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Bebop Spoken There

Abdullah Ibrahim: "For me jazz is the highest form of music." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Saturday August 24

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Mellow Baku - St Augustine's Parish Centre, Larchfield Street, Darlington DL3 7TG. 12:30pm. £10.00. (under 16s free). Line-up: Mello Baku (vocals), John Hallam (reeds), Andy Dickens (trumpet), Ian Bateman (trombone), Tom Kincaid (piano), Rachel Hayward (guitar, banjo), John Day (double bass), Nick Millward (drums).

Jo Harrop w Paul Edis Trio - Ushaw College, Ushaw DH7 9RH. 1:00pm. £10.00. Ushaw Jazz Festival.

Boys of Brass - Bill Quay Beer & Music Festival, Brack Terrace, Bill Quay, Gateshead NE10 0TT. 3:00-4:30pm. (Festival 1:00-11pm). Tickets: £10.

Xhosa Cole-Francis Tulip Quintet - Ushaw College, Ushaw DH7 9RH. 4:00pm. £8.00. Ushaw Jazz Festival.

Evening

Matt Anderson & Paul Edis - Ushaw College, Ushaw DH7 9RH. 6:00pm. £6.00. Ushaw Jazz Festival.

Tony Kofi & the Organisation - Ushaw College, Ushaw DH7 9RH. 8:00pm. £14.00. & £12.00. Ushaw Jazz Festival.

Picturehouse Deluxe + Kay Greyson - Bobik’s, Punch Bowl Hotel, Jesmond Road, Jesmond, Newcastle NE2 3JY. 8:00pm. £5.00. Line-up: Georgia Turnbull (vocals & keys), Thomas Dixon (reeds), Jamie Mackay (guitar), Adam Cornell (bass), Ben Fitzgerald (drums).

Jam session - Ushaw College, Ushaw DH7 9RH. 10:00pm. Free. Ushaw Jazz Festival.

Blues/Funk/Soul

Teresa Watson Band - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, September 06, 2015

Jazz Machine @ The Globe - Gilligan/Glendinning @ The Jazz Café

Pepe Greenaway (alt); Adam Sams (gtr); Dave Parker (bs); Peter Ninnim (dms).
(Review by Lance).
"A work in progress" continues to be the motto of the Jazz Machine. The 'progress' is in the form of the addition to their ranks  of young guitarist Adam Sams. These days, guitarists seem to be rolling off the conveyer belt almost as frequently as girl jazz singers and, in the case of Sams, a most welcome addition. Technically accomplished, he soloed inventively and, thankfully, used the array of pedals at his feet sparingly.
The repertoire included a lot of boppy themes (Oleo; Impressions; Pent-up House; Ron Carter's Little Waltz; Tenor/Alto Madness) originals (How's That?; Black Cloud Chantelle) and standards (You've Changed; Norwegian Wood.)
The bebop lines played in unison by alto and guitar sounded good and gave the impression of a larger ensemble. Greenaway can certainly get around the horn although sometimes sounding a bit fragmentary when exploring the altissimo register.
Parker's baby bass made up in volume for what it lacked in size and his solos, an integral part of the band's format. Ninnim, as expected, drove things along nicely.
A good gig that was worthy of more support. Photos.
As the strains of Tenor (alto) Madness faded the 32 bus loomed on the horizon enabling those who were so inclined to jump on it then, two stops later, jump off it at the Jazz Café where Peter Gilligan and Steve Glendinning were reprising last Saturday at the Globe.
Nica's Dream was the number that heralded our arrival and it sounded good - this had certainly been a night for guitar enthusiasts with Steve on form and, of course, Pete on piano his ever swinging self.
A good evening all round and a well travelled one - 27 bus/Metro/22 bus/32 bus/Metro/27 bus.
Lance.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance