Total Pageviews

Bebop Spoken There

Steve Fishwick: “I can’t get behind the attitude that new is always somehow better than old”. (Jazz Journal, April 15, 2019).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16542 (and counting) posts since we started blogging 16 years ago. 422 of them this year alone and, so far, 29 this month (June 17).

From This Moment On ...

June

Thu 20: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 20 Gateshead Jazz Appreciation Society @ Brunswick Methodist Church, Newcastle. 2:00pm. £4.00. Note new venue!
Thu 20: Karine Polwart & Dave Milligan @ The Fire Station, Sunderland. 7:30pm. £29.00., £23.00. Folk/jazz duo.
Thu 20: Richard Herdman & Ray Burns @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 20: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Josh Bentham (tenor sax); Donna Hewitt (alto sax); Dave Archbold (keys); Dave Harrison (trumpet); Ron Smith (bass).

Fri 21: Alan Barnes with Dean Stockdale Trio @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 21: Joe Steels’ Borealis @ The Gala, Durham. 1:00pm. £8.00.
Fri 21: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 21: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 21: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 21: Soznak @ The Bike Garden, Nunsmoor, Newcastle NE4 5NU. 5:00-9:00pm. Free.
Fri 21: Errol Linton + Michael Littlefield & Scott Taylor (King Bees) @ Gosforth Civic Theatre, Newcastle. 7:30pm. £20.00. Blues double bill.
Fri 21: Alan Barnes with the Dean Stockdale Trio @ Seventeen Nineteen, Sunderland. 7:30pm.
Fri 21: Strictly Smokin’ Big Band @ Alnwick Playhouse. 8:00pm. ‘Ella & Ellington’.
Fri 21: Mark Toomey Quartet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.

Sat 22: Jason Isaacs @ Stack, Seaburn SR6 8AA. 12:30-2:30pm. Free.
Sat 22: Abbie Finn Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 22: Hejira: Celebrating Joni Mitchell @ The Cluny, Newcastle. 7:30pm (doors). £22.50.
Sat 22: Rockin’ Turner Bros. @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 23: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm.
Sun 23: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 23: Matt Carmichael @ St Mary’s Church, Wooler. 3:00pm. Carmichael (saxophone), Fergus McCreadie (piano), Charlie Stewart (fiddle). ‘Scottish jazz, folk-roots & landscape’ Wooler Arts: Summer Concerts.
Sun 23: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 23: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 23: Bede Trio @ The Globe, Newcastle. 8:00pm.
Sun 23: Leeway @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 23: Jazz Jam @ Fabio’s Bar, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society event. All welcome.

Mon 24: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 24: Remy CB @ The Hoppings, Newcastle Town Moor NE2 3NH. 5:00-7:00pm.

Tue 25: Louise Dodds & Elchin Shirinov @ The Black Swan, Newcastle. 8:00pm.

Wed 26: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Tuesday, April 26, 2016

CD Review: Noah Preminger – Dark Was the Night, Cold Was the Ground

Noah Preminger (ten); Jason Palmer (tpt); Kim Cass (bs); Ian Froman (dms).
(Review by Steven Tulip)
This is Preminger’s second album of covers of Delta Blues from the twenties to the forties with the first in my basket awaiting payday.
We're more accustomed to jazzmen using the Great American Songbook as a springboard for innovation and improvisation but tenor sax player Noah Preminger and his quartet have gone back to the source, interpreting songs from some of the great Country Blues singers based on his obvious fascination and love of  ‘the captivating directness and soul-rattling expressiveness' of this music.
The album opens with the title track, a Blind Willie Johnson original from 1927 which finds the leader in melancholy mood with barely audible brushes before bass then trumpet join in, the sax following the trumpet in call and response reminiscent of gospel singing.
This is followed by Hard Times Killin’ Floor Blues, originally by Skip James, which finds the rhythm section and the horns switching effortlessly into double time, first alternating and then in unison and peaking with the rhythm section in double time with a free conversation between sax and trumpet.
Paradoxically, despite the harsh reality of the source material, the album has an optimistic feel reminiscent of the celebratory nature of a southern black funeral bringing some real jouissance, particularly on Blind Lemon Jefferson’s Black Snake Moan, also from 1927.
It's pertinent to the understanding of this music that so many of them were blind or handicapped and, since they were deemed unfit for work, were designated to provide the rhythm for the workforce to follow, while ostensibly entertaining them. These were not stars or celebrities even by the standard of the times and life was still harsh even though many had regional reputations and made records although photos were scarce for the album sleeves.
The mythology of Robert Johnson at the crossroads ensures he's the touchstone for Country Blues in popular culture so Love in Vain is the most recognisable melody here, although no prior familiarity with the source material is necessary for the enjoyment of the album.
The album has nine tracks, all good, with the longest, clocking in at just over 8 minutes, by Bukka White who provided the two tracks on their previous album with both over 30 minutes.
The instrumentation is reminiscent of Gerry Mulligans bands of the fifties and sixties with an absence of piano or any comping instrument though, perhaps because it's tenor rather than baritone, it reminds me more of the second great Miles Davis quintet and Herbie Hancocks willingness to drop out completely for extended periods. I can pay no greater compliment than that.
Sample.
Release date May 6.
Steven. 

No comments :

Blog Archive