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Bebop Spoken There

Brian Dee: "I feel my generation had one advantage over today's players in that we were not musically educated in colleges, so we all sounded different. I could tell who it was just by the sound." - (Jazz Rag, Summer 2020).

Archive.

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Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

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11,783 (and counting) posts since we started blogging 12 years ago. 1023 of them this year alone and, so far, 50 this month (Sept. 17).

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SEPTEMBER

IT IS ADVISABLE TO CHECK IN ADVANCE WITH THE VENUE THAT THE GIG IS ON

SUNDAY 20

Vieux Carre Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. Tel: 0191 691 7090. 12 noon. Free.

Riviera Quartet - The Globe, 11 Railway St., Newcastle NE4 7AD. 8:00pm. A limited number of seats are available which MUST be bought in advance online. £7:50 or £5:45 live stream only.

THURSDAY 24

Vieux Carre Jazzmen - The Holystone, Whitley Road, North Tyneside NE27 0DA. 0191 266 6173. 1:00pm. Free.

Maine St Jazzmen - Sunniside Social Club, Sunniside Road, Sunniside NE16 5NA. Tel: 0191 488 7347. 8:00pm - 10pm. Free. Note earlier start/finish.

Friday, March 07, 2014

CD Review: Emilia Mårtensson - Ana

Emilia Mårtensson (vocals); Barry Green (piano); Sam Lasserson (bass);  Adriano Adewale (percussion) + The Fable String Quartet: Kit Massey, Paloma Deike (violins); Becky Hopkin (viola);  Natalie Rozario (cello)
(Review by Ann Alex)
BSH continues this week’s Scandanavian theme with a CD from this Swedish lady who has been making her way in the UK jazz scene for the last decade, although her work is new to me.  Her roots are in jazz and Swedish folk music, and this very pleasing disc (her 2nd) fits both genres lightly.  The general sound is playful with lots of excellent piano solos, steady bass, subtle, crunchy percussion used sparingly, sweet, slightly nasal singing with lots of humming and vocalese.  All this is cut across by the string quartet and the arrangements are complex and imaginative.
Most of the song writers are new to me except for Paul Simon (Everything Put Together Falls Apart); and Joe Henderson (Black Narcissus Music, with words written by our singer). There are 3 original compositions: Ana is a tribute to her Slovenian grandmother who is quoted as saying ‘close your eyes before you open up your mind’ (wise woman!), with delicate string quartet work and lyrical piano; the penultimate track Moffi’s Song; and the final track, which is a big surprise, an a capella version of a song called Vackra Manniska, which our singer performs in close harmony with herself.
Love is a constant theme, as in the beautiful Tomorrow Can Wait, a few repeated phrases, well sung and vocalised (‘I felt your heart dancing with mine’). There is a poignant Swedish folk song, Nar Som Jag Var Pa Mitt Adertonde Ar (about a girl who is going to kill herself, typical folk material!) with a suitably sparse arrangement of bass rhythm, voice, and simple percussion.
Another CD that I’ll be glad to have in my collection!
Ana is released on April 7, 2014 on the Babel Label, Cat No. BDV 14126
Ann Alex

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