Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18383 (and counting) posts since we started blogging 18 years ago. 247 of them this year alone and, so far this month (Mar. 17 ), 57

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, April 29, 2016

The Gala Big Band, @ The Gala Theatre, Durham - April 28

(Review by Jerry)
At the end of a dismal day, weather-wise, this rapidly improving big band (even bigger when augmented with a percussionist) gave a packed Gala audience a musical treat to cheer and warm. It was great fun!
The opener was one of the band’s favourites – Flight of the Foo Birds – and was followed by Miller’s Little Brown Jug featuring an excellent tenor sax solo. My apologies for being unable to name individuals – even the MD, Paul Edis, struggled with that in a name-check towards the end of the evening. My excuse (and his) was that it is a VERY big band.
Next up was a vocalist, Johnny Roxburgh (?) who likes Sinatra and who performs his songs with some panache. Here, it was I’ve Got You Under My Skin and in the second set we had Come Fly with Me: excellent stuff from this young Sage student.
Perdido followed, performed by a “small band” consisting of the rhythm section plus about 9 of the horns – a format repeated on two numbers in the second set: All Blues and Blue Monk.
This “small” format got even smaller as George, the pianist, on his last gig with the band (he will be much missed) did a dreamy duet of A Nightingale Sang in Berkley Square with Paul Edis on clarinet. Next, to wake us all up again, it was carnival time in Durham with the Edis’ original Mighty Samba – apparently inspired by a Nissan Micra! This is a great tune, made all the more Latino-rhythmic by the additional percussion available tonight
Georgia Brown got good applause, as always and then the first set stormed to a close with Techtonic, a high-octane Edis’ original featuring four baritone saxes and “rock” guitar in the talented hands of Francis Tulip
In the second set, All of Me featured Dave Skipsey on trumpet and Tuxedo Junction was greeted with whoops and cheers.
The MD admitted that his inclusion of Summertime in the set-list was ironic in a week which saw hail stop play at Durham’s Riverside Ground! The irony was then compounded in the second vocal offering of the evening with its repeated line about “weather-wise it’s such a lovely day…” Well, a lovely evening, anyway.
Despite one of them being entitled Mercy, Mercy, Mercy, the last two numbers were undiluted joy. First was The Timothys – familiar to all who have the Mr. Hipster CD, but here played with driving electric bass, an infectious guitar riff, and an absolute blast of sound from the many horns. Edis (wearing his MD hat) praised the band for their progress in such a short time, reminding us that this is a “hard tune”. The band absolutely aced it!
Jerry.

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