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Bebop Spoken There

Aubrey Logan: "I chose trombone because trombone just kicks my ass, and I needed to do something that was hard" - (DownBeat June 2019).

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2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Wednesday May 22

Afternoon

Jazz

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Julija Jacenaite & Alan Law - Jazz Café, Newcastle Arts Centre, Westgate Road, Newcastle NE1 1SG. Tel: 0191 261 5618. 2:00pm. Free. Café Mezzanine (first floor, access via crafts shop).

Evening

Take it to the Bridge - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £1.00.

Blues

Moonshine Sessions - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 8:30pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, March 26, 2014

CD Review: Vijay Iyer - Mutations

Vijay Iyer (piano, electronics), Miranda Cuckson (violin), Michi Wiancko (violin), Kyle Armbrust (viola) & Kivie Cahn-Lipman (cello)
(Review by Russell).
Mutations is Vijay Iyer’s first recording as a leader for ECM. The album comprises three pieces for piano and the suite Mutations 1-X scored for piano, electronics and strings. The New Yorker’s jazz affiliations are known to those with an interest in the contemporary American scene, collaborators include Roscoe Mitchell, William Parker, Matana Roberts and John Zorn. Mutations reveals another side to the pianist.
Composing for new music chamber ensembles has led to commissions and performances by the Brentano String Quartet, the American Composers Orchestra and others. Mutations was written and first performed in 2005 and it has taken until now for the work to be documented by ECM. The ten part work is framed by solo piano pieces; the first two - Spellbound and Sacrosanct, Cowrie Shells and the Shimmering Sea and Vuln, Part 2 - open the album and a third and final composition - When We’re Gone - closes the recording. 
At the core of the CD is the Mutations suite. Iyer studied violin for fifteen years and states: The sound of the string quartet has been in my head for as long as I can remember. The string players work to Iyer’s notated instructions, free to interpret sections, to develop and mutate the work. Some of the compositions were written on violin, some at the piano and some on Iyer’s computer. Of the ten compositions it is difficult, if not impossible, to decide which piece was composed on either instrument or device. At times the instrumentation is such that the strings could be a laptop-generated sound, similarly electronic interventions could be the strings.
Subtle manipulation of sound sources infuse Iyer’s canvas; quiet, reflective, occasionally urgent, English pastoral, expansive New World gestures. The album is by no means a jazz recording but for those with open ears rich rewards await.
Vijay Iyer’s Mutations is available now on ECM 376 4798.        
Russell.                  

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