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Bebop Spoken There

Terri Lyne Carrington: "... a long time ago, only privileged people could study and work in the arts." - (Jazziz, Winter 2020).
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Archive

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

Today Saturday February 22

Afternoon

Jazz

Electric Guitar Masterclass – The Music of Robben Ford - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. 10:00am. £15.00. Jamie Mackay conducts a masterclass looking at the work of former Miles Davis’ sideman Robben Ford.

Evening

Daniel John Martin w Swing Manouche - Core Music, 14a/b Gilesgate, Hexham NE46 3NJ. Tel: 01434 601993. 8:00pm. Donations (suggested donation £10.00.). DJM w Mick Shoulder (guitar); Giles Strong (guitar); Ian Paterson (double bass).

Blues/Funk/Soul

Half Hand Hoodoo Band - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

Boys of Brass - Brandling Villa, Haddricks Mill Road, South Gosforth, Newcastle NE3 1QL. Tel: 0191 284 0490. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, March 06, 2014

CD Review: Pigfoot - 21st Century Acid Trad.

Chris Batchelor (tpt); Liam Noble (pno); Oren Marshall (tuba); Paul Clarvis (dms).
(Review by Lance)
Acid Rock, Acid Jazz and now Acid Trad!
I can hear Jelly Roll Morten claiming, as he rolls over in his grave," Acid Trad? I sure didn't invent that. I invented most of them but I don't recall inventing that one. Maybe it was that ofay cat Ropollo who went nuts." 
Two CDs in the same vein but oh so far apart. 
The previous review of the Danish band was of a respectful and innovative take on earlier jazz. This isn't.
Four musicians who's talents should have been much better employed at doing what they do best - playing modern/contemporary - rather than this attempt to put a Formula One engine into a Model T.
In fairness, the solos are okay. Removed from the context of this CD - Noble's take on Tennessee Waltz in particular would impress anywhere - but, I'm sorry, if I'd listened to this before I heard the Danish disc I may have been more sympathetic towards it. 
Doesn't bring home the bacon so I'll settle for a bottle of beer and pass on the pigfoot..
Lance

5 comments :

Unknown said...

2/3rd of the review is devoted to chastising Pigfoot for doing something original? Is this a parody?

Lance said...

To me it is. Four great musicians whose talents I felt should have been channelled in a more contemporary groove, I'll stick with the earlier classic versions. However, if this disc brings awareness of the past to the present generation of jazz listeners then I'll rethink my views.

Anonymous said...

Hey Lance, if what these musicians are playing is what you call 'modern/contemporary' and if this involves innovation and if innovation means changing things, then aren't they doing something entirely appropriate for the kind of musicians that they are? Your analogy ('putting a Formula One engine into a Model T') suggests that what they're doing is inappropriate and it does so by way of a rather conservative idea that different types of music (like different types of cars) should be kept apart. To me, this notion that forms shouldn't be mixed and that experiments shouldn't take place is really the antithesis of jazz. I think the Pigfoot album is the most exciting one I've heard for a long while and I have to say I think you've misheard it here.

Lance said...

You could be right! I've played it a few times and I must confess to softening towards it albeit I'm still not at the "most exciting album" stage yet! I still prefer Satchmo's Basin Street Blues although I'll grant you that Pigfeet have the edge on Pee Wee Hunt when it comes to Twelfth Street Rag.

Anonymous said...

Great Lance, I'm glad it's growing on you.