DECEMBER 2025
Sun 07: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Feat. special guest Donna Hewitt (sax, clarinet).
Sun 07: Finn-Keeble Group @ Central Bar, Gateshead. 2:00pm. £10.00.
Sun 07: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 07: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Skerritt w. backing tapes.
Sun 07: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Trio + Ruth Lambert.
Sun 07: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 07: Jason Isaacs Big Band @ Pilgrim, Newcastle. 5:15pm (4:00pm doors). £21.50 (inc. bf).
Sun 07: Paul Skerritt @ 3 Stories, High St. West, Sunderland. 6:30pm. Skerritt w. backing tapes.
Sun 07: Lindsay Hannon: Tom Waits for No Man @ The Globe, Newcastle. 7:00pm. Support set from Play More Jazz! course participants. Note earlier start.
Mon 08: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Tue 09: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm
Wed 10: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 10: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 10: Jam Session @ The Tannery, Hexham. 7:00pm. Free.
Wed 10: Mike Lindup Jazz Trio @ Pilgrim, Newcastle. 7:30pm (doors). £26.50 (inc. bf). Lindup, Yolanda Charles (bass), John Sam (drums).
Wed 10: Bold Big Band @ Cluny 2, Newcastle. 7:30pm. £12.00.
Thu 11: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: West Coast (cool ) / Wordsearch (cool) Cool Jazz or ‘Cold’, ‘Cool’, ‘Hot’, ‘Warm’ in the title or lyrics.
Thu 11: George Robinson @ Prohibition Bar, Albert Road, Middlesbrough TS1 2RU. 7:00pm (doors). £5.42 (inc. bf). Vienna’s Voice charity evening featuring ’15 year old singing sensation the ‘Redcar Crooner’ George Robinson’. Over 35s only.
Thu 11: Paul Skerritt @ Chakh Dhoom, Jesmond, Newcastle. 7:00pm. Indian restaurant. Skerritt w. back tapes.
Thu 11: Ransom Van @ The Black Swan, Newcastle. 7:30pm.
Thu 11: Down for the Count Swing Orchestra @ Middlesbrough Town Hall. 7:30pm. £37.70 (inc. bf). ‘Swing into Xmas’.
Fri 12: Pete Tanton’s Chet Set @ Bishop Auckland Methodist Church. 1:00pm. £8.00.
Fri 12: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 12: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 12: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 12: Milne Glendinning Band @ Northumberland Club, Jesmond, Newcastle. 7:00pm. £15.00. ‘Xmas Soiree’.
Fri 12: A Jazzy Xmas @ St Cuthbert’s Centre, Crook. 7:30pm. £15.00. Paul Edis (MD, piano); Jo Harrop (vocals); Vasilis Xenopoulos (tenor sax, soprano sax); Matthew Forster (alto sax, clarinet); Sue Ferris (flute, piccolo); Graham Hardy (trumpet, flugelhorn); Jason Holcomb (trombone);Emma Fisk (violin); Andy Champion (double bass); Matt MacKellar (drums). SOLD OUT!
Fri 12: Tony Hadley: Xmas Big Band Tour 2025 @ The Glasshouse, Gateshead. 7:30pm.
Fri 12: Alexia Gardner @ The New Ship Inn, Newbiggin-by-the-Sea. 8:00pm. Gardner, Alan Law, Jude Murphy, Abbie Finn. CANCELLED!
Fri 12: Jive Aces: Swingin’ Xmas Show @ The Witham, Barnard Castle. 8:00pm.
Sat 13: A Jazzy Xmas @ The Glasshouse, Gateshead. 2:00pm. Paul Edis (MD, piano); Jo Harrop (vocals); Vasilis Xenopoulos (tenor sax, soprano sax); Faye Thompson (alto sax, clarinet); Sue Ferris (flute, piccolo); Graham Hardy (trumpet, flugelhorn); Jason Holcomb (trombone);Emma Fisk (violin); Andy Champion (double bass); Matt MacKellar (drums).
Sat 13: Milne Glendinning Band @ The Vault, Darlington. 7:00pm. Free.
Sat 13: Teresa Watson Band @ Billy Bootleggers, Ouseburn, Newcastle. 7:00pm. Free. Blues.
Sat 13: Washboard Resonators @ The White Room, Stanley. 7:45pm. £14.09 (inc. bf).
Sat 13: Salty Dog @ Alnwick Playhouse. 7:45pm. Americana, blues, jazz.
Sat 13: A Jazzy Xmas @ The Glasshouse, Gateshead. 8:00pm. Paul Edis (MD, piano); Jo Harrop (vocals); Vasilis Xenopoulos (tenor sax, soprano sax); Faye Thompson (alto sax, clarinet); Sue Ferris (flute, piccolo); Graham Hardy (trumpet, flugelhorn); Jason Holcomb (trombone);Emma Fisk (violin); Andy Champion (double bass); Matt MacKellar (drums).
The worldwide publicity surrounding the death of rock legend Prince left me with nothing further to say. After all, he had little jazz affinity - or did he?
4 comments :
Dance, Music, Sex, Romance - what else is there to say indeed! What a genius .... and I've always loved the colour purple!
Having significant knowledge of Princes' music: my brother and best friend travelled to Edinburgh and Scotland respectively to see him, I have another friend who is a big fan, my wife likes him and I've heard a number of his albums and have been working through them chronologically; knowing Miles as an idol, or as near to an idol as I do these days, I can't help wondering whether Miles was being mischievous comparing Prince to Duke, who he refers to in his auto/ biography as the King of Jazz. Like Sinatra saying ' Something ' was the best love song for fifty years and attributing it to Lemon and McCartney.
Like Bowie, Prince was an accomplished popstar, doing the haircuts, clothes and attempting to create a media mystique, and like Bowie, he was one of the best though, unlike Bowie he was a fine guitarist, though the multi-instrumentalist bit is overstated.
Like Michael Jackson he was a better popstar than he was a Soul Artist.
He made enough good music to fill up a CD while Miles made dozens of great albums, many of which should be rated amongst the best albums ever made, and Duke made countless classics and may well be Americas' great composer.
Long after his contribution to music was over Miles remained a prickly character and we possibly shouldn't take everything he said too seriously.
Maybe it should be Music, Dance, Romance, Sex - in that order! But it probably wouldn't have scanned quite so well, with Prince's music!
Just come across an interesting quote in Rickey Vincents' tome 'Funk'.' When pop superstar Prince intimated that ' it's time for jazz to die ' in 1983, he touched the pulse of the musical community.' Given the trajectory of Miles at that time and his position within the jazz community which was turning its back on electricity, his comment seems less surprising. Plus there was that wardrobe to browse through.
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