Bebop Spoken There

Ron Carter quoting Sonny Rollins: ''What we call jazz - that's keeping the world in equilibrium. I don't care what kind of music you like out here today. It all comes from jazz.'' (DownBeat August, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18818 (and counting) posts since we started blogging 18 years ago. 682 of them this year alone and, so far this month (Aug. 20) 51.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Tue 25: Michael Young Trio @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 26: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 27: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 27: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 27: 58 Jazz Collective @ The Blacksmith’s Arms, Stranton, Hartlepool. 8:00pm. Free.
Thu 27: Shalala @ The Globe, Newcastle. 8:00pm. £7.00.

Fri 28: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 28: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Sat 29: Brian Jackson @ Pilgrim, Newcastle. 8:30pm (doors). £32.00.

Sun 30: Musicians Unlimited @ West Hartlepool RFC. 1:00pm. Free.
Sun 30: Tango Jazz Quartet @ The Globe, Newcastle. 8:00pm.

Mon 31: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Wednesday, March 26, 2014

CD Review: Vijay Iyer - Mutations

Vijay Iyer (piano, electronics), Miranda Cuckson (violin), Michi Wiancko (violin), Kyle Armbrust (viola) & Kivie Cahn-Lipman (cello)
(Review by Russell).
Mutations is Vijay Iyer’s first recording as a leader for ECM. The album comprises three pieces for piano and the suite Mutations 1-X scored for piano, electronics and strings. The New Yorker’s jazz affiliations are known to those with an interest in the contemporary American scene, collaborators include Roscoe Mitchell, William Parker, Matana Roberts and John Zorn. Mutations reveals another side to the pianist.
Composing for new music chamber ensembles has led to commissions and performances by the Brentano String Quartet, the American Composers Orchestra and others. Mutations was written and first performed in 2005 and it has taken until now for the work to be documented by ECM. The ten part work is framed by solo piano pieces; the first two - Spellbound and Sacrosanct, Cowrie Shells and the Shimmering Sea and Vuln, Part 2 - open the album and a third and final composition - When We’re Gone - closes the recording. 
At the core of the CD is the Mutations suite. Iyer studied violin for fifteen years and states: The sound of the string quartet has been in my head for as long as I can remember. The string players work to Iyer’s notated instructions, free to interpret sections, to develop and mutate the work. Some of the compositions were written on violin, some at the piano and some on Iyer’s computer. Of the ten compositions it is difficult, if not impossible, to decide which piece was composed on either instrument or device. At times the instrumentation is such that the strings could be a laptop-generated sound, similarly electronic interventions could be the strings.
Subtle manipulation of sound sources infuse Iyer’s canvas; quiet, reflective, occasionally urgent, English pastoral, expansive New World gestures. The album is by no means a jazz recording but for those with open ears rich rewards await.
Vijay Iyer’s Mutations is available now on ECM 376 4798.        
Russell.                  

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