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Bebop Spoken There

George "Big Nick" Nicholas: "This band [George Adams-Don Pullen Quartet] is a bitch on roller skates, baby. They'll run you over if you ain't ready" (JazzTimes April, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

14250 (and counting) posts since we started blogging 14 years ago. 469 of them this year alone and, so far, 69 this month (May 19).

From This Moment On ...

May.

Sun 22 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 22: More Jam @ The Globe, Newcastle. 3:00pm. Free.
Sun 22: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 22: Abstract Orchestra plays J Dilla @ Wylam Brewery, Newcastle. 7:30pm. CANCELLED!
Sun 22: Panharmonia @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.

Mon 23: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Wed 25: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 25: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 25: Four @ The Exchange, North Shields. 7:00pm.
Wed 25: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 26: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 26: Deep Pope + Garner & Pope @ Cobalt Studios, Newcastle. 7:00pm. £7.00.
Thu 26: 58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 26: Knats @ Hoochie Coochie, Newcastle. 8:00pm.
Thu 26: Jeremy McMurray & the Pocket Orchestra @ Arc, Stockton. 8:00pm.
Thu 26: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 26: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm.

Fri 27: Alice Grace Quartet @ The Gala, Durham. 1:00pm.
Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 27: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 27: Fergus McCreadie Trio @ The Witham, Barnard Castle. 7:30pm.

Sat 28: Jack Logan & the Swing Section @ Prohibition Bar, Newcastle. 8:00pm.

Monday, June 03, 2019

CD Review: Tori Freestone Trio - El Mar de Nubes


Tori Freestone (tenor sax/violin/vocals)
Dave Manington (double bass); Tim Giles (drums 
(Review by Chris).

The second of my “Three Tenors” recent releases is the third album from this contemporary, UK trio led by one of our most inventive sax players. The playing is a circumspect contrast to the direct blowing of Partisans (and positively relaxing compared to Kamasi) but no less enjoyable for that!   A closer comparison might be with some of Trish Clowes’ recent playing but while there is abundant imagination and innovation here, Freestone’s all-acoustic trio don’t travel as widely in idiom or dynamics. If you’re looking for hard blowing, driving bop, funk, or even swing, this isn't for you, but this chordless trio delivers truckloads of expressive, fresh and intricate music nonetheless.   

The album opens with El Mar de Nubes (Sea of Clouds - the album inspired by a stay in Tenerife) and  introduces a distinctive, recurring style of sax interplaying with subtle drums and bass, exploring and teasing a repeated motif, stretching emphasis and tempo.  The second track, Hiding Jekyll takes this method further, twisting a phrase in all sorts of interesting directions, with bass and drums seamlessly intertwining and reinforcing. At first hearing, I found the approach a little mechanical, but as so often, it took me a couple of plays to appreciate the clever, nuanced lines. 

There is great diversity throughout the album, with Shenandoah first receiving a breathy and sparse treatment, with a contrasting reprise closing the album seeing Freestone switching to violin and singing a more familiar version.    
  
Hasta la Vista is a showcase for bass and drums (much more here than mere “rhythm section!), starting with Tim Giles’ “time games”, all three players trading licks, then alternating with more relaxed passages, with some free blowing between.  El Camino by contrast is slower, ruminating and wistful, played over loose, bubbling and splashing percussion (no time, no changes – at least not obvious to my ears!).  

A very “non-standard” Beatrice starts slowly with lovely meandering sax gliding effortlessly through the changes, gradually gathers pace as Giles swaps brushes for sticks, dabbles with a swing for a while, and reaches a full-tilt climax.

My favourite track, Los Indianos, puts percussion to the fore, with a memorable staccato sax theme giving space to Giles’ agile and lively (calypso?) lines 
Altogether, some very fine, intelligent and musical playing: worth a short trip to see them on tour June 13 @ - Newcastle Arts Centre Details.
Chris Kilsby 

Available on Whirlwind Recordings. Buy/see

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