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Bebop Spoken There

Jeremy Pelt: "In my experience, the hottest player on the scene is almost always the most annoying motherfucker on the scene because they know that they're hot." - (DownBeat June 2019).

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2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Monday May 20

Afternoon

Jazz

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

Evening

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, March 24, 2014

CD Review: Paul Higgs - Pavane

Paul Higgs (tpt/pno);  Graham Cutill/Russ Morgan (dms, percussion); Andy Watson (class. gtr.); Helen Yousaf (cello/vla); Jerome Davies (bs). 
(Review by Lance)
Paul Higgs is a new name to me although he has such jazz luminaries as Digby Fairweather and Dave Gelly, among others, in his corner.
Musical Director and Composer at the National Theatre and the RSC for 24 years Higgs also worked with notable names such as Dankworths John and Cleo, Peggy Lee, Al Martino, Buddy Greco, Shorty Rogers and Rosemary Clooney (cited as George Clooney's aunt. I always think of George Clooney as Rosie's nephew!).
An impressive pedigree built upon his acceptance by NYJO at age 14. Bill Ashton, then MD of NYJO, referred to him as "One of the most gifted composers and arrangers ever to have been involved with NYJO" - praise indeed.
Pavane is an album of original compositions that blend the genres of jazz and classical music.
Oh dear, I thought, where have I heard that before?!
I needn't have worried - it works a treat. Incredibly, the end product incorporates just enough of both genres to avoid offending aficionados of either form.
No dirty blues or stratospheric screeching, just pure melodic creation. 
At times the Miles/Gil Evans collaborations are fleetingly suggested and tone-wise Chris Botti comes to mind but, overall, this is a triumph for the composer, arranger and trumpet player.
It's neither hot nor cool - just comfortably warm.
On a personal note; my late parents, with whom I had many heated arguments on the jazz v classics issue, would have enjoyed listening to this.
Delightful.
Lance.

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