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Bebop Spoken There

Danny Gatton: "I was tired of playing in beer joints. I wanted to do something tangible like building cars. But once you do music it gets into your blood. You can get away from it for awhile but sooner or later it comes back to you." - (Down Beat April 1991).

Tal Farlow: "There were times when I would stop [playing guitar] and do sign painting." - (Downbeat December 5, 1963)

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Today Monday August 21

Radio
Radio 3: Jazz Now. Live from Pizza Express, Soweto Kinch featuring Andy Sheppard/Carla Bley/Steve Swallow. 11pm.
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Afternoon.
Jazz in the Afternoon - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
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Evening.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, April 20, 2016

GIJF: Terence Blanchard e-collective @ Sage Gateshead. April 16

Terence Blanchard (trumpet & synths), Fabian Almazan (keyboards & synths), Charles Altura (guitar), DJ (bass) & Oscar Seaton (drums)
(Review by Russell/Photo Credit: John Watson/Jazzcamera.co.uk)
The second set of this festival double bill presented Terence Blanchard. Yes, the one-time Jazz Messenger really was in the building! Messengers’ alumni constitute a post-WWII ‘who’s who’ of the music…Kenny Dorham, Bill Hardman, Donald Byrd, Lee Morgan, Wynton Marsalis and Terence Blanchard. And these were just the trumpet players! 1980 or thereabouts, T Blanchard appeared at the Newcastle Playhouse with Art Blakey. The young man cut the mustard, decades later would he affirm his place in the jazz pantheon?
1980 sharp suits, 2016 Apple Mac, a sign of the times. The sartorial elegance gone, jeans and t-shirt the uniform, an Apple Mac-processed sound the jazz of today. Drummer Oscar Seaton drove/bludgeoned this gig to the max. Immense power (check out the biceps), this was one impressive performance. Bassist DJ stood his ground, his in-the-pocket playing undisturbed by the sledgehammer to his left. Blanchard was looking for a guitar player to join him in the e-Collective. YouTube flagged-up Charles Altura. An email invitation to tour the world elicited a one-word reply: Cool.
Blanchard has done a Miles. The past is in the past, electricity is the thing. The trumpeter played plenty of trumpet – all of it processed via a software programme. A jazz club horn player of a gig? Not a chance! To quote from the festival programme notes a hard-hitting fusion of funk, R'n'B and rock. Accurate and apposite. Terence Blanchard’s Blue Note CD Breathless addresses his response to the death of Eric Garner whilst in the custody of the NYPD. Weighty subject matter requiring an appropriate creative response.           
Russell.           
at

3 comments :

  1. LOVED this performance!

    ReplyDelete
    Replies

    1. An awe inspiring, immense, uncompromising and brutalist performance. I thought bands didn't play like this nowadays. This was music with a purpose, making Courtney Pine seem merely a (fabulous) technician!

      One query - I don't think the bass player was Blanchard's long time collaborator Donald Ramsey - he's righthanded and older than "DJ" from S Carolina who was introduced here. Chris K

      Delete

  2. Agreed. Blanchard did introduce the bass player as 'DJ'. I'm sure the BSH editor will make the necessary amendment to the line-up.

    ReplyDelete

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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