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Bebop Spoken There

More from Jazz Monthly:

John Postgate: "Oscar Peterson played a good solo in 1954..." - (Jazz Monthly August 1960)

Bill Evans: "A composer writes something, and an orchestra interprets it--he spends maybe six months writing 10 minutes of music, but a jazz musician spends 10 minutes of playing 10 minutes of music, and he performs it himself". - (Jazz Monthly July1960).

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Today Saturday October 21

Afternoon

???????

Evening

Tees Valley Jazzmen - Sadberge Village Hall, 5 Beacon Grange Park, Sadberge, Darlington DL2 1TW. 7:30pm. £9.00. inc cheese & biscuits, BYOB.

Mat Maneri/Evan Parker/Lucian Ban: Sounding Tears - Sage Gateshead. 7:45pm. £13.50.

The Exiles - The Globe, 11 Railway St., Newcastle NE4 7AD. 8:00pm. £5.00. Line-up: Dave Hignett (trumpet), Niall Armstrong (tenor sax), Mike Cunningham (piano), Hazel Hanley (double bass) & Paul ‘Sid’ Wight (drums).

George Shovlin & the Radars - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, April 23, 2016

Bard - Lives!

Shakespeare and all that jazz.
The two are seemingly inseparable despite the, say, 300-years gap between the death of one and the birth of the other. My first connection with these two unlikely bedfellows was via the Bob Crosby Bobcats 1939 recordings of Arthur Young’s settings of Blow, Blow, Thou Winter Wind; It Was a Lover & His Lass; Oh Mistress Mine and Sigh No More Ladies. Marian Mann took the vocals and the band comprised Billy Butterfield, Irving Fazola, Eddie Miller, Floyd Bean, Nappy Lamare and Ray Bauduc. Truly a line-up worthy of a gig at Stratford on Avon.
Cleo Laine, back in the days when she was a dame rather than a Dame, recorded It Was a Lover & His Lass with the Dankworth Seven in 1955 and then, in 1964, recorded all four, this time with the full Dankworth orchestra. The album, Shakespeare and All That Jazz, which to this very day, remains an all-time favourite of mine included originals by John Dankworth (The Compleat Works in which Cleo manages to include the titles of all of the Bard’s plays is truly magnificent) and vocalised versions of a couple of tracks from another Shakespearean classic – Ellington’s Such Sweet Thunder.
This latter piece is Ellington at his most glorious – Duke was a bit of a culture snob and, who could blame him after this album?
There have been others. I have in my possession a tape by the late Midlands trumpet player, Ken Rattenbury, depicting The Seven Ages of Man from As You Like it.
In the 1930s, Lew Stone featured a trumpet player called Bill Shakespeare and there is also a well-known jazz photographer of the same name!
Geoffrey Smith will be exploring many of the above recordings and more on Radio 3 tomorrow (April 24) at 3pm.
Lance.


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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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