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Bebop Spoken There

Buddy Rich: "You either swing a band or you don't swing a band - (Metronome April 1956).

Sinclair Traill: “Well I don't think he (Chet Baker) can sing either.” – (Jazz Journal August 1956).

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

Today Wednesday December 13

Afternoon

Vieux Carre Jazzmen - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.

Brief Encounter - Vault, Hallgate, Hexham NE46 1XD. Tel: 01434 603884. 2:00pm. £7.50. advance. ‘’60’s Jazz’

Interim Recitals (Final Year Music Students) - Band Room, Music Studios, Assembly Lane, Newcastle University NE1 7RU. Inc. Harry Still (drums) 9:30am., Jimmy Jefford (saxophone) 11:15am. Free.

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Evening

Take it to the Bridge - The Globe, 11 Railway St., Newcastle NE4 7AD. £1. 8pm.

Billy's Acoustic Blues - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free (weekly).

The Village Hall New Orleans Band - Springwell Village Community Venue, Fell Rd., Gateshead NE9 7RP. 8:15pm. £3.

Darlington Big Band - Darlington & Simpson Rolling Mills Sports & Social Club, Longfield Road, Darlington DL3 0HX. Tel: 01325 380401. 8:00pm. Free.

Swing Street - Pier Red, 27 Castlegate, Berwick upon Tweed TD15 1LF. Tel: 01289 309168. 8:00pm. Free.

Improvisers' Workshop Ensemble - Great North Museum: Hancock, Barras Bridge, Newcastle NE2 4PT. 6-8pm. Free.

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, April 21, 2016

GIJF: Kris Bowers @ Sage Gateshead. April 16

Kris Bowers (piano & keyboards)
(Review by Russell)
Going from one hall to another, from one concert to another, without so much as one minute’s break can make it difficult to adjust to the new sound in a new environment. The Sage One double bill – Courtney Pine-Zoe Rahman and Terence Blanchard – ran over time, meaning that those wishing to attend the late night concert in the Northern Rock Foundation Hall had to dash hoping not to miss the start of Kris Bowers’ set.
Bowers had made a start. Seated at the Fender Rhodes, a Bentley piano to his left and  Nord 2 keyboard to his right, the baseball hat wearing New Yorker, head bowed, took time to construct and loop numerous hip-hop-inflected rhythms. A one-man orchestra, Bowers played a few tunes with more than a nod to indie pop culture. Guitar, bass and drums joined him to continue the indie (band) vibe. As the gig neared its end Bowers dismissed his band mates and sat at the piano. A former winner of the TS Monk prize, Bowers spoke of his love of Monk’s compositions. He couldn’t choose one favourite, said the Jay-Z collaborator, so, over the course of ten minutes or so, Bowers played a selection of Monk melodies. This was the readily identifiable jazz element in the show. Kris Bowers can play, no doubt about it. What he chooses to play is another matter.
Russell

1 comment :

Hugh said...

Yes, when events are as tightly packed in the hours available as at GIJF, it perhaps behoves performers to run to time (much as it goes against the free spirit in jazz!).

The Roberto Fonseca Trio gig, already delayed by 15 minutes because of the Sage One overrun, suffered a stream of latecomers being shown to their seats as Roberto was talking to the audience between numbers. It was most distracting.

Still, at least the Sage staff did not bring them in during the music - which was excellent - as described by Russell elsewhere on this BSH in regard to the concourse Jazz Line Up stage.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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