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Bebop Spoken There

John Tynan: "Go ahead, call me reactionary. I happen to object to the musical nonsense being peddled in the name of jazz by John Coltrane and his acolyte Eric Dolphy." - (Downbeat November 22, 1961).

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McCoy Tyner: "If anyone want to know how the three of us - Elvin, Jimmy and me - felt about John [Coltrane], listen to the music and you can hear the love and respect we had for each other. The music can really speak more than any of us." - (Melody Maker, August 19, 1967).
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Today Tuesday April 25

Evening
Playtime Collective w. Martin Kershaw (alto); Graeme Stephen (guitar); Mario Caribe (bass); Tom Bancroft (drums). - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 8pm. £10/£8 (conc.). JNE/Schmazz.
Maine Street Jazzmen - Royal British Legion Club, West Jesmond Ave. Newcastle NE2 3EX. £5. 8:30pm.
Charles Gordon (solo piano) - Redwood Bar, Vermont Hotel, Newcastle. 10pm - midnight. Free.
Lickety Split - Fox Inn, West End Terrace, Hexham. 9:00pm. Free (bucket collection).
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, September 28, 2016

CD Review: Julphan Tilapornputt - Regards to You

Julphan Tilapornputt (guitar), Joe Wagner (tenor sax). Jeong Hwan Park (bass), Ken Ychicawa (drums).
(Review by Steve T)
As a local guitar teacher said to me recently, everybody's a virtuoso nowadays. Julphan is one such guitarist. Originally from Thailand and now resident in New York, he's had an impressive education including a scholarship at Berklee.
However, any new guitarist who wants to make a difference within the Wes Metheny legacy needs to be a writer comparable with Stravinsky, Cole Porter, Duke or Curtis Mayfield.
The alternative is perhaps even more difficult, to create something entirely new when it appears that every possible permeation has been tried.

Within capitalism, innovation, genuine or assumed, is always attributed to genius, genuine (insomuch as such a thing exists) or assumed, but Bird and Zappa were part of movements, although Zappa ultimately blew the entire competition put together, and Bird was certainly a figurehead and, solely in terms of bebop, maybe did the same.  
Most artists make their creative contribution as part of a movement, chipping away at the status quo. Julphan is one such guitarist. It's a guitar and sax pairing at the front and a piano-less quartet, both formats at the forefront of much contemporary Jazz, though with the guitar you get the best of both worlds.
But what I love about this album is the variety of sounds he achieves with his guitar(s). The album opens and closes with acoustic guitar and the album pictures him playing acoustic, and there's also much of the semi-acoustic sound we've grown accustomed to through countless albums by Wes and Metheny and their followers.
In between he produces sounds which are difficult for these untrained (and now unassisted) ears to pin down. It's more acoustic than Wes but more electric than Earl Klugh, to the point where I don't actually know what he's playing. One idea is that it's a semi-acoustic through an acoustic amp, which a rockabilly guitarist once told me is 'wrong', a word that's always a red rag.   
Wherever it comes from, it brings a freshness to this album lacking in a lot of the many guitar albums that land on Lance’s mat before they get to me whenever we find ourselves at the same venue.
It's Tilapornputt’s second album and it’s already available and well worth a listen, and not just for guitarists.

Steve T.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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