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Bebop Spoken There

Anat Cohen: "With the tenor, it's so iconic with jazz. With the clarinet, I can improvise, but it doesn't have to be called jazz." - (DownBeat July 2019)

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Today Tuesday June 18

Afternoon

Jazz

Classic Swing - The Ship Inn, Front Street, Monkseaton NE25 8DP. 0191 251 3677. 1:00pm. Free.

Evening

Lickety Split - Fox Inn, West End Terrace, Hexham NE46 3DB.Tel: 01434 603681. 8:30pm. Free (donations).

River City Jazzmen - Block & Tackle, Blackthorn Way, Ashington NE63 8NW. Tel: 01670 813983 (info). 8:00pm. £5.00. (inc raffle). Line-up inc special guest Don Fairley (trombone).

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, March 06, 2014

CD Review: Pigfoot - 21st Century Acid Trad.

Chris Batchelor (tpt); Liam Noble (pno); Oren Marshall (tuba); Paul Clarvis (dms).
(Review by Lance)
Acid Rock, Acid Jazz and now Acid Trad!
I can hear Jelly Roll Morten claiming, as he rolls over in his grave," Acid Trad? I sure didn't invent that. I invented most of them but I don't recall inventing that one. Maybe it was that ofay cat Ropollo who went nuts." 
Two CDs in the same vein but oh so far apart. 
The previous review of the Danish band was of a respectful and innovative take on earlier jazz. This isn't.
Four musicians who's talents should have been much better employed at doing what they do best - playing modern/contemporary - rather than this attempt to put a Formula One engine into a Model T.
In fairness, the solos are okay. Removed from the context of this CD - Noble's take on Tennessee Waltz in particular would impress anywhere - but, I'm sorry, if I'd listened to this before I heard the Danish disc I may have been more sympathetic towards it. 
Doesn't bring home the bacon so I'll settle for a bottle of beer and pass on the pigfoot..
Lance

5 comments :

Anthony Foley said...

2/3rd of the review is devoted to chastising Pigfoot for doing something original? Is this a parody?

Lance said...

To me it is. Four great musicians whose talents I felt should have been channelled in a more contemporary groove, I'll stick with the earlier classic versions. However, if this disc brings awareness of the past to the present generation of jazz listeners then I'll rethink my views.

Anonymous said...

Hey Lance, if what these musicians are playing is what you call 'modern/contemporary' and if this involves innovation and if innovation means changing things, then aren't they doing something entirely appropriate for the kind of musicians that they are? Your analogy ('putting a Formula One engine into a Model T') suggests that what they're doing is inappropriate and it does so by way of a rather conservative idea that different types of music (like different types of cars) should be kept apart. To me, this notion that forms shouldn't be mixed and that experiments shouldn't take place is really the antithesis of jazz. I think the Pigfoot album is the most exciting one I've heard for a long while and I have to say I think you've misheard it here.

Lance said...

You could be right! I've played it a few times and I must confess to softening towards it albeit I'm still not at the "most exciting album" stage yet! I still prefer Satchmo's Basin Street Blues although I'll grant you that Pigfeet have the edge on Pee Wee Hunt when it comes to Twelfth Street Rag.

Anonymous said...

Great Lance, I'm glad it's growing on you.

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