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Bebop Spoken There

Sean Jones: "There were like three people in church who couldn't sing or play an instrument. We thought there was something wrong with them." (DownBeat July 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! -- Holly Cooper:"Lance writes pull quotes like no one else!"

Postage

14362 (and counting) posts since we started blogging 14 years ago. 581 of them this year alone and, so far, 81 this month (June 26).

From This Moment On ...

June

Tue 28: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Dean Stockdale, Paul Grainger, Sid White.

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 29: Four @ The Exchange, North Shields. 7:00pm. CANCELLED!
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 30: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 30: 58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 30: Lights Out By Nine @ Hoochie Coochie, Newcastle. 8:30pm. Free.
Thu 30: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 30: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm.

July

Fri 01: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 01: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 01: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 01: Swing Manouche @ The Vault, Hexham. 7:30pm (doors). £20.00.
Fri 01: 1920s Speakeasy w live jazz @ The Exchange, North Shields. 8:00pm. A Blues, Jazz & Swing Festival event.
Fri 01: Struggle Buggy @ Prohibition Bar, Newcastle. Blind Pig Blues Club. 8:00pm.

Sat 02: Hot Fingers @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00.
Sat 02: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor Steve Glendinning: Latin jazz. £25.00. Enrol at: www.jazz.coop.
Sat 02: Talk: Storytelling & jazz as an expression of urban life @ The Exchange, North Shields. 1:45pm. A Blues, Jazz & Swing Festival event.
Sat 02: The Commandments + On Parole @ The Exchange, North Shields. 2:30pm. A Blues, Jazz & Swing Festival event. Rhythm & blues.
Sat 02: Geordie Jazz Man @ The Exchange, North Shields. 5:30pm. A Blues, Jazz & Swing Festival event. Screening of Abi Lewis’ documentary film about Keith Crombie & the Jazz Café.
Sat 02: The Delta Prophets Trio @ The Exchange, North Shields. 6:30pm. A Blues, Jazz & Swing Festival event. Rhythm & blues.
Sat 02: Swing Manouche @ Claypath Deli, Durham. 7:00pm.
Sat 02: Swung Eight & King Bees @ The Exchange, North Shields. 7:30pm. A Blues, Jazz & Swing Festival event. Swing dance + ace Chicago blues band.
Sat 02: Tyne Valley Big Band @ Greenside Community Centre, Ryton. 7:30pm.
Sat 02: Patrick Cromb @ Prohibition Bar, Newcastle. 8:00pm.

Sun 03 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 03: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm.
Sun 03: Ruth Lambert & Martin Craggs. @ The Exchange, North Shields. 2:00pm. A Blues, Jazz & Swing Festival event.
Sun 03: Abbie Finn Trio @ The Exchange, North Shields. 3:00pm. A Blues, Jazz & Swing Festival event.
Sun 03: Wild Women of Wylam @ The Exchange, North Shields. 4:30pm. A Blues, Jazz & Swing Festival event.
Sun 03: 4B @ The Exchange, North Shields. 5:30pm. A Blues, Jazz & Swing Festival event.
Sun 03: Jazz Jam @ The Exchange, North Shields. 6:30pm. A Blues, Jazz & Swing Festival event.
Sun 03: Jeffrey Hewer Quartet @ The Globe, Newcastle. 8:00pm.

Mon 04: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Wed 06: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 06: Michael Bublé @ Durham County Cricket Club, Chester le Street. Doors: 5:00pm.
Wed 06: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 06: Four @ The Exchange, North Shields. 7:00pm.
Wed 06: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Wednesday, June 12, 2019

Folk-Jazz Interweaving: Elina Duni / Trio FCT @ The Black Swan – May 23


Elina Duni  (voice/acoustic guitar/keyboard).
(Review by Melanie Grundy/Photos courtesy of Ken Drew)

This night of jazz-folk interweaving began with a solo set from acclaimed Albanian-Swiss singer Elina Duni. Accompanying herself on guitar, she opened with Meu Amor, a song made famous by Queen of Fado, Amalia Rodriguez. Despite the Portuguese lyrics, the heartbreak and longing conveyed by her intonation held the audience rapt from the first syllable. Moving seamlessly into a more upbeat Albanian folk-song, which contrary to its feel, expressed the longing of the migrant for home. Elina then paused to explain the motivation for her solo project Partir - the fact that we are all bound to depart, becoming potential exiles or immigrants in one way or another, separated from home, family, love and even ourselves, longing to find our way back.

This theme continued with the Italian song Amara Terra Mia (My bitter land), then moving from guitar to keyboard, Elina paired a bittersweet traditional Albanian song of marriage, which she described as “another kind of exile” with Bareshë, (The Shepherdess). Her use of scat in both reflecting the characteristic ornamental turns used in Balkan folk-singing. Pre-gig, Elina explained the Rhodes accompaniment was not one she would normally use, preferring the simpler tones of an acoustic piano, however, its’ timbre made an unexpectedly appropriate partner to the traditional lyrics. Moving to a completely different tone of longing, Elina returned to her guitar for Willow Weep for Me, a blues chosen for its female authorship. This segued into the Hungarian Vaj si Kenka (You don’t need to) blending percussive guitar and scatted vocal passages with that distinctly eastern feel. The set ended with the mournful Swiss folk-song Schönster Abestärn (My beautiful Evening Star).

Elina presented songs that are both culturally specific and universal in the common experience they document. The intimacy and vulnerability of her solo performance was cathartic, leaving the listener with a sense of being cleansed emotionally. The Jazz Café audience was left longing for more, as Elina made her own swift departure to catch a train.

Trio FCT (Faye MacCalman (reeds/voice); Tobias Illingworth (keyboard/voice); Callum Younger (snare/cymbal/bodhran).

Anything Faye MacCalman touches is stamped with outstanding creative and technical ability and this ensemble is no different. Trio FCT originally formed in September 2015, when Younger began his Master’s research into the use of the bodhran in an improvised setting. Tonight saw the group’s first performance together in 2 years since Younger relocated to Glasgow. However, the obvious rapport between the players was clear from the get-go, in the looks, gestures and spoken signals indicating changes of tempo or movement between structure and improvisation.

The trio’s opener Every Soldier Comes Back With a Bruise perfectly balances repetitive, Scottish folk-influenced patterns with freer structured sections. Peanut Butter opened with a thoughtful, almost oriental keyboard line, soft, breathy tenor and light bodhran and cymbal touches; the reflective melody gathering momentum, as MacCalman switched to clarinet, with a repeated phrase moving up and down in thirds. At a spoken signal, the tempo picked up, the hypnotic patterns then dissolving into a spacious melody. 

Discus Hibiscus saw MacCalman and Illingworth vocalizing over a repetitive rhythmic keyboard pattern, before MacCalman took up the tenor for a mesmerizing passage of long soft tones alternating with superbly controlled harmonics; the piece moved back into the sung melody, which faded into a concluding dialogue between keys and bodhran. Rhodes Decision gave us a bubbling keyboard line, weaving in and out of textural tenor, gradually building pace and dynamic, until it tumbled over the waterfall into a gloriously free pool of keyboard flurries, tenor squeaks, and cymbal scrapes. MacCalman then switched to clarinet and drew us into a new melodic line inspired by the longing of a Scottish lament, with a more traditional bodhran pulse and rhythmic piano, slowly loosening into something altogether more spacious, light and airy.

This is thoughtful, considered music, full of colour and texture, creating a soundscape open to the listener’s interpretation; there are references to Scottish folk-music, but these are never overstated. There are plans to record an EP in the near future, and for more live performances, which will be highly anticipated and are thoroughly recommended.  
Melanie Grundy
More photos by Ken Drew.

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