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Bebop Spoken There

Jeremy Pelt: "In my experience, the hottest player on the scene is almost always the most annoying motherfucker on the scene because they know that they're hot." - (DownBeat June 2019).

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2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Saturday May 18

Afternoon

Anth Purdy: Swing Jazz Guitar - Blyth Battery, The Links, Blyth NE24 3PQ. 10:00am-4:00pm. Free. 'Blyth Battery Goes to War Weekend'.

Early Bird Band - Lit & Phil, Westgate Road, Newcastle NE1 1SE. Tel: 0191 232 0192. 11:00am. £2.00.

Sweet & Hot - St Augustine's Parish Centre, Larchfield St., Darlington DL3 7TG. 12:30pm. £10.00. Jeff Barnhart, Spats Langham, John Hallam, Graham Smith, Anne Barnhart.

Duo workshop: Faye MacCalman & John Pope - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4461. 3:00pm. £10.00. & £8.00. JNE.

Jazz

Jamie Mackay - Gallagher & Turner, St Mary's Place, Newcastle NE1 7PQ. 7:00-11:00pm. Free. 'The Late Shows' - guitarist Mackay performing at intervals.

Northern Monkey Brass Band - Newcastle City Library, New Bridge Street West, Newcastle NE1 8AX. 7:00-11:00pm. Free. 'The Late Shows' - NMBB performing at intervals.

Paul Taylor - Victoria Tunnel, Ouse Street, Ouseburn, Newcastle NE1 2BE. Tel: 0191 230 4210. 7:30pm. Tickets: £10.00.

Eliot Smith Dance: Triple Bill - Everyman Theatre, O'Hanlon St., Spennymoor DL16 6RY. 7:30pm. £14.00. (£12.00. cocns., £30.00. family). Programme inc Poppy composed by Jason Holcomb.

Blues/Funk/Soul

Jools Holland’s R & B Orchestra - Middlesbrough Town Hall, Albert Road, Middlesbrough TS1 2QJ. Tel: 01642 729729. 7:30pm. £42.0. & £36.50.

Groove-a-matics - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, March 14, 2014

CD Review: Trio Riot Trio Riot

Mette Rasmussen (alto saxophone), Sam Andreae (tenor saxophone) & David Meier (drums)
(Review by Russell).
The eponymous debut CD from Trio Riot, recorded in November 2012, documents the trio’s instant impact as a gigging band. Described as a ‘punk-jazz’ outfit, formed in Helsinki in 2009, inspiration is drawn from twentieth century musics – contemporary composition, jazz, punk and a healthy dose of Zappa irreverence. The opening track – 3 – recalls NYC’s pranksters The Hub; killer articulation, guessing-game switch-back writing. Lala-Lala, heard live on previous tours, develops an irritating hook until Sam Andreae’s rasping tenor briefly breaks free. An audible ‘Yeah’ reigns in the tenor, hook reinstated and they take it out.
Drummer David Meier’s Rondeau adopts the classical form; repetition, twin horn unison work, powerhouse percussion work from the composer. Mette Rasmussen’s I’m So Glad It Wasn’t Me opens with a similar repetitive motif then breaks down into improv mode, returning once more to the hook. Rasmussen’s Candid delivers a further short, insistent riff, the piece itself brief. Stop-start motifs abound on the recording and Bartstock maintains the thread as vigorous blowing is heard atop Meier’s hard-hitting rhythmic patterns. Dadadadadadada doesn’t take itself too seriously – with a title like that how could it? Comic cuts, shotgun drumming, done. 31 embraces an extended free form section (the trio in peak form), a welcome diversion from the strict structures of what has gone before. Joy Division’s Disorder puts a handle on things (the repetitive percussive feel) and The Last Hurrah, mellow, melodic, atypical, closes the album. Trio Riot’s Trio Riot is released on Efpi (www.efpirecords.com) on 17th March. Tour dates include London’s Vortex (March 24), Jazz Café, Newcastle upon Tyne (March 25) and Free Range in Canterbury (March 27).          
Russell.

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