Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Saturday, April 16, 2016

GIJF - Arun Ghosh Sextet - Sage Gateshead April 15

Arun Ghosh (clt); Chris Williams (alt); John Ellis (pno); Liran Donin (bs); Dave Walsh (dms); Sarathy Korwar (tabla).
(Review by Lance).
The opening day of Gateshead International Jazz Festival promised much and delivered more!
Ghosh is one of the jazz extroverts - his version of Indo-Jazz is far removed from the Joe Harriott/John Mayer Indo-Jazz Fusions band of the 1960s yet just as relevant in today's terms.
They have fun, the two horns blend. They blow solos that become duets. Call and response passages that are complementary rather than competitive. As a guy I spoke to in the pub said to me later, "You couldn't add another instrument, not even a guitar." He was right, I doubt if even a sitar could sit in.
Ghosh, the barefoot clarinetta, can sound like just about anyone. Swaying, sinuously moving, both snake and snake charmer, he alternated between pure classical and earthy New Orleans (or should that be New Delhi?) proving that the old gobstick is still one of the most versatile horns around... Williams is the perfect foil - without a sheet of MS between them they read each other's mind. Clever Fakirs!
Ellis was superb, whether sensitively exploring Mountain Summit or making Mister Steinway turn in his grave on the Vindaloo numbers, he was on the rupees. We had to wait till the end for Donin to workout although he'd limbered up throughout the gig (104 mins without intermission) providing solid support.
Walsh and Korwar mixed jazz and rock with the exotic rhythms of the east - at times, when the frontline men were blowing, the result had an almost Celtic feel.
That Sage Two was near 3 tiers full came as no surprise - Ghosh is an entertainer as well as an ace jazz clarinettist. 
Earlier, Ghosh, who'd been working with the children of Roman Rd., Primary School, Gateshead for the past few days, said, referring to the children's set on the Concourse, "Them kids blew me off the stage!"
An exaggeration, perhaps! On tonight's performance, I doubt if anyone could have blown him, or the sextet, off the stage. Still it was good of him to say this and he wasn't being patronising.
Today, at 11am he works with even younger children in "Jazz for Toddlers".
Lance.
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