Total Pageviews

Bebop Spoken There

Michelle Coltrane: "It was Geri Allen who told me, 'Why don't you work with a guitar player? It's a lot easier. They're mobile, all the pianos are out of tune'" - DownBeat March 2018.

Verneri Pohjola: “I've been trying to get away from being 'a young and promising trumpet player' for over twenty years” DownBeat March 2018.

Today Wednesday February 21

Afternoon

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

Take it to the Bridge - The Globe, Railway Street, Newcastle NE4 7AD. 8:00pm. £1.00.

Chris Sharkey - Jazz Café, Pink Lane, Newcastle NE1 5DW. 8:00pm. £5.00. (students free). Duo with James Mainwaring.

The Village Hall New Orleans Band - Springwell Village Community Venue, Fell Road, Springwell, Gateshead NE9 7RP. 8:15pm £3.00.

Moonshine Sessions - Billy Bootleggers, 28 Nelson Street, Newcastle NE1 5AN. 8:30pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, September 28, 2016

CD Review: Julphan Tilapornputt - Regards to You

Julphan Tilapornputt (guitar), Joe Wagner (tenor sax). Jeong Hwan Park (bass), Ken Ychicawa (drums).
(Review by Steve T)
As a local guitar teacher said to me recently, everybody's a virtuoso nowadays. Julphan is one such guitarist. Originally from Thailand and now resident in New York, he's had an impressive education including a scholarship at Berklee.
However, any new guitarist who wants to make a difference within the Wes Metheny legacy needs to be a writer comparable with Stravinsky, Cole Porter, Duke or Curtis Mayfield.
The alternative is perhaps even more difficult, to create something entirely new when it appears that every possible permeation has been tried.

Within capitalism, innovation, genuine or assumed, is always attributed to genius, genuine (insomuch as such a thing exists) or assumed, but Bird and Zappa were part of movements, although Zappa ultimately blew the entire competition put together, and Bird was certainly a figurehead and, solely in terms of bebop, maybe did the same.  
Most artists make their creative contribution as part of a movement, chipping away at the status quo. Julphan is one such guitarist. It's a guitar and sax pairing at the front and a piano-less quartet, both formats at the forefront of much contemporary Jazz, though with the guitar you get the best of both worlds.
But what I love about this album is the variety of sounds he achieves with his guitar(s). The album opens and closes with acoustic guitar and the album pictures him playing acoustic, and there's also much of the semi-acoustic sound we've grown accustomed to through countless albums by Wes and Metheny and their followers.
In between he produces sounds which are difficult for these untrained (and now unassisted) ears to pin down. It's more acoustic than Wes but more electric than Earl Klugh, to the point where I don't actually know what he's playing. One idea is that it's a semi-acoustic through an acoustic amp, which a rockabilly guitarist once told me is 'wrong', a word that's always a red rag.   
Wherever it comes from, it brings a freshness to this album lacking in a lot of the many guitar albums that land on Lance’s mat before they get to me whenever we find ourselves at the same venue.
It's Tilapornputt’s second album and it’s already available and well worth a listen, and not just for guitarists.

Steve T.

No comments :

Blog Archive

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Subscribe!