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Bebop Spoken There

Ethan Iverson: "Mickey Roker played drums in church, and his beat on [Mary Lou] Williams' "Ode to St. Cecile" might make even a diehard atheist a believer" - (JazzTimes Sept. 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Sunday October 13

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon.

Musicians Unlimited - Park Inn, Park Road, Hartlepool TS26 9HU. Tel: 01429 233126. 1:00pm. Free.

Hildy Harland’s Temperance Tea Party - Prohibition Bar, Pink Lane, Newcastle NE1 5DW. 1:00pm. £TBC.

Am Jam - The Globe, Railway Street, Newcastle NE4 7AD. 3:00pm. Free.

Jazz Social - Charts, Quayside, Newcastle NE1 3DX. Tel: 0191 338 7989. 4:00pm. Free.

Blues/Funk/Soul

Davie T & The Razzberries - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 3:00pm. Free.

Evening

Jazz

Lickety Split - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £6.00. (£3.00. student).

Jazz Jam - Fabio's, Saddler St., Durham DH1 3NP. 7:30pm. Free. Durham University Jazz Society. All welcome - sitters-in & listeners.

Wollo’s World - Bridge Hotel, Castle Garth, Newcastle NE1 1RQ. Tel: 0191 232 6400. 8:00pm. £8.00. & £6.00. Wolter Wierbos, John Pope, Emile Karlsen.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, June 03, 2019

CD Review: Tori Freestone Trio - El Mar de Nubes


Tori Freestone (tenor sax/violin/vocals)
Dave Manington (double bass); Tim Giles (drums 
(Review by Chris).

The second of my “Three Tenors” recent releases is the third album from this contemporary, UK trio led by one of our most inventive sax players. The playing is a circumspect contrast to the direct blowing of Partisans (and positively relaxing compared to Kamasi) but no less enjoyable for that!   A closer comparison might be with some of Trish Clowes’ recent playing but while there is abundant imagination and innovation here, Freestone’s all-acoustic trio don’t travel as widely in idiom or dynamics. If you’re looking for hard blowing, driving bop, funk, or even swing, this isn't for you, but this chordless trio delivers truckloads of expressive, fresh and intricate music nonetheless.   

The album opens with El Mar de Nubes (Sea of Clouds - the album inspired by a stay in Tenerife) and  introduces a distinctive, recurring style of sax interplaying with subtle drums and bass, exploring and teasing a repeated motif, stretching emphasis and tempo.  The second track, Hiding Jekyll takes this method further, twisting a phrase in all sorts of interesting directions, with bass and drums seamlessly intertwining and reinforcing. At first hearing, I found the approach a little mechanical, but as so often, it took me a couple of plays to appreciate the clever, nuanced lines. 

There is great diversity throughout the album, with Shenandoah first receiving a breathy and sparse treatment, with a contrasting reprise closing the album seeing Freestone switching to violin and singing a more familiar version.    
  
Hasta la Vista is a showcase for bass and drums (much more here than mere “rhythm section!), starting with Tim Giles’ “time games”, all three players trading licks, then alternating with more relaxed passages, with some free blowing between.  El Camino by contrast is slower, ruminating and wistful, played over loose, bubbling and splashing percussion (no time, no changes – at least not obvious to my ears!).  

A very “non-standard” Beatrice starts slowly with lovely meandering sax gliding effortlessly through the changes, gradually gathers pace as Giles swaps brushes for sticks, dabbles with a swing for a while, and reaches a full-tilt climax.

My favourite track, Los Indianos, puts percussion to the fore, with a memorable staccato sax theme giving space to Giles’ agile and lively (calypso?) lines 
Altogether, some very fine, intelligent and musical playing: worth a short trip to see them on tour June 13 @ - Newcastle Arts Centre Details.
Chris Kilsby 

Available on Whirlwind Recordings. Buy/see

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance