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Bebop Spoken There

Rickie Lee Jones: "There's lots of music and not so much celebrity. I guess I'll stay here [New Orleans] for a while if it doesn't get washed away in the flood." - (The Observer 18.04.21)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,107 (and counting) posts since we started blogging 13 years ago. 526 of them this year alone and, so far, 81 this month (April 16).

Bar Manager Required

The Jazz Co-op are looking for an experienced bar manager who can be available to start when The Globe reopens in May.

Preference will be given to a suitably qualified person who lives relatively near to The Globe, 11 Railway St., Newcastle NE4 7AD.

Interested parties please follow this link.

Coming soon ...

April 29: Vieux Carré Jazzmen are back at The Holystone.

May 20 Maine Street Jazzmen are back at Sunniside Social Club.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 2: Vieux Carré Jazzmen are back at Cullercoats Crescent Club.
June 7: Jazz in the Afternoon are back at Cullercoats Crescent Club.

Tuesday, April 12, 2016

CD Review: Kat Parra - Songbook of the Américas.

(Review by Debra M ).
San Francisco-based Kat Parra brings together a range of jazz and Latin influences in her fifth album Songbook of the Americas.  It’s all there in the opening Four, played as a mambo, with tight fluid horn lines and original lyrics, including a break into a Spanish ‘coros’. Betty Carter’s characteristically witty phrasing in Please Do Something goes down well as a ‘Cha-Cha’, the arrangement potentially ideal material for Strictly Come Dancing.  
Parra nails her bebop credentials in Wouldn’t It Be Sweet, an outstanding delivery of original lyrics, vocalese & scatting on Charlie Parker’s Au Privave. The rest of the album is composed of predominantly Latin songs, and Parra’s slightly hard-edged tone is well suited to the emotional delivery of Spanish lyrics. The variety of the material is enhanced by subtly dynamic arrangements & contributions from the guest vocalists. A highlight is the ensemble’s version of well-known bolero Besame Mucho, which is refreshed by a slow and atmospheric interpretation featuring Masaru Koga on shakuhachi (a Japanese end-blown flute),  with the acoustic bass & percussion combining particularly effectively.  However, the final track, Mambo Italiano, with lyrics so cheesy they include mozzarella (it’s true!), may be a mambo too far. Fortunately, the track is redeemed by some great horn lines, a fine trombone solo by Wayne Wallace, and the impression that the band clearly had such a good time playing it, along with the rest of the album.   
Debra.
Kat Parra – vocals; Murray Lowe – piano; Marc van Wageningen – electric bass; Aaron Germain – acoustic bass; Sascha Jacobsen – acoustic bass; Colin Douglas – drums; Daniel Foltz – drums; Michael Spiro – percussion; Masaru Koga – alto & soprano sax, shakuhachi, flute, coros; John Worley – trumpet; Wayne Wallace – trombone; Lila Sklar – violin; Seth Asarnow – bandoneon.

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