Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18383 (and counting) posts since we started blogging 18 years ago. 247 of them this year alone and, so far this month (Mar. 17 ), 57

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, June 28, 2019

Abbie Finn Trio @ The Globe, Newcastle - June 27

Harry Keeble (tenor); Paul Grainger (bass); Abbie Finn (drums).
(Review by Lance/Photos courtesy of Barry Luccock)

I'm always a bit wary of pianoless trios, it invariably requires a Sonny Rollins or a Joshua Redman to carry it off without becoming a masterclass in boring self-indulgence. Well, you can add Harry Keeble to the above list, this was an absolute gem. Straight down the middle hard bop blowing by a tenor player who should be a jazz household name and, on the strength of last night's Jazz Coop promotion at the Globe, soon will be.



Behind every great man, there's a woman, so the saying goes, and in this case, it was Abbie Finn driving the tenor player ever forward as well as soloing with power and panache herself.

In between the duo, the ubiquitous Paul Grainger not only provided the harmonic foundation so important in this kind of line-up but laid down some melodic lines of his own when soloing.


Grainger, surprisingly, contributed the only original tune - Swim - dedicated to the late Keith Crombie although I didn't get the connection.

After Caravan, which had an eerie, esoteric opening before settling down, tributes to tenor players were very much the order of the day. Impressions (Coltrane); Cheese Cake (Gordon); ESP (Shorter); Nothing Personal (Brecker); Recorda Me (Henderson) How High the Moon/Ornithology (everyone). Other pieces were Satan's Child (Joe Locke); Softly as in a Morning Sunrise; Seven Steps to Heaven (Victor Feldman) and Ladybird (Tadd Dameron).

This is as good as it gets!

Next Thursday the Alan Glen Trio - that too will be as good as it gets!
Lance

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