Total Pageviews

Bebop Spoken There

Brian Dee: "I feel my generation had one advantage over today's players in that we were not musically educated in colleges, so we all sounded different. I could tell who it was just by the sound." - (Jazz Rag, Summer 2020).

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

Postage

11,783 (and counting) posts since we started blogging 12 years ago. 1023 of them this year alone and, so far, 50 this month (Sept. 17).

Coming soon ...

SEPTEMBER

IT IS ADVISABLE TO CHECK IN ADVANCE WITH THE VENUE THAT THE GIG IS ON

SATURDAY

Happy Birthday Katy Trigger & Mia Webb.

SUNDAY 20

Vieux Carre Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. Tel: 0191 691 7090. 12 noon. Free.

Riviera Quartet - The Globe, 11 Railway St., Newcastle NE4 7AD. 8:00pm. A limited number of seats are available which MUST be bought in advance online. £7:50 or £5:45 live stream only.

THURSDAY 24

Vieux Carre Jazzmen - The Holystone, Whitley Road, North Tyneside NE27 0DA. 0191 266 6173. 1:00pm. Free.

Maine St Jazzmen - Sunniside Social Club, Sunniside Road, Sunniside NE16 5NA. Tel: 0191 488 7347. 8:00pm - 10pm. Free. Note earlier start/finish.

Tuesday, June 11, 2019

DJazz Day One. Friday, June 7 - Arun Ghosh @ Durham Miners Hall (Redhills).


Arun Ghosh (clarinet); Faye MacCalman (tenor sax); John Ellis (keyboard); Matt Owens (double bass); Dave Walsh (drums).
(Review by Steve T/ Photo courtesy of Ken Drew).

I'd seen Arun Ghosh three times previous and enjoyed it each time, but could never have foreseen he would give the Third Durham City Jazz Festival such a resounding opening. 

This is one of the finest spaces in a city loaded with fantastic spaces, including one of - and if you've lived in Durham - the finest buildings in the world, though I still can't quite believe those old pit-men didn't have the foresight to include a bar, but I quibble.

Ghosh entered the stage and immediately stamped his authority, his hair cropped since I last saw him, a white frock over jeans and ox-blood Docs laying out his multi-cultural credentials.
 They opened with Caliban's Revenge, a live warhorse from his second album, and he was all over it from the off.  Always a mobile performer, tonight he never seemed to stand still, contorting his body and interpolating his hip-hop hand gestures more than on previous gigs.

His considerable technique on the clarinet seemed up on previous performances too, exercising wonderful control and subtlety when the mood required it, as on his tribute to the River Wear, based on Bengali folk music, where he sat on the edge of the stage for the start. I don't know the title of this piece but I remember him dedicating it to the Tyne during a Sage Two performance. 

He shared with us that he'd walked the riverbanks earlier and crossed the Wear but, not getting carried away with his white robe, he'd used a bridge. Always a charismatic performer, the audience quickly warmed to his jokes, anecdotes and introductions, rewarding each piece with rapturous applause and cheers, which would continue through much of the festival. 

I was told afterwards he'd only played six numbers and one was Smash Through the Gates of Thought (I think) and another was Longside Lagoon, after an area of Manchester I'm reliably informed.

The band were great too, featuring our very own Faye on tenor, Leeds powerhouse drummer Dave Walsh and fine piano and bass from Ellis and Owens respectively, but it was all about Ghosh, on stupendous form and in full control.
Steve T.

No comments :

Blog Archive