Total Pageviews

Bebop Spoken There

George "Big Nick" Nicholas: "This band [George Adams-Don Pullen Quartet] is a bitch on roller skates, baby. They'll run you over if you ain't ready" (JazzTimes April, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

14250 (and counting) posts since we started blogging 14 years ago. 469 of them this year alone and, so far, 69 this month (May 19).

From This Moment On ...

May.

Sat 21: Vieux Carré Hot 4 @ Market Place, Darlington. 11:00am - 3:00pm. All star line-up!
Sat 21: Elkie Brooks @ Whitley Bay Playhouse. 7:30pm.
Sat 21: Jools Holland’s R & B Orchestra @ The Hippodrome, Darlington. 7:30pm.
Sat 21: Milne-Glendinning Band @ Prohibition Bar, Newcastle. 8:00pm.

Sun 22 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 22: More Jam @ The Globe, Newcastle. 3:00pm. Free.
Sun 22: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 22: Abstract Orchestra plays J Dilla @ Wylam Brewery, Newcastle. 7:30pm. CANCELLED!
Sun 22: Panharmonia @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.

Mon 23: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Wed 25: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 25: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 25: Four @ The Exchange, North Shields. 7:00pm.
Wed 25: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 26: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 26: Deep Pope + Garner & Pope @ Cobalt Studios, Newcastle. 7:00pm. £7.00.
Thu 26: 58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 26: Knats @ Hoochie Coochie, Newcastle. 8:00pm.
Thu 26: Jeremy McMurray & the Pocket Orchestra @ Arc, Stockton. 8:00pm.
Thu 26: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 26: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm.

Fri 27: Alice Grace Quartet @ The Gala, Durham. 1:00pm.
Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 27: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 27: Fergus McCreadie Trio @ The Witham, Barnard Castle. 7:30pm.

Sat 28: Jack Logan & the Swing Section @ Prohibition Bar, Newcastle. 8:00pm.

Wednesday, March 26, 2014

CD Review: Vijay Iyer - Mutations

Vijay Iyer (piano, electronics), Miranda Cuckson (violin), Michi Wiancko (violin), Kyle Armbrust (viola) & Kivie Cahn-Lipman (cello)
(Review by Russell).
Mutations is Vijay Iyer’s first recording as a leader for ECM. The album comprises three pieces for piano and the suite Mutations 1-X scored for piano, electronics and strings. The New Yorker’s jazz affiliations are known to those with an interest in the contemporary American scene, collaborators include Roscoe Mitchell, William Parker, Matana Roberts and John Zorn. Mutations reveals another side to the pianist.
Composing for new music chamber ensembles has led to commissions and performances by the Brentano String Quartet, the American Composers Orchestra and others. Mutations was written and first performed in 2005 and it has taken until now for the work to be documented by ECM. The ten part work is framed by solo piano pieces; the first two - Spellbound and Sacrosanct, Cowrie Shells and the Shimmering Sea and Vuln, Part 2 - open the album and a third and final composition - When We’re Gone - closes the recording. 
At the core of the CD is the Mutations suite. Iyer studied violin for fifteen years and states: The sound of the string quartet has been in my head for as long as I can remember. The string players work to Iyer’s notated instructions, free to interpret sections, to develop and mutate the work. Some of the compositions were written on violin, some at the piano and some on Iyer’s computer. Of the ten compositions it is difficult, if not impossible, to decide which piece was composed on either instrument or device. At times the instrumentation is such that the strings could be a laptop-generated sound, similarly electronic interventions could be the strings.
Subtle manipulation of sound sources infuse Iyer’s canvas; quiet, reflective, occasionally urgent, English pastoral, expansive New World gestures. The album is by no means a jazz recording but for those with open ears rich rewards await.
Vijay Iyer’s Mutations is available now on ECM 376 4798.        
Russell.                  

No comments :

Blog Archive