Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Wed 11: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 11: Jam Session @ The Tannery, Hexham. 7:00pm. Free.
Wed 11: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 11: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free

Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, March 24, 2014

CD Review: Paul Higgs - Pavane

Paul Higgs (tpt/pno);  Graham Cutill/Russ Morgan (dms, percussion); Andy Watson (class. gtr.); Helen Yousaf (cello/vla); Jerome Davies (bs). 
(Review by Lance)
Paul Higgs is a new name to me although he has such jazz luminaries as Digby Fairweather and Dave Gelly, among others, in his corner.
Musical Director and Composer at the National Theatre and the RSC for 24 years Higgs also worked with notable names such as Dankworths John and Cleo, Peggy Lee, Al Martino, Buddy Greco, Shorty Rogers and Rosemary Clooney (cited as George Clooney's aunt. I always think of George Clooney as Rosie's nephew!).
An impressive pedigree built upon his acceptance by NYJO at age 14. Bill Ashton, then MD of NYJO, referred to him as "One of the most gifted composers and arrangers ever to have been involved with NYJO" - praise indeed.
Pavane is an album of original compositions that blend the genres of jazz and classical music.
Oh dear, I thought, where have I heard that before?!
I needn't have worried - it works a treat. Incredibly, the end product incorporates just enough of both genres to avoid offending aficionados of either form.
No dirty blues or stratospheric screeching, just pure melodic creation. 
At times the Miles/Gil Evans collaborations are fleetingly suggested and tone-wise Chris Botti comes to mind but, overall, this is a triumph for the composer, arranger and trumpet player.
It's neither hot nor cool - just comfortably warm.
On a personal note; my late parents, with whom I had many heated arguments on the jazz v classics issue, would have enjoyed listening to this.
Delightful.
Lance.

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