Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18992 (and counting) posts since we started blogging 18 years ago. 856 of them this year alone and, so far this month (Oct. 11) 35.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 13: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Julija Jacenaite (vocals).

Wed 14: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 14: A Night of Stevie Wonder @ Holy GrAle, Durham. 4:45pm. £3.00.; £2.50. A Durham University Jazz Society event.
Wed 14: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 14: Jam session @ The Tannery, Hexham. 7:00pm. Free.
Wed 14: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 14: A Night of Stevie Wonder @ Holy GrAle, Durham. 7:30pm. £3.00.; £2.50. A Durham University Jazz Society event.
Wed 14: NW FRQNC @ Pilgrim, Newcastle. 7:30pm. £15.00. Selina Albright, Gianni Vancini.
Wed 14: Jacob Egglestone Trio @ Elder Beer, Heaton, Newcastle. 8:00pm. £12.00. JNE.

Thu 15: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 15: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 15: Leah Kirk: A Strange Affair @ Newcastle Arts Centre. 7:30pm. Free (donations). Leah Kirk (vocals); Alan Law (keyboards); Paul Grainger (double bass).
Thu 15: Jeremy McMurray’s Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. PJO w. guest Graham Hardy (trumpet).

Fri 16: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 16: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 16: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 16: Ancient Infinity Orchestra @ Cobalt Studios, Newcastle. 7:00pm.
Fri 16: Lindsay Hannon: Tom Waits for No Man @ Sunderland Minster. 7:30pm. £13.01. adv.; £15.00. on the door. Old Black Cat Jazz Club.
Fri 16: Milne Glendinning Band @ Repas 7 by Night, West St., Berwick. 8:00pm. Free.

Sat 17: SunOrbitUs @ Culture House, Sunderland. 11:00am - 5:00pm. Closing event in a year-long piece of music. 11:00am-1:00pm Improvisation workshop w. Faye MacCalman; 2:00-5:00pm Collective Improvised Performance by Sunderland residents. SOLD OUT!
Sat 17: Tees Bay Swing Band @ Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal.
Sat 17: Martin Taylor @ Bowes Museum, Barnard Castle. 7:30pm. £48.72; £43.37. Solo guitar. SOLD OUT!

Sunday, March 23, 2014

Strictly Smokin' Big Band @ Hoochie Coochie

Michael Lamb (MD), Pete Tanton (tpt), Gordon Marshall, Dick Stacey (tmpts); Don Fairley, John Flood, Chris Gurgi-Smith, Mark Ferris (tmb); Steve Summers. Niall Armstrong (alt); Paul Gowland, Jamie Toms (ten); Laurie Rangecroft (bar); Marc Joliffe (pno); Pawel Jedzejewski (gtr); Michael Whent (bs); Guy Swinton (dms); Lindsay Hannon. James Hedley (vcl). 
(Review by Lance)
Stan Kenton proclaimed at the end of his recording of Prologue,  "This is an Orchestra!" Michael Lamb would have been equally justified in making a similar proclamation after this afternoon's session at Hoochie Coochie. He didn't need to - the packed bar knew exactly what they'd heard and, if there were any complaints, it was having to wait 3 months for the next one!
In the confined, low-ceilinged venue that is Hoochie, hearing a power house unit like this is the most mind-blowing experience you're ever going to experience outside of ODing on London Pride.
Unbelievable, sitting in the dugout it was, close your eyes and you're at the Reno Club in Kansas City, or maybe the Village Vanguard with Thad and Mel.
Leader Michael Lamb with his full toned Fats/Clifford sound, Pete Tanton, cooler but not frigid, Tenors Gowland and Toms - Basie or Woody would have used them any time. Steve Summers, alto king and a rhythm section to die for.
There were a couple of singers too...
James Hedley Let The Good Times Roll a la Louis Jordan (not Ray Charles) and it set the mood for the best afternoon session for many a 12 bar.
Five Foot Two Eyes of Blue, Big Mama Cass, Lester Leaps In kept things swinging 'til James' returned for The Way You Look Tonight and Beyond the Sea - were there two better gasbook songs ever written? Of course there were, but at this moment in time I can't bring them to mind.
Lindsay enquired as to How High The Moon escaping the Fashion Police en route to stage (only joking kid!).
Her OK You Win was probably the best version ever apart from the Joe Williams original recording. A Tisket a Tasket paid tribute to Ella.
The set concluded with a crazy Caravan and Autumn Leaves - a song for all seasons!
More beers and hellos and handshakes and wondering why there were so many people in the club.
The band's version of Isn't She Lovely? gave an indication but it was the no hold's barred Sweet Georgia Brown that did it for me.
Lindsay sang Angel Eyes, James, It Had To Be You - a most dramatic entrance! - and, it suddenly occurred to me that this was one of the best big band sessions I'd heard since hearing the Buddy Rich Band at Ronnie's a long time ago!
Photos.
Lance.

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