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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16382 (and counting) posts since we started blogging 16 years ago. 262 of them this year alone and, so far, 59 this month (April 20).

From This Moment On ...

April

Mon 22: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 23: Vieux Carre Hot 4 @ Victoria & Albert Inn, Seaton Delaval. 12:30-3:30pm. £12.00. ‘St George’s Day Afternoon Tea’. Gig with ‘Lashings of Victoria Sponge Cake, along with sandwiches & scones’.
Tue 23: Jalen Ngonda @ Newcastle University Students’ Union. POSTPONED!

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 24: Sinatra: Raw @ Darlington Hippodrome. 7:30pm. Richard Shelton.
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 24: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.

Thu 25: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 25: Jim Jams @ King’s Hall, Newcastle University. 1:15pm. Jim Jams’ funk collective.
Thu 25: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 25: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.
Thu 25: Jeremy McMurray & the Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm.
Thu 25: Kate O’Neill, Alan Law & Paul Grainger @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 25: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Neil Brodie (trumpet); Adrian Beadnell (bass); Garry Hadfield (keys).

Fri 26: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 26: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 26: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 26: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 26: Paul Skerritt with the Danny Miller Big Band @ Glasshouse, Gateshead. 8:00pm.
Fri 26: Abbie Finn’s Finntet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.

Sat 27: Abbie Finn Trio @ The Vault, Darlington. 6:00pm. Free.
Sat 27: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 28: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 28: More Jam Festival Special @ The Globe, Newcastle. 2:00pm. Free. A ’10 Years a Co-op’ festival event.
Sun 28: Swing Dance workshop @ The Globe, Newcastle. 2:00-4:00pm. Free (registration required). A ’10 Years a Co-op’ festival event.
Sun 28: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 28: Scott Bradlee's Postmodern Jukebox: The '10' Tour @ Glasshouse International Centre for Music, Gateshead. 7:30pm. £41.30 t0 £76.50.
Sun 28: Alligator Gumbo @ The Globe, Newcastle. 8:00pm. A ’10 Years a Co-op’ festival event.
Sun 28: Jerron Paxton @ The Cluny, Newcastle. Blues, jazz etc.

Saturday, April 30, 2016

John Bailey Quintet @ The Jazz Café. April 29

John Bailey (guitar), Tim France (tenor saxophone), Richard Iles (flugelhorn), Garry Jackson (double bass) & Steve Hanley (drums)
(Review by Russell/Photos courtesy of Mike Tilley.)
Godin Guitars endorsee John Bailey has a nice line in self deprecation. The truth behind song titles – and their meaning, if any – has been exposed by the amiable Leeds College of Music graduate: Google ‘Song Name Generator’, said Bailey. The home page asks an important question: Feeling lazy? Fill entire form with random data. The end result? An entirely random (meaningless) song title!     

John Bailey sat behind and to one side of the front line horns. Nylon string guitars lightly amplified, the horns playing acoustically, the bandleader cut a figure of band mate rather than out front, obvious band leader. His music did the talking; challenging compositions, the senior men in the band – Tim France, tenor saxophone and Richard Iles, flugelhorn – fully concentrated on the charts in front of them, the rhythm section more than regulation timekeepers, drummer Steve Hanley especially inventive.
Ted’s Entrance opened the programme. Strength in Numbers followed. The former a tune about Ted the collie (not a Google creation!), can be found on the album Heart Horizons, the latter from the recent release Black Ship Bright Sea. Bailey apologised for not having brought some CDs with him. Perhaps his current preoccupation – being on a fifty-six date nationwide tour with operatic tenor Russell Watson – excuses his somewhat disorganised merchandising operation! Little Bird flew kind of modal (Iles’ flugelhorn) to free, the bass and drums pairing – Garry Jackson and Steve Hanley – excelling. The first set came to an end with Regression. An attentive audience showed its appreciation. A minor reservation, and it is very much minor scale, with horns in full cry it was, at times, difficult to hear the nylon string guitar in the hands of Bailey. When the horns dropped out the accomplished guitarist was heard to best effect, straddling and indeed combining jazz and contemporary classical genres with enviable facility.
Second set: probably randomly generated, nevertheless a good title with which to resume – Positive Thinking. Bassist Garry Jackson’s robust, singing solo set the tone, France and Iles picked up on it with solid statements of their own and the main man, J Bailey, began to open up. A hint of Al Di Meola and Paco de Lucia, perhaps Bailey has checked out the Extrapolation period of John McLaughlin.
It’s a Strange World, said Bailey. Strange indeed; a pop-operatic gig with Russell Watson the previous evening at Whitley Bay Playhouse, this Jazz Café gig a welcome change and the very next night back to the world of popular arias at Leeds Grand Theatre. What odds would you offer for the following being true? Bailey introduced Sfumato suggesting it is a term used to describe a painting technique known to scholars of the Italian Renaissance. Correct. Fellow Leeds College of Music alumnus Matt Anderson (tenor saxophone) has a tune of his own (heard at a gig in Newcastle) titled…Sfumato. Leicester City started this season as 5000-1 outsiders to win the Premier League. Two young jazz musicians, both graduates of LCoM, both come up with the same title. What odds would you offer? The erudite Bailey referenced Benjamin Britten, happily talked about another nonsense title – Amoeba Men – and closed the set with Lightning Workshop. John Bailey has assembled a stellar line-up, the presence of Franks and Iles’ an indication of the standing of the young man on the jazz scene. It will be interesting to see where John Bailey goes from here.     
Russell.

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