Bebop Spoken There

Joe Alterman: ''All I wanted to do growing up was to sound like Erroll Garner playing "Poor Butterfly." I thought that was the coolest sound I'd ever heard.'' (DownBeat November, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

19,066 (and counting) posts since we started blogging 18 years ago. 930 of them this year alone and, so far this month (Oct. 31) 109.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

November

Wed 04: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 04: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 04: An Evening of Erykah Badu @ Holy GrAle, Durham. 7:30pm. £3.00.; £2.50. A Durham University Jazz Society event.
Wed 04: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 05: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 05: Hejira - Celebrating Joni Mitchell @ Alnwick Playhouse. 7:30pm.
Thu 05: Cut Capers @ The Cluny, Newcastle. 7:00pm (doors).
Thu 05: Northern Reaches @ Newcastle Arts Centre. 7:30pm. Free (donations). Pete Tanton, Joe Steels, Laurence Blackadder, John Hirst.
Thu 05: Fergus McCreadie @ The Glasshouse, Gateshead. 8:00pm.
Thu 05: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Free.

Fri 06: Mike Durham’s International Classic Jazz Party @ Village Hotel, West Allotment. 12 noon. Day 1/3.
Fri 06: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 06: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 06: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 06: Jazz Night: Bridget Metcalfe @ Saltburn House Hotel. From 6:00pm. Tickets: £40.00 (inc. a two-course meal & glass of Prosecco). Tel: 01287 658977.
Fri 06: The Exu + Kraabel/Harrison/Birchall @ Central Bar, Gateshead. 8:00pm. JNE.

Sat 07: Mike Durham’s International Classic Jazz Party @ Village Hotel, West Allotment. 12 noon. Day 2/3.
Sat 07: Ewan Bleach’s Cable Street Ragtime Band @ St Augustine’s Parish Centre, Darlington.
12:30pm. £10.00. Darlington New Orleans Jazz Club. Superb band.
Sat 07: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Steve Glendinning. Find Your Pocket: Funk & Groove. Enrol at: learning@jazz.coop.
Sat 07: Red Kites Jazz @ Costa Café, St James’ Retail Park, Newcastle. 2:00pm. Free.
Sat 07: Ray Stubbs’ R&B All Stars @ Billy Bootleggers, Newcastle. 6:00pm.

Sun 08: Mike Durham’s International Classic Jazz Party @ Village Hotel, West Allotment. 12 noon. Day 3/3.
Sun 08: Greg Abate w. Dean Stockdale Trio @ Queen’s Hall, Hexham. 3:00pm.
Sun 08: Kaberry Big Band @ Forest Hall Social Club. 3:00pm. £7.00 (inc. tea & cake). Charity event for the Poppy Appeal.
Sun 08: Greg Abate w. Dean Stockdale Trio @ The Globe, Newcastle. 8:00pm.

Mon 09: Bechet-Spanier Quartet @ Yamaha Music School, Blyth. 1:00pm. £9.00.; £5.00. Muggsy Spanier was born 125 years ago today (9 November 1901). This afternoon’s all-star quartet - from London, Lewis Taylor (cornet) & Michael McQuaid (reeds), from Paris, Félix Hunot (guitar), from London, Harry Evans (string bass) - salutes Muggsy!
Mon 09: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 09: Bechet-Spanier Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00. Muggsy Spanier was born 125 years ago today (9 November 1901). This evening’s all-star quartet - from London, Lewis Taylor (cornet), from London, Michael McQuaid (reeds), from Paris, Félix Hunot (guitar), from London, Harry Evans (string bass) - salutes Muggsy!

Tue 10: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Becky Tuck (vocals).
Tue 10: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.

Wednesday, March 26, 2014

CD Review: Vijay Iyer - Mutations

Vijay Iyer (piano, electronics), Miranda Cuckson (violin), Michi Wiancko (violin), Kyle Armbrust (viola) & Kivie Cahn-Lipman (cello)
(Review by Russell).
Mutations is Vijay Iyer’s first recording as a leader for ECM. The album comprises three pieces for piano and the suite Mutations 1-X scored for piano, electronics and strings. The New Yorker’s jazz affiliations are known to those with an interest in the contemporary American scene, collaborators include Roscoe Mitchell, William Parker, Matana Roberts and John Zorn. Mutations reveals another side to the pianist.
Composing for new music chamber ensembles has led to commissions and performances by the Brentano String Quartet, the American Composers Orchestra and others. Mutations was written and first performed in 2005 and it has taken until now for the work to be documented by ECM. The ten part work is framed by solo piano pieces; the first two - Spellbound and Sacrosanct, Cowrie Shells and the Shimmering Sea and Vuln, Part 2 - open the album and a third and final composition - When We’re Gone - closes the recording. 
At the core of the CD is the Mutations suite. Iyer studied violin for fifteen years and states: The sound of the string quartet has been in my head for as long as I can remember. The string players work to Iyer’s notated instructions, free to interpret sections, to develop and mutate the work. Some of the compositions were written on violin, some at the piano and some on Iyer’s computer. Of the ten compositions it is difficult, if not impossible, to decide which piece was composed on either instrument or device. At times the instrumentation is such that the strings could be a laptop-generated sound, similarly electronic interventions could be the strings.
Subtle manipulation of sound sources infuse Iyer’s canvas; quiet, reflective, occasionally urgent, English pastoral, expansive New World gestures. The album is by no means a jazz recording but for those with open ears rich rewards await.
Vijay Iyer’s Mutations is available now on ECM 376 4798.        
Russell.                  

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