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Bebop Spoken There

Rickie Lee Jones: "There's lots of music and not so much celebrity. I guess I'll stay here [New Orleans] for a while if it doesn't get washed away in the flood." - (The Observer 18.04.21)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,107 (and counting) posts since we started blogging 13 years ago. 526 of them this year alone and, so far, 81 this month (April 16).

Bar Manager Required

The Jazz Co-op are looking for an experienced bar manager who can be available to start when The Globe reopens in May.

Preference will be given to a suitably qualified person who lives relatively near to The Globe, 11 Railway St., Newcastle NE4 7AD.

Interested parties please follow this link.

Coming soon ...

April 29: Vieux Carré Jazzmen are back at The Holystone.

May 20 Maine Street Jazzmen are back at Sunniside Social Club.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 2: Vieux Carré Jazzmen are back at Cullercoats Crescent Club.
June 7: Jazz in the Afternoon are back at Cullercoats Crescent Club.

Wednesday, April 20, 2016

GIJF: Evan Parker @ Sage Gateshead. April 15.

Evan Parker (tenor & soprano saxophones)
(Review by Russell)
Evan Parker is travelling to gigs throughout Europe by train. Signing up to Europe Jazz Network’s Take the Green Train scheme which encourages musicians to adopt a ‘green’ approach to travel, the veteran improviser alighted at Sage Gateshead to perform a rare solo concert.
The Northern Rock Foundation Hall, set out cabaret style with rows to the rear, attracted a large crowd. Listeners who were there first time around took their seats alongside Sage Gateshead BMus and Newcastle University (under and postgraduate) music students and Tyneside’s present day improv practitioners to hear a master musician at work. Solo, duo through to big band, Evan Parker has done it all. This solo performance consisted of two improvisations on soprano and one playing tenor saxophone. At a pre-concert talk Parker spoke about circular breathing saying once he ‘had it down’ it became an invaluable tool in performance. Favouring soprano over tenor, Parker’s dexterity and execution of ideas remain undiminished. Undemonstrative, the saxophonist stood stock still, his fingers the only visible moving parts and they were largely a blur; brain to hand, sleight of hand.
A third and final piece proved to be the highlight of the evening. Parker had earlier given the game away suggesting that he had a number of tricks up his improv sleeve. A phrase, a sequence, seemingly ‘instant composition’ wasn’t necessarily the case and, said Parker, it was only he himself who would know what was on the spot inspiration and what he had taken from his vast mental archive of past performances. This Sage Gateshead concert is now filed in Parker’s archive. You never know, subsequent performances may reference Gateshead 2016.          
Russell.

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