.
Sun 13: Dulcie May Moreno Quartet @ The Globe, Newcastle. 8:00pm.

Mon 14: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 14: Black is the Color of My Voice @ Hippodrome, Darlington. 7:30pm. Apphia Campbell’s one-woman show inspired by Nina Simone, performed by Nicholle Cherrie.

Tue 15: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano), Paul Grainger (double bass), Bailey Rudd (drums).

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, June 14, 2019

Tori Freestone Trio @ The Black Swan Arts Centre - June 13

Tori Freestone (tenor sax/violin/voice); Dave Manington (bass); Tim Giles (drums).
(Review by Lance/ Photos courtesy of Ken Drew).

When respected jazz writers such as John Fordham (Guardian) and Chris Kilsby (BSH) wax eloquent about a band/artist then it goes without saying they (band/artist) must be checked out in person, such was my task for today (yesterday). Not an unpleasant task, I hasten to add, although at times it touched on the outer limits of my comfort zone which is no bad thing - doesn't do to become too complacent!
Freestone's an interesting tenor player - a complete contrast to the tenor players I've heard recently i.e. Spillett, Xenopoulos, Kamasi, Nick Gould and a few others. Tori drifts and floats, lightly toned yet still very free but without an excess of the squeaks and squawks so many of the present crop are prone to. Although not one to blitz the listener with a host of demisemiquavers - why play 100 notes if 50 will do? - the technique is there and used sparingly or otherwise as befits the composition. Most of those compositions were written by herself or bassist Manington and invariably have Spanish titles - her writing is usually done in Tenerife - the exception being that hoary old sea shanty Shenandoah.

There were two takes of this throwback to junior school choir practices which, at the time, had me considering running away to sea. The first version had Ms. Freestone blowing tenor and the second saw her playing violin and voicing the words, something that would have proved difficult on tenor.

Manington was relatively unobtrusive on bass, unlike Giles who, at times threatened to obliterate the other two! Fortunately, he didn't and is understandably rated as one the best drummers around.

Most of the pieces were from her albums with the current one - El Mar de Nubes - predominating (see review).

The audience, who for most of the time had sat with furrowed brow, deep in contemplation of the intense happenings (or maybe they were trying to remember if they had switched the lights off) suddenly came to life at the end and yelled for more. This I can never understand. If you've enjoyed a football match you don't demand they play on after the final whistle. I know the encore is usually optimistically built into the setlist but I always feel enough is enough even if it's the most fantastic gig ever and so I retired.
Nevertheless, it was an enjoyable evening even though I didn't win the raffle, the prize of which was a ticket for any JNE gig the next one of which just happens to be this lunchtime (1:00pm) at the Lit & Phil where Tori will do a duo set with pianist Alcyona Mick.

Next Thursday (June 20), at the Black Swan, JNE present a concert by the Durham University Big Band (8:00pm).
Lance
Photos.

2 comments :

Chris Kilsby said...

I followed my own advice and went to this gig too. After hearing the recorded album multiple times, it was a joy to hear the 3-D, technicolour version! A full-voiced master class taking us to Tenerife and USA and back, with exquisite and inventive music from all three players.

Lance is right about Tim Giles' prominent role - I thought the music overall was very rhythmically founded, intricate and intriguing! While Tim did play ppp (brushes,cowbells...) he also cut loose to ff, and where we were sitting we could have done with bass and sax higher up in the mix at times.

My CD review suggested the band weren't for "hard blowing", but the extended versions of the songs last night proved me (gloriously) wrong. Altogether a great night out, especially for my young companions (one of whom has the privilege of Tim's tuition at LCoM).

BTW It's very kind, but nonsense, for Lance to bracket me with John Fordham, the jazz critic non pareil, massive in knowledge and style, who has clearly recognized the qualities of Tori's work amidst the rest of the burgeoning UK jazz scene.

Lance said...

You're too modest Chris! Having said that, I didn't say "equally respected" when I bracketed you with Fordham. Plus, as we can't afford to pay our reviewers with filthy lucre, compliments or an occasional glass of Adams Ale are the alternatives.

Blog Archive