The interval afforded bassist Neil Harland the opportunity
to rearrange the furniture. Alan Glen struggled to hear properly during the
first set, the sloping ceiling and limited floor space making for a cheek by
jowl set-up. Harland repositioned his bass cabinet to the side windows and it
appeared to do the trick. Had LL hung around, his second set review would have
been no different to the first – top class piano playing supported by two of
the best in the business (Harland and drummer Paul Wight). The material every
bit as good as the first set, tunes included Four,
All Blues, Autumn Leaves and What is This Thing Called Love?
Russell.
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