Total Pageviews

Bebop Spoken There

Erin Davis: "I knew he [Miles Davis] was a famous musician, but didn't quite understand how famous." - (The Observer Magazine 29 March 2020)

-----

Archive

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

COFID- 19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Monday, March 24, 2014

CD Review: Paul Higgs - Pavane

Paul Higgs (tpt/pno);  Graham Cutill/Russ Morgan (dms, percussion); Andy Watson (class. gtr.); Helen Yousaf (cello/vla); Jerome Davies (bs). 
(Review by Lance)
Paul Higgs is a new name to me although he has such jazz luminaries as Digby Fairweather and Dave Gelly, among others, in his corner.
Musical Director and Composer at the National Theatre and the RSC for 24 years Higgs also worked with notable names such as Dankworths John and Cleo, Peggy Lee, Al Martino, Buddy Greco, Shorty Rogers and Rosemary Clooney (cited as George Clooney's aunt. I always think of George Clooney as Rosie's nephew!).
An impressive pedigree built upon his acceptance by NYJO at age 14. Bill Ashton, then MD of NYJO, referred to him as "One of the most gifted composers and arrangers ever to have been involved with NYJO" - praise indeed.
Pavane is an album of original compositions that blend the genres of jazz and classical music.
Oh dear, I thought, where have I heard that before?!
I needn't have worried - it works a treat. Incredibly, the end product incorporates just enough of both genres to avoid offending aficionados of either form.
No dirty blues or stratospheric screeching, just pure melodic creation. 
At times the Miles/Gil Evans collaborations are fleetingly suggested and tone-wise Chris Botti comes to mind but, overall, this is a triumph for the composer, arranger and trumpet player.
It's neither hot nor cool - just comfortably warm.
On a personal note; my late parents, with whom I had many heated arguments on the jazz v classics issue, would have enjoyed listening to this.
Delightful.
Lance.

No comments :

Blog Archive