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Bebop Spoken There

John Tynan: "Go ahead, call me reactionary. I happen to object to the musical nonsense being peddled in the name of jazz by John Coltrane and his acolyte Eric Dolphy." - (Downbeat November 22, 1961).

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McCoy Tyner: "If anyone want to know how the three of us - Elvin, Jimmy and me - felt about John [Coltrane], listen to the music and you can hear the love and respect we had for each other. The music can really speak more than any of us." - (Melody Maker, August 19, 1967).
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Today Monday April 24

Afternoon.
Jazz in the Afternoon - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
Evening.
?????
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, September 16, 2015

CD Review: Tipping Point – The Earthworm’s Eye View

James Mainwaring (tenor & soprano saxophones, effects), Matthew Bourne (Fender Rhodes), Michael Bardon (double bass) & Joost Hendrickx (drums)
(Review by Russell).
Tipping Point is James Mainwaring’s new project. Roller Trio’s reeds man is joined by fellow Leeds College of Music graduates Mick Bardon and Joost Hendrickx and one of their tutors, pianist Matthew Bourne. The CD is the second to be released on Lamplight Social Records, the label set up by saxophonist Mainwaring.
Ten tracks – five of them improvisations – composed by Mainwaring, The Earthworm’s Eye View is a departure from the riotous abandon of  one-time Mercury Prize contenders Roller Trio. The presence of Bourne playing Fender Rhodes is surely a significant factor in the playful group improvisations. Rat Bucket, an improvised piece constructed upon a three bar riff and twelve bar melody gets to the heart of the music. Quiet, organic improv, Mainwaring’s tenor lines working off  Bourne’s dense, shifting Fender Rhodes.
Bigsaw Jigsaw veers from the improvised to the notated, flitting from one to the other in a split second, back and forth, piecing together the composition at breakneck pace. Mick Bardon’s low-in-the-mix bass playing rumbles assuredly throughout the album and Joost Hendrickx’s drumming is in-the-pocket, variously encouraging and responding to effects thrown into the mix. ‘Effects’ or ‘FX’ can be seen – and heard – as one of Mainwaring’s instruments on The Earthworm’s View. The eponymous track successfully incorporates a tenor/FX sound with Fender Rhodes and the bristling energy of Bardon and Hendrickx.
Russell.
The Earthworm’s View on Lamplight Social Records (LRSCD00 2) is released on October 9.
Russell.         

1 comment :

  1. Tipping Point play a jazz North East gig at the Bridge Hotel, Newcastle on Sunday 8th November in a double bill with the Long Lonesome Go.

    ReplyDelete

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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